Catherine Bégin

Catherine Bégin's parents were Quebec sound engineer Lucien Bégin (1895–1964) and Belgian accountant Marie-Louise Vanhavre (or Van Havre) (1906–1967), who married in 1935. They were in Paris when World War II was declared and fled to Périgueux, then Lisbon, arriving in Montreal in August 1941.[5]

Bégin graduated from the Montreal Conservatory of Dramatic Art in 1959.[1][6]

She portrayed more than a hundred roles on the stage,[7] frequently including the classical (Euripides, Corneille, Racine, Molière, Musset, Marivaux, Beaumarchais, Chekhov), contemporary (Cocteau, Arrabal, Bernhardt), and Québécoise repertoires (Marcel Dubé, Réjean Ducharme, Jovette Marchessault, Michel Garneau, Évelyne de la Chenelière). Her interpretations of Madame Rosa (La vie devant soi), Hécube (Les Troyennes), and La Mé (Jouliks) won her a Masque for Best Female Performance in a Supporting Role.[1]

She has been seen in about 30 Société Radio-Canada teleplays and in about 20 téléromans, including Septième nord, Sympohrien, Grand-Papa, Le parc des braves, Des dames de cœur, Un signe de feu, and Virginie.[1]

In the cinema, Bégin acted under the direction of Jean-Claude Lord (Délivrez-nous du mal, Panique), Denys Arcand (Stardom), Bernard Émond (Contre toute espérance), Ghyslaine Côté (Le Secret de ma mère) and Denis Côté (Elle veut le chaos).[8] She embodied the disturbing character of Mademoiselle in Pascal Laugier's genre film Martyrs. One of her last performances in the cinema was Mamy Rose, under the direction of Xavier Dolan in Laurence Anyways.[9]

As a theater instructor at Collège Lionel-Groulx for over 20 years,[3] she helped train a generation of young actors.[3][9]

Involved in the cause of a better recognition of the importance of the arts, and the improvement of the status of artists and creators in Quebec, Bégin acted as spokesperson for the World Coalition of Arts and Cultural Affairs (1986–1990). In particular, she participated in the works of the boards of directors of the Union des artistes (1976–1980) and the Association des directeurs de théâtre (1980–1984).[7] She chaired the Quebec Council of Theatre (1986–1990)[3] and the Académie québécoise du théâtre (1999–2003).[2][6]

Catherine Bégin's archival fonds (P964) are housed in the Bibliothèque et Archives nationales du Québec.[7]

• 1998 – Prix Victor-Morin[1]
• 2005 – Masque for best female performance in a supporting role, Jouliks[1]
• 2014 – Prix Gémeaux (posthumous) for Female Interpretation: Digital Media – Fiction for Michaëlle en sacrament