Blonde on the Tracks

The album developed out of a long depressive period for Swift, when writing songs of her own had become increasingly difficult. Swift found listening to Dylan, and eventually singing her own version of his songs, to be "a way to have something to wake up for", she told an interviewer for the Irish Times.[2] Beyond the quality of Dylan's songwriting, Swift said in an interview with Nashville Scene that she was drawn to Dylan's "supremely confident" attitude as an artist during a time when she was acutely depressed. Swift finished six of the eight songs in 2017, working with producer Pat Sansone at Nashville's Magnetic Sound Studio, but put the project aside without releasing the songs. She was reinspired to complete the album in 2020 due to the worldwide COVID-19 quarantine as well as Dylan's own 2020 album, Rough and Rowdy Ways. Recording in home studios, Swift and her band completed two more covers, including a version of "I Contain Multitudes" from Rough and Rowdy Ways.[1]

Professional ratings

Review scores
Source	Rating
Irish Times	[2]
Under the Radar	[3]
Morning Star	[4]
American Songwriter	[5]

The album received largely positive reviews from critics.

Mark Moody of Under the Radar called the album "truly a master class in interpretation."[3] Hal Horowitz of American Songwriter praised "Swift’s sweet, innocent, usually mellifluous voice", and called the album "a generally successful, instantly likeable meeting of voice, production and of course songs," but also felt that none of the songs were "definitive ... Swift and Sansone’s approach to these Dylan chestnuts is more toned down than you might expect or anticipate."[5] Joe Breen, writing in the Irish Times, noted the difficulty in finding something new in such an often-interpreted musician as Dylan, and said that "rarely has he been covered so tenderly as on this quietly impressive (and wittily titled) collection."[2] Brittney McKenna of Nashville Scene wrote that Swift's vocals are "at once delicate and tough, recalling the sturdy sultriness of Cat Power or Jenny Lewis far more than Dylan’s own folky rasp."[1]

Greil Marcus, writing in his monthly "Real Life Rock Top 10" column, called the album an "honorable" tribute to Dylan. He singled out Swift's version of "One of Us Must Know (Sooner or Later)", calling it a "real transformation... Her high, clear voice highlights each syllable, letting you hear the words form, one seemingly following inevitably from the other, until they feel handed down, fragments of old songs now speaking to each other." He also praised Hitchcock's guitar work: "never in the way, always on the verge of fading out, making you say, no, no, not yet."[6]

All tracks are written by Bob Dylan.

• Emma Swift – vocals
• Jon Estes – bass guitar
• Robyn Hitchcock – guitar
• Jon Radford – drums and percussion
• Patrick Sansone – guitar, keyboards, bass guitar, percussion, production
• Thayer Serrano – pedal steel guitar[1][7]