Bob Dylan bootleg recordings

There are three tapes that are commonly referred as the "Minnesota Tapes": the Minnesota party tape, and the two Minnesota hotel tapes. The first was recorded sometime in May 1961, while the last two were recorded in December of that same year. The earliest tape was recorded by Dylan's girlfriend at the time, Bonnie Beecher, while the other two were recorded by friend Tony Glover.[11] Several songs from these tapes appeared on the original Great White Wonder. They have forever been distributed across various bootlegs throughout the years, but the most complete collection was released in 1994 as The Minnesota Tapes. This collection includes both tapes in their entirety, spread across three CDs.[12]

Months after the release of his first album, Dylan gave five club appearances plus a guest set in Montreal, returning to Greenwich Village with $200 after paying his own travel and staying with locals. The five were at the Pot-pourri on Stanley Street owned by Moishe Feinberg, beginning Thursday, June 28, 1962 and for the next four evenings. The guest set was at the Finjan Club on Victoria Avenue owned by Shimon Ash after the regular show at the Pot-pourri that same night. The entire two-hour Finjan Club set on that Monday evening was recorded on a quality reel-to-reel tape recorder owned by musician Jack Nissenson but the tape remained unreleased until the Yellow Dog CD issue of 1991 entitled Bob Dylan – Live Finjan Club, Montreal Canada, July 2, 1962.[13] Folksinger Anna McGarrigle was in the small audience and recalled, "He was very sloppy looking. He was very pale and he was wearing a white shirt. He looked like a white worm."[14]

Craig Pinkerton writes, "The incredible Finjan tape belongs in every collection.... Nothing is edited here. The CD captures the moment the recorder was turned on and left to run.... The audience is pin drop quiet. So much so that this could be a studio recording. The tape is so clean that several times you can hear the guitar case snaps etc. when the stage hand opens it to retrieve harmonicas and a capo. Turn up the stereo, and suddenly Dylan is in the room with you."[15]

Several tapes of Dylan performing at the Gaslight have long been circulating among collectors, although it is not known when the first bootlegs containing them were produced. However, in 2005, Columbia Records released Live at the Gaslight 1962, which contained ten of the seventeen songs from one of these tapes. Dylan originals include "A Hard Rain's A-Gonna Fall", "Don't Think Twice, It's All Right", and an unreleased song called "John Brown".[11]

When Dylan decided to lodge his compositions with publisher Witmark Music, it became his duty to record demos of his recent compositions. Over 1963–1964, Dylan recorded over forty songs for his publishers, in his publisher's office, usually accompanying himself on piano or guitar.[11][16] Many songs were never returned to on any of Dylan's albums, such as "The Death of Emmett Till", "All Over You", and "Walkin' Down the Line". A two-CD set compiling the known forty-one of these demos was released in 1994. The complete Witmark demos were officially released by Columbia Records in 2010.

Dylan also recorded songs for the folk magazine Broadside, so they could be transcribed and possibly published.[17] Again, many of these compositions were overlooked when it came time to record an album. 1995 saw the release of many of these songs on a compilation called "Broadside". It also included three songs from a Broadside radio show, and three from the march on Washington D.C.[18]

Dylan's performances at the 1963, '64, '65, and later 2002 Newport Folk Festival have all been recorded and widely distributed. While being recorded professionally by both cameras and by a PA system during the '60s performances,[19] Dylan's 2002 concert was recorded by an off-mike audience member.[20] The 1965 festival was marked by the fact that he "went electric", much to the chagrin of folk purists. This event's recording circulated long before "Maggie's Farm", the first song played at the concert, along with "Chimes of Freedom" were released on volume seven of the Bootleg Series in 2005. Film of Dylan's conversion to electric music, as well as performances from 1963 and 1964, were released on The Other Side of the Mirror. Dylan's 2002 performance has, to this date, remained unreleased. In 2015, a bootlegged album containing a compilation of audio from The Other Side of the Mirror surfaced on the internet.

Many of the shows given on Dylan's 1966 World Tour were recorded by audience members, or officially recorded by CBS, which led to a vast archive of concert recordings. The early parts of the tour, taking place in the United States, contained "Positively Fourth Street" and "Love Minus Zero/No Limit", and "To Ramona" in the set list.[21] However, these songs were dropped as Dylan and the Hawks traveled to different locations. The electric portions were usually intense, with Dylan nearly screaming into the microphone. An official release of the long-bootlegged "Royal Albert Hall" concert finally appeared in 1998 as the fourth volume of the Bootleg Series. The entire tour was released by Columbia in a 36 disc box set called The 1966 Live Recordings in 2016.

Dylan and the Band had come to Woodstock in 1967, with the intent to shoot further scenes for the documentary Eat the Document, but their focus soon reverted to music.[22] Using equipment borrowed from Peter, Paul and Mary, Dylan and the Band began to record a vast variety of music in the basement of the Band's rented house, near Woodstock. Over the ensuing months, over 100 songs were recorded, many of them written by Dylan himself.

For many years, only the heavily edited official version of The Basement Tapes, as well as the release of the song "I'm Not There" to promote the film of the same name, offered a legal alternative to the many bootleg versions of these sessions. Material recorded in these sessions appeared on the original Great White Wonder album, and have been re-appearing ever since on bootlegs. The most complete version was White Bear's A Tree with Roots, which contains 108 tracks from the "Basement" sessions.[23]

The 139 track The Bootleg Series Vol. 11: The Basement Tapes Complete finally supplanted all actual bootleg releases of the material.

Three songs from these sessions have not surfaced in complete form: "Even if it's a Pig Part I and II" (written by The Band), "Wild Wolf" (Dylan), and "Can I Get a Racehorse?". "Even if it's a Pig Part I" circulates in incomplete form.

Since 1988, Dylan has toured consistently every year, performing nearly 100 shows every single year. His constant and seemingly ceaseless schedule was dubbed the "Never Ending Tour" by a reporter. A vast number of the shows have been recorded by audience members, and many have been released on bootleg CD. Very few recordings from the tour have been officially released; many have been single songs only, but entire concerts have been made available to the general public.