Colorless Tsukuru Tazaki and His Years of Pilgrimage

Prepublication

On 16 February 2013, the publishing company Bungeishunjū announced that Haruki Murakami's new novel was to be published in April.[5] On 15 March, the title "Colorless Tsukuru Tazaki and His Years of Pilgrimage" and the release date of 12 April were disclosed.[6]

Preorders were placed starting that day, and the sales reached 10 thousand copies on Amazon.co.jp within 11 days. It took one day fewer than its predecessor, 1Q84, to become the fastest selling book on Amazon.co.jp.[7] The publisher prepared 300,000 copies, the largest number of first edition copies of a hardcover book in the company's history. Furthermore, the number of copies to be printed over the course of three more print runs before the release date was expected to reach 450,000 copies.[8][9]

Prior to the book's release, statements such as Haruki Murakami's messages on 28 February[10] and 15 March, were issued to convey fragments of information over the course of seven statements.[11] However, details of the novel were not disclosed. Furthermore, galleys, usually given to other reviewers, newspapers, and bookstores before the publication, were not created. The knowledge of the content of the book was limited to a small number of people.[12]

Post-publication

With the book's release date announced to be at midnight on Friday 12 April 2013, late-night bookstores in metropolitan Tokyo which were to start selling the book at 0:00 a.m. witnessed long lines of more than 150 people.[13] Seven days after the release, the book had been printed 8 times for a total of over one million copies in print,[14][15] reportedly[n. 3] sold during the following month.[1] In November, point-of-sale information firm Oricon certified 985,000[16] copies sold.

Prepublication

In the two months before release, dozens of advance reviews were published (online or in print), ranging chronologically from Kirkus (15 June online, 1 July in print) to The Observer (27 and 28 July) to The New York Times (5 and 10 August) to The Australian (9 August) to The Japan Times (9 and 10 August), among others (details in External links, § Press reviews).

Chapter 5 of the translated novel appeared as the standalone "Haida's Story" on 27 July 2014 at Slate.

Post-publication

The English translation was released worldwide on Tuesday 12 August 2014 in all formats (print, digital, audio). As in Japan the year before, some bookstores held UK "midnight launches"[17][18] and US "midnight parties"[19][20] in the last hours of Monday 11 August 2014. They could thus sell the new book at 0:01 a.m. to pre-order customers ranging from dozens to hundreds, lined in the streets or gathered at evening events (such as film projections, quiz games, raffles, or karaoke contests);[17][18][19] other stores chose early openings with free coffee at 8 a.m.;[17] in Australia and New Zealand, an online competition in the preceding weeks offered to win a $3000 travel voucher[19] (to go on a "pilgrimage" of one's own).

The book topped several US bestsellers lists from its first week in the "Hardcover Fiction" category, including:

• on BookScan's Top 10, staying four weeks (#1 the first week,[2] then #2,[21] #3,[22] and #10[23])
• on NPR's Top 15, staying at least eighteen weeks (#1 the first three weeks,[3][24][25] then #3 two weeks,[26][27] #4 four weeks,[28][29][30][31] #5,[32] #6,[33] #11,[34] #14 two weeks,[35][36] #15,[37] unlisted three weeks, #14,[38] #13,[39] #11,[40] as of 11 January 2015)
• on The New York Times's Top 20, staying eight weeks (#1 the first two weeks,[4][41] then #2,[42] #6,[43] #10,[44] #16,[45] #14,[46] and #18[47])

It also peaked at #5 on iDreamBooks's Top 25 "Fiction Bestsellers",[48] staying two weeks (#5[49] and #12[50]).

Murakami supported the launch with two public appearances in the UK (his firsts since 2003): an open talk and signing on 23 and 24 August 2014 at the Edinburgh International Book Festival[51] in Scotland, and a signing on 30 August at a Piccadilly bookstore[52] in London.

The critical reception was generally positive, with some mixed responses. Review aggregator iDreamBooks gives it (as of 11 January 2015) a 73% meta-score from 61 critic reviews (48 positive, 13 negative) and 868 user ratings (76% positive).[48] Meta-reviewer Complete Review summarized 20 press reviews as, "No real consensus; many find it winning, many irritated by too much about it/Murakami's writing"[53] (in addition to their own assessment, "B+: typically Murakamian shallow depth, but goes down very nice and easy"[53]). Kirkus Reviews included the novel in its list of best books of 2014, describing it as "Another tour de force from Japan’s greatest living novelist."[54] In the review of the novel for The New York Times, Patti Smith wrote "This is a book for both the new and experienced reader. It has a strange casualness, as if it unfolded as Murakami wrote it; at times, it seems like a prequel to a whole other narrative... A shedding of Murakami skin. It is not "Blonde on Blonde," it is "Blood on the Tracks."[55] Reviewing the novel for NPR, Meg Wolitzer wrote: "Colorless Tsukuru's mystery is solved before the end, but the mystery of the spell that the great Murakami casts over his readers, myself included, goes, as ever, unsolved. The novel feels like a riddle, a puzzle, or maybe, actually, more like a haiku: full of beauty, strangeness, and color, thousands of syllables long."[56] In the review of the novel for The Washington Post, Marie Arana called it "a deeply affecting novel, not only for the dark nooks and crannies it explores, but for the magic that seeps into its characters’ subconsciouses, for the lengths to which they will go to protect or damage one another, for the brilliant characterizations it delivers along the way ... Murakami can herd the troubles of a very large world and still mind a few precious details. He may be taking us deeper and deeper into a fractured modernity and its uneasy inhabitants, but he is ever alert to minds and hearts, to what it is, precisely, that they feel and see, and to humanity’s abiding and indomitable spirit."[57]

Other reviews were mixed. The Guardian concluded: "Although as adept as ever at setting up Kafkaesque ambiguity and atmosphere, he disappointingly chooses to leave most of the mysteries unresolved. Even so, it would be a great shame if, as with Updike, the words "Nobel prize" ultimately appear only in his fiction rather than his CV."[58]

In this Bildungsroman of the realist kind (hints of the author's magical realism are left to dreams and tales), the third-person narrative follows the past and present of Tsukuru Tazaki (pronounced [taꜜzaki tsɯ̥kɯɾɯ]), a man who wants to understand why his life was derailed sixteen years ago.

In the early 1990s in his home town of Nagoya, the young Tsukuru was a fan of train stations. In high school, the two boys and two girls that were his four best friends all had a color as part of their surnames, leaving him the "colorless" one of their "orderly, harmonious community". But one day in 1995, during his second year in college, his friends abruptly cut all relationships with him. That never-explained, Kafkaesque ostracism left him feeling suicidal then guilty "as an empty person, lacking in color and identity"; and when his only college friend vanished the next semester, he felt "fated to always be alone".

Now in 2011's Tokyo, the 36-year-old engineer Tazaki works for a railroad company and builds stations. His new girlfriend Sara spurs him "to come face-to-face with the past, not as some naive, easily wounded boy, but as a grown-up" and seek his former friends to mend the relationships and find out why they rejected him, because she won't commit to him unless he can move past that issue. And so he will visit them one by one, first back in Nagoya, then in rural Finland, on a quest for truth and a pilgrimage for happiness.

Main characters:

Tsukuru Tazaki

Tsukuru Tazaki (多崎 つくる (written 多崎 作 in the family register), Tazaki Tsukuru) The protagonist, his given name is a homophone for "To make or build" and his family name doesn't contain any color symbol. The character's current age is 36. Single. Liked train stations since childhood, and now makes a living designing train stations at a railway company in Tokyo.

Eri Kurono Haatainen

Eri Kurono (黒埜 恵里, Kurono Eri) She was a high-school friend of Tsukuru, and nicknamed Kuro or "Black" (her family name means "Black Meadow"[n. 4]). Now a pottery artist, she married Edvard Haatainen, a Finn who came to Japan to learn pottery, then she moved to live in Finland as Eri Kurono Haatainen (エリ・クロノ・ハアタイネン) and now has two daughters.

Yuzuki Shirane

Yuzuki Shirane (白根 柚木, Shirane Yuzuki) She was a high-school friend of Tsukuru, and nicknamed Shiro or "White" (her family name means "White Root"). She became a private piano teacher and lived in Hamamatsu, before being strangled to death in an unsolved murder six years ago.

Kei Akamatsu

Kei Akamatsu (赤松 慶, Akamatsu Kei) He was a high-school friend of Tsukuru, and nicknamed Aka or "Red" (his family name means "Red Pine"). Now a seminar seller still in Nagoya, he has a successful business that offers employee training to big companies in the area. A closet homosexual, he feels stifled in Nagoya.

Yoshio Oumi

Yoshio Oumi (青海 悦夫, Oumi Yoshio) He was a high-school friend of Tsukuru, and nicknamed Ao[n. 5] or "Blue" (his family name means "Blue Sea"). Now a car dealer still in Nagoya, he sells Toyota's luxury car Lexus.

Sara Kimoto

Sara Kimoto (木元 沙羅, Kimoto Sara) Tsukuru's current love interest, her given name means "sal tree" and her family name "Under the tree" (or "tree base" as a non-name). Two years older than Tsukuru, she lives in Tokyo and works for a travel agency.

Fumiaki Haida

Fumiaki Haida (灰田 文紹, Haida Fumiaki) One of Tsukuru's few friends from college, his family name means "Gray Paddy".[n. 4] Two years younger than Tsukuru, he disappeared from the university before the beginning of the new semester.

Secondary characters:

Haida's father

Haida's father was a college teacher. In the 1960s, he took a leave of absence from school to travel Japan and worked odd jobs. While being employed as handyman at a small hot-springs inn, he met Midorikawa, whose strange tale he later told his son.

Midorikawa

Midorikawa (緑川) A jazz pianist from Tokyo, his family name means "Green River". According to the tale of Haida's father, he only played after placing a small bag on the piano, carried a deadly burden, and could see the color aura of people.

The stationmaster

He explains to Tsukuru that a lot of strange things are lost and found in his train station. One was a formaldehyde jar containing two severed sixth fingers.

Sakamoto

A young coworker of Tsukuru. Despite his job, his other passion is genetics.

Olga

A younger friend and colleague of Sara. An energetic Finn who works in a Helsinki travel agency. She helps Tsukuru in Finland.

Edvard Haatainen

The husband of Eri. A Finnish pottery artist. Tsukuru meets him while his wife and children are away.

The two daughters of Eri and Edvard

About 3 and 6 years old. The oldest one was named Yuzu in memory of Eri's deceased friend.

Chapters 1–3

Tsukuru Tazaki is a 36-year-old man whose defining features are his love of train stations and the fact his four best friends all ceased to speak to him during his second year at university: "Like Jonah in the belly of the whale, Tsukuru had fallen into the bowels of death, one untold day after another, lost in a dark, stagnant void." He now lives in Tokyo and has started seeing a new girlfriend, Sara Kimoto, who works at a travel agency. As he explains to her over dinner, back in Nagoya his high-school friends were called Ao, Aka, Shiro, and Kuro (Japanese for: Blue, Red, White, and Black), nicknamed after a color in their surname, unlike his "colorless" one. They used to do everything together like the five digits of a hand, until that single phone call one day, when they "announced that they did not want to see him, or talk with him, ever again. It was a sudden, decisive declaration, with no room for compromise. They gave no explanation, not a word, for this harsh pronouncement. And Tsukuru didn't dare ask."

Chapter 4

After he overcame that loss and suicidal impulses ("Perhaps he didn't commit suicide then because he couldn't conceive of a method that fit the pure and intense feelings he had towards death."), Tsukuru befriended Haida (whose name contains "Gray") at university. They started doing everything together, and listened to classical music such as Franz Liszt's Années de pèlerinage: "Most people see Liszt's piano music as more superficial, and technical. Of course, he has some tricky pieces, but if you listen very carefully [...] you discover a depth to it you don't notice at first. Most of the time it's hidden behind all these embellishments."

Chapter 5

One evening, Haida told him a strange story about his father: when he was a college student, he took a leave from his studies and worked in a secluded hot-springs inn where he met man who called himself Midorikawa (whose name contains "Green"), a jazz pianist from Tokyo who was incredibly talented: "His playing had the power to physically and viscerally move the listener, to transport you to another world." One evening, Midorikawa told him a strange story about himself: one month ago, he had willingly accepted a "death token" condemning him to die two months later unless he could pass it on to another volunteer, but despite his talent he was tired of his life : this near-death experience had opened for him "the doors of perception", making his last weeks more wonderful than the decades he was giving up, and it also made him able to see the color aura of people. During these tales, Tsukuru sometimes felt a sort of confusion between himself, Haida, his father, and Midorikawa.

Chapter 6

Later that night, while Haida slept over on his couch, Tsukuru had a strange erotic dream involving both Shiro and Kuro, who then merged and morphed into Haida before the climax. Tsukuru wondered for himself whether it was all a dream, then Haida didn't show up for next semester. All he left behind was the boxed set of Years of Pilgrimage he had lent Tsukuru.

Chapters 7–9

Sara states that if he wants to progress in his current relationship, he needs to find out what happened to move on emotionally. Since Tsukuru doesn't use the Internet, she'll help him getting started: "We live in a pretty apathetic age, yet we're surrounded by an enormous amount of information about other people. If you feel like it, you can easily gather that information about them. Having said that, we still hardly know anything about people." After using Google and Facebook to locate these former friends, she updates Tsukuru on their current whereabouts and even arranges for his travel tickets.

Chapter 10

Tsukuru travels to his home town of Nagoya and meets Ao, the former football jock who is now a successful Lexus dealer. From an apologetic Ao, he learns that Shiro had accused Tsukuru of rape, prompting all communications between the friends to cease. Shiro eventually became a successful piano teacher, but six years ago she was found strangled in an unsolved murder case.

Chapter 11

Several days later, Tsukuru arranges to meet Aka, now a trainer of corporate warriors. A successful but deeply unhappy man, Aka tells him that Shiro's story did not stack up at the time, and that Shiro seemed to have lost her love for life long before she died. Aka himself has issues, having belatedly realized after a failed marriage that he is gay, and feeling rejection from the people of Nagoya, including Ao, who dislike his somewhat shady business, taking up some psychological methods used by the Nazis. Tsukuru reassures Aka that he still cares for him and departs.

Chapters 12–13

Back at work in Tokyo, Tsukuru and his colleague Sakamoto visit a stationmaster whose strange tale reminds him of Haida's story. After discussing his findings with Sara over dinner, Tsukuru decides he has to know the rest of the story. To do so he must visit the only other surviving member of the friendship group, Kuro, who now lives in Finland with two daughters. While preparing for the visit, Tsukuru goes to buy presents for Kuro's children and sees Sara hand in hand with a middle-aged man, smiling in a way she never did with Tsukuru.

Chapters 14–15

Filled not with jealousy but with sadness, Tsukuru flies to Finland. In Helsinki, he enlists Sara's friend Olga to help him track down Kuro for an unannounced visit. The next day he drives to Hämeenlinna, the rural town where she has her holiday cottage. He first meets her husband, the Finnish potter Edvard Haatainen. When she arrives with her daughters, Edvard takes the latter to do some shopping.

Chapters 16–17

Tsukuru stays alone with Kuro, now a successful pottery artist. Eri prefers to dispense with nicknames and explains that Yuzu was mentally ill. The rape accusation was a fabrication, but he was cut off as a way of not frontally contradicting Yuzu to enable her to deal with her problems. Eri reveals that she was in love with Tsukuru, which could have played a role in the accusation, but also that Yuzu was actually raped and had a miscarriage, then developed anorexia as a way of never being pregnant again. Eri told him nothing, maybe because he never noticed her love, but mostly to prevent a confrontation with Yuzu. Tsukuru was sacrificed to protect Yuzu because the group believed he was the strongest emotionally and could deal with the ban. These redemptive revelations give the lie to Tsukuru's own perception of himself as plain and colorless.

Chapters 18–19

Tsukuru returns to Japan a wiser man. He wonders whether Yuzu had turned against him, as he was the one who first left the group of five friends, as a preemptive strike because she could not bear the thought that its members would inevitably drift apart anyway. Against Kuro's advice, he decides to press Sara on whether she is seeing someone else. Sara says she will need three days to reply. After a late-night confession of love by phone-call, the novel ends with Tsukuru still waiting.