Bombshells (M*A*S*H)

"Bombshells" was the 246th episode of the M*A*S*H television series, and the sixth episode of the eleventh season. It first aired on 29 November 1982, and was rebroadcast 18 April 1983. In it, Hawkeye and Charles attempted to get Marilyn Monroe to visit the 4077th, while B.J. receives the Bronze Star for a deed he believes was far from heroic. The episode was written by Dan Wilcox and Thad Mumford and directed by Charles S. Dubin.

"Bombshells"
M*A*S*H episode
Episode no.Season 11
Episode 6
Directed byCharles S. Dubin
Written byDan Wilcox
Thad Mumford
Production code9B02
Original air dateNovember 29, 1982
Guest appearance(s)

Plot synopsis

Hawkeye and Charles start a rumor that Marilyn Monroe will be visiting the 4077th but find themselves in hot water when people start to believe it, including Col. Potter. They desperately try to arrange for Marilyn to appear, with Hawkeye going so far as to try to contact her by phone pretending to be Ted Williams. However, they are ultimately unsuccessful, and end up having to send a faked telegram purportedly from Marilyn apologizing for not being able to appear.

Meanwhile, B.J. has a chopper pilot take him out on a fishing trip. On the flight, they encounter a wounded soldier. B.J. throws the soldier a rope to haul him up into the helicopter, but at that moment the chopper is besieged by enemy fire. At the pilot's frantic behest, B.J. ends up cutting the rope and abandoning the wounded man as the chopper flies off. The pilot is impressed by B.J.'s valiant attempt to save the soldier and recommends him for a commendation; shortly thereafter, B.J. is notified he is to receive the Bronze Star. Far from gratified, B.J. is disgusted with himself for putting his own welfare first and possibly leaving a wounded man to die; he also remarks that he can no longer consider himself morally superior to those he operated on: "The minute I cut that line they made me a soldier." He eventually gives the medal to another patient.

Gerald S. O'Loughlin guest stars as General Franklin Schwerin.

Analysis

This episode has been held up as an example of the changing sociopolitical views embodied by its characters, in this instance from more to less anti-authoritarian.[1]

References
  1. David Scott Diffrient (2008). M*A*S*H. Contemporary approaches to film and television series. Wayne State University Press. pp. 65–66. ISBN 0-8143-3347-8.
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