Black Beauty (album)

In July 1968, eight months after Love's third album Forever Changes, frontman Arthur Lee disbanded the original line-up, before regrouping with a completely new troupe of musicians. Recording three additional albums with Love, Lee found limited success and was on the verge of obscurity.[1] Influenced by his recording sessions with Jimi Hendrix in April 1970, after concluding a European tour in England, Lee forsook his folk rock roots in favor of a hard rock approach.[2] In 1972, he released his first solo effort Vindicator, the first Lee album composed in the newly adapted style, but, again, it did not fare well with music critics and buyers.[1] Despite Lee's self-doubt and unwillingness to tour, he decided to persevere with another line-up; while Love had always been a racially integrated group, Lee told drummer Joe Blocker, "I want an all-black band. I want some cats that can play funky and rock".[3] To fulfill his aspirations, Lee recruited Blocker, Melvan Whittington (lead guitar), and Robert Rozelle (bass guitar).[4]

With record producer Paul Rothchild, best known for his work with the Doors, at the helm, Love recorded throughout mid-1973.[5] Writing for the Allmusic website, Mark Deming described the group's sound, saying the material generally had a "stronger R&B undertow along with Hendrix-influenced songs and guitar work ('Midnight Sun' sounds like something Jimi could have written, and Whittington's soloing captures the mood of Hendrix's playing without lifting his licks)".[3] Deming also accounts for "some moodier numbers like 'Skid' and 'See Myself in You'".[3] On tracks "Can't Find It" and "Walk Right In", however, the band is reminiscent of the hushed ballads arranged in Forever Changes.[6]

Intended to be released on Buffalo Records, a small indie label founded by Hair producer Michael Butler, the company went bankrupt before Black Beauty could be distributed.[7] Songs from the recording sessions did however appear on Reel to Real in 1974.[8] In 2009, Sundazed Records released Love Lost, an album with two songs that later were featured on Black Beauty, including "Midnight Sun" and "Can't Find It".[9] As years progressed, poor-quality releases of the Black Beauty sessions arose, motivating Lee to push for an official release up until his death in 2006.[5]

Overseen by Lee's widow Diana and record producer George Baer Wallace, High Moon Records remastered recovered original acetates of the Black Beauty sessions, and released it on a limited 5,000-vinyl pressing on February 13, 2012 (catalogue number HMRLP-01).[10] Among the packaging for the album, there is an extensive 28-page booklet written by rock critic Ben Edmonds, each copy of the album is individually numbered, and the cover features a portrait of Lee designed by Herbert Worthington, cover photographer of Fleetwood Mac’s Rumours.[11] In 2014, High Moon reissued Black Beauty on CD format. An accompanying and expanded 62-page booklet contains discussions with former band members, and rare photos which documented the 1973 recording sessions. In addition, there are six bonus tracks: the title-song to the obscure film of the same name, "Thomasine & Bushrod", a 22-minute interview with Lee in 1974, three live performances from 1974, and Arthur Lee and Ventilator's tune, "L. A. Blues".[5][12]

Stephen M. Deusner of Pitchfork magazine wrote the Love line-up "sounds perfectly rough and unrehearsed, generating a tense energy", while also noting that "Lee sounds engaged and invigorated, forgoing the bitterness that had rankled the band for a slightly more hopeful outlook".[13] In a four-star review for Record Collector, Jason Draper considered that Black Beauty "picked up on Hendrix's late-period R&B", and had praise for the 1974 interview which produces the "fullest picture we’ll ever have of this once-lost chapter in Lee’s red book".[14] In an article for Rolling Stone magazine, critic David Fricke wrote: "Black Beauty might have been received as a strong comeback for Lee, a turn to steamy R&B with heavy-guitar punch — if it had come out".[8]

From the online magazine PopMatters rock critic Michael Fiander comments that the album "may have a totally different sonic palate than Forever Changes or Da Capo", but is uniquely similar with "Lee’s emotionally revealing lyrics and careful pop sensibilities".[6] Reviewing the deluxe reissue of the album, Rob Ross proclaimed Black Beauty "the great lost Love album", praising the cohesive effort of the group, and the quality production, "considering the only source originally known was from acetates".[15] Writing for Uncut magazine, Luke Thorn recounted the album's troubled beginning before stating "Black Beauty was intended to be a culmination, the crowning achievement of Lee’s new direction".[7]

All songs were written by Arthur Lee except where noted.

• Arthur Lee - guitar, keyboards, vocals
• Melvan Whittington - guitar, keyboards (tracks 1-9)
• Robert Rozelle - bass (tracks 1-9)
• Joe Blocker - drums, vocals (tracks 1-9)
• Craig Tarwater - guitar (track 10)
• Frank Fayad - bass (track 10)
• Don Poncher - drums (track 10)