Blue Afternoon

Blue Afternoon is the fourth studio album by Tim Buckley, released in 1969. It is Tim Buckley's first self-produced record and his debut for Herb Cohen and Frank Zappa's Straight record label. This was Buckley's fourth album after Tim Buckley, Goodbye and Hello, and Happy Sad. Blue Afternoon used the same group of musicians as Happy Sad, with the inclusion of drummer Jimmy Madison.

Blue Afternoon
Studio album by
Tim Buckley
Released24 November 1969
Recorded1969
Genre
Length40:47
Label
ProducerTim Buckley
Tim Buckley chronology
Happy Sad
(1969)		 Blue Afternoon
(1969)		 Lorca
(1970)
Professional ratings
Review scores
SourceRating
AllMusic[1]
Encyclopedia of Popular Music[2]

Several tracks on Blue Afternoon are songs Buckley had intended to record on earlier albums but had not completed. "Chase the Blues Away" and "Happy Time" are numbers he had worked on in the summer of 1968 for possible inclusion on Happy Sad and demos can be heard on the Rhino label's Works in Progress album.

Blue Afternoon, like Starsailor, was re-released as a stand-alone album on CD format only once in the United States, in 1989 on the Enigma Retro label. It was then later re-issued by Warners/Rhino Records UK in 2011 as part of the 'Original Album Series' box set, with Buckley's four LPs released on Elektra Records, and again in 2017 by Rhino as part of the collection Tim Buckley - The Complete Album Collection, featuring his first 7 albums plus a re-release of Works in Progress.

In late 2005, the album was made available on the iTunes Store.

Track listing

All tracks are written by Tim Buckley.

Side one
No.TitleLength
1."Happy Time"3:15
2."Chase the Blues Away"5:14
3."I Must Have Been Blind"3:40
4."The River"5:47
Side two
No.TitleLength
1."So Lonely"3:27
2."Café"5:40
3."Blue Melody"4:55
4."The Train"7:53

Personnel

References
  1. Neate, Wilson. "Blue Afternoon – Review". AllMusic. Retrieved 6 August 2020.
  2. Larkin, Colin (2007). Encyclopedia of Popular Music (4th ed.). Oxford University Press. ISBN 978-0195313734.
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