Charles Gavin

At age 8, his friends invited him to participate on the September 7 (Brazil's Independence Day) festival. The problem was the absence of decent percussion instruments. So, the school decided to improvise these with kitchen utensils. But there was still an instrument remaining, which would be quite difficult for a not so skillful drummer to play. Gavin, who was already used to beat the table at school, was chosen for the job. The band, commanded by Gavin, won the originality prize.

In 1975, at the year of 15, living in Jabaquara, Gavin joined ten neighbors, and during the weeks that preceded the Carnaval, they promoted noisy beats around the streets. However, his ears were focused on the discs of Led Zeppelin, Black Sabbath and Emerson, Lake & Palmer. Once the drumming life was chosen, he built himself his first own drum kit, using pieces of his father's Opala, his sofa, and two ash trays.

In 1979, when he was 19, Gavin convinced his father to buy his first true drum kit, a white Pinguim. The condition to keep the instrument was not to quit college, though. In 1982, Gavin entered administration at the Ponthifical Catholic University of São Paulo, while working at Panasonic, operating huge computers.

During his studies at PUC, he entered the band Zero Hora, and later the bands Santa Gang, Zona Franca and Os Jetsons, the latter together with Branco Mello and Ciro Pessoa, members of Titãs, the band he would join in 1985. Also with Ciro, he performed with Cabine C, but with Ira! he made more shows, and caught Titãs's attention.

Gavin cites Stewart Copeland, Neil Peart, Ginger Baker and John Bonham as some of his influences.[1]

In 25 December 1984, when he had already switched Ira! for RPM (he made it to release a two-track single with the group but left before the release of their first album), he was invited to join Titãs by vocalist Mello and keyboardist/vocalist Sérgio Britto.[1] André Jung, who left Titãs, would replace Gavin at Ira!. Gavin left his triple life and dedicated himself only to music. In 1985, he made his debut with the band and entered the studio to record their second album, Televisão. He left Titãs in 2010.

One of his main activities is to collect rare LPs. Gavin transformed this hobby in a second activity, Titãs being the first one. He re-released discs from artists like Tom Zé, Lady Zu and Novos Baianos, beyond organizing compilations for labels. Since the end of the 1980s, he has been also producing. His first production work was the album "Vítimas do Sistema", from the Brazilian band Detrito Federal, in 1988.

In 2007, he released his first book, called 300 Discos Importantes da Música Brasileira (300 Important Albums of the Brazilian Music).[2]

Married to the dancer Mariana Roquette-Pinto (who was once kidnapped in Rio de Janeiro and, after four days, rescued by the local police, in a period both were still only dating each other[3]), Gavin had two daughters with her: Dora, born in 2003, and Sofia, born in September 2005.[4]

• Titãs official website
• Charles Gavin at IMDb
• Gavin’s page at Titãs official web site (in Portuguese)