Bucknell University Press

• J.F. Carens 1968–1972
• Michael Payne 1972–1976
• Mills F. Edgerton 1976–1996
• Greg Clingham 1996–present[5]

• Greg Clingham (English)
• Isabel Cuñado (Spanish)
• Manuel Delgado (Spanish)
• Carmen Gillespie (English and the Griot Institute for Africana Studies)
• Param Bedi (Library and Information Technology)
• James Goodale (History)
• Amy McCready (Political Science)
• Alice Poust (Spanish)
• John Rickard (English)
• Gary Sojka (Biology)
• Jeffrey Turner (Philosophy)
• Slava Yastremski (Russian and Comparative Humanities)

In July 2010, the Press joined with Rowman & Littlefield Publishing Group, an independent and international publisher of academic, trade, and popular books.[6]

In 2018 Bucknell University press partnered with Rutgers University Press, which is largely responsible for the production and worldwide distribution of books, and for issuing contracts for accepted manuscripts.

From 1954 until 2004, the Press published the Bucknell Review , a biannual scholarly journal of letters, arts and sciences, which ceased publication after 47 volumes.[7] The Bucknell Review was published in hardback and paper cover and included work from some of the leading scholars in the humanities of the time. It was under the long editorship of Harry Garvin that the journal came to prominence. Bucknell Review evolved out of Bucknell University Studies (1949–1954). It was succeeded by Aperçus: Histories Texts Cultures in 2004.

• Gladys Cook 1954–1957
• Harry Garvin 1957–1984
• Michael Payne 1984–1990
• James Heath 1984–1985
• Mark Neuman 1986–1987
• Richard Fleming 1986–1987
• Pauline Fletcher 1990–2002
• Greg Clingham 2002–2004[8]

In the 1990s, the Press published a series of books of poetry in conjunction with the Stadler Center for Poetry, also located on the Bucknell University campus.

Including 51 titles between 1999 and 2010, this series produced work in interdisciplinary eighteenth-century studies. Titles addressed critical, historical, theoretical, and cultural considerations as they touched the lives and work of particular writers and societies in eighteenth-century Britain, Ireland, Germany, France, Italy, and the Americas.

In the 1970s, the Press published the Irish Writers Series,[9] under the editorship of J.F. Carens. The series consisted of studies of more than 40 Irish writers of the 19th and 20th centuries. Each volume gives a full account of an Irish writer's career and major works, and considers the writer's background in relation to his or her writings as a whole.

Given the strong renewal of interest in Irish Studies over the past decade, the Bucknell University Press has commenced a Contemporary Irish Writers series under the editorship of John Rickard, professor of English at Bucknell University.

These guest-edited volumes, featuring critical, historical, and theoretical essays by individual scholars, address contemporary issues in the humanities.

Dealing with far-reaching questions of history and modernity, language and selfhood, and power and ethics, Latin American literature sheds light on the many-faceted nature of Latin American life, as well as on the human condition as a whole. This series of books provides a forum for some of the best criticism on Latin American literature in a wide range of critical approaches, with an emphasis on works that productively combine scholarship with theory.

This is a newer, more theoretically-informed incarnation of the format established by the Bucknell Irish Writers series of the 1970s. This series offers monographs introducing a significant contemporary Irish author's life and work and a general discussion of interpretive issues and strategies for understanding this work.

The Griot Project Book Series consists of scholarly monographs and creative works devoted to the interdisciplinary exploration of the aesthetic, artistic and cultural products and intellectual currents of historical and contemporary African America and of the African diaspora. It uses narrative as a thematic and theoretical framework for the selection and execution of its projects.

Sponsored by the Goethe Society of North America, the New Studies in the "Age of Goethe" series seeks to publish innovative, interdisciplinary research on Goethe that contextualizes the "Age of Goethe" within the fields of literature, history, philosophy, art, music, or politics.[10] The general editor is Jane Brown, Joff Hanauer Distinguished Professor of Western Civilization and Professor Emerita of Germanics and Comparative Literature, University of Washington.

Stories of the Susquehanna Valley is an emerging environmental humanities series that seeks to articulate the largely under-documented cultural narratives of the Susquehanna Valley in central Pennsylvania. General editors of the series are Katherine Faull and Alf Siewers. By using current theoretical models in cross-disciplinary environmental studies, specifically focusing on the key relationships between narrative and the environment, the series seeks to provide a holistic voice to the broader river valley and create a stronger sense of place and pride in the local and regional communities tied together by the Susquehanna River.

Under the general editorship of Richard B. Sher of NJIT and Rutgers, the series is dedicated to producing interdisciplinary scholarship on a wide variety of topics related to eighteenth-century Scotland.

Transits includes monographs and edited volumes that are global in their engagement with arts, literature, culture, and history. Books in the series have engaged with visual arts, environment, politics, material culture, travel, theater and performance, embodiment, writing and book history, sexuality, gender, disability, race, and colonialism from Britain and Europe to the Americas, the Far East and the Middle East.