Dangerous: The Double Album

Wallen stated:

"The 'double album' idea started off as just a joke between me and my manager because we had accumulated so many songs over the past couple of years. Then quarantine hit, and we realized it might actually be possible to have enough time to make it happen. I also ended up writing quite a few more songs during the quarantine with some of my good buddies. I also wanted the songs to speak to multiple phases of life and have multiple different sounds based on my influences and based on what I enjoy."[9]

Shortly before the release of the album, several CDs were erroneously put up for sale at certain Walmart locations in the United States. This prompted several consumers to leak clips of unreleased songs, to which Wallen responded by saying "If anyone’s gonna leak my music, it should be me" and releasing "leaks" of unreleased songs himself.[10] He also urged his fans to buy the physical release at Target instead, adding: "I don’t shop at Walmart anyway. I also gave Target two extra songs, so if you’re going to buy my album physically, go to Target, baby".[10]

Walmart responded to the issue with this statement provided to the Rolling Stone:

"We are deeply apologetic to Morgan for this unfortunate situation. We appreciate Morgan as an artist and understand his frustration and disappointment. We have protocols in place to help ensure new albums are not sold before the release date, yet in this instance his album made its way to the shelf in a handful of stores early. We’re actively removing any albums remaining on the shelves in those stores to hold until the official release date, and taking additional precautionary measures for the future."[10]

Owen Myers of Pitchfork complimented Wallen's vocals and songwriting alongside writing that "among the album’s 30 tracks there are few skips."[11] Jonathan Bernstein of Rolling Stone felt the opposite, calling the record "part album, part playlist, part content dump" and that "Wallen does not always seem up to the heavy task of pumping fresh life into well-worn topics."[12] Writing for Stereogum, Chris DeVille wrote that though "Wallen’s look is old-fashioned, his sound is thoroughly, sometimes maddeningly current" and called the record "a massive leap from his debut" while adding "if the tracklist feels excessive, it also doesn’t have a lot of weak spots" and that "the guy seems capable of becoming Garth Brooks for a new generation."[13] Jon Pareles of The New York Times wrote that Wallen "leaves ample room for musical variety" and called the record "modern Nashville studio product, aimed for radio playlists and, eventually, big concert spaces."[14]

Chris Richards, writing for The Washington Post, opined that the album "feels about 19 songs too long" and that "time never seems to be moving fast enough [on it]."[15] Dan DeLuca of The Philadelphia Inquirer wrote that the album "gets tiresome fast" and called it "overstuffed with radio-ready cliche," but did recognize Wallen's overall talent.[16] Stephen Thomas Erlewine of AllMusic wrote that "the sheer variety proves Wallen can indeed convincingly sing just about any modern country style" and felt that the album weaved between "harder country and softer pop."[17]

Dangerous: The Double Album debuted at number one on the US Billboard 200 and US Top Country Albums charts, earning 265,000 album-equivalent units (including 74,000 copies as pure album sales) in its first week, according to MRC Data.[8] This became Wallen's first US number one debut and his second on the latter.[8] The album also accumulated a total of 240.18 million on-demand streams of the album’s songs, becoming the largest streaming week ever for a country album.[8] This more than doubles the record set by Luke Combs's What You See Is What You Get.[8] In its second week, the album remained at number one on the chart, earning an additional 159,000 units making it the first country album to spend two weeks at number one since Chris Stapleton's Traveller in 2015 and the first country set to spend its first two weeks at number one since Luke Bryan's Kill the Lights that year.[18] It spent a third week at number one selling 130,000 units in its third week.

Adapted from the album liner notes.[22]

• Tom Bukovac – electric guitar
• Ben Burgess – duet vocals on "Outlaw"
• Dave Cohen – Hammond B-3 organ, keyboards
• Matt Dragstrem – programming
• Jacob Durrett – programming
• Paul Franklin – steel guitar
• Charlie Handsome – programming
• Wes Hightower – background vocals
• Mark Holman – programming
• Jake Mitchell – programming
• Joey Moi – electric guitar, programming, background vocals
• Niko Moon – programming
• Jerry Roe – drums, percussion
• Daniel Ross – programming
• Ernest K. Smith – background vocals
• Jimmie Lee Sloas – bass guitar
• Chris Stapleton – duet vocals on "Only Thing That's Gone"
• Bryan Sutton – acoustic guitar, banjo, dobro, mandolin
• Ilya Toshinsky – acoustic guitar
• Morgan Wallen – lead vocals, background vocals
• Derek Wells – accordion, electric guitar