Dark Phoenix (film)

Dark Phoenix (also marketed and later released on home media as X-Men: Dark Phoenix) is a 2019 American superhero film based on the Marvel Comics X-Men characters. It is a sequel to 2016's X-Men: Apocalypse, the seventh and final mainline installment in the X-Men film series, and the twelfth installment overall. The film was written, co-produced, and directed by Simon Kinberg (in his feature directorial debut) and stars an ensemble cast featuring James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Sophie Turner, Tye Sheridan, Alexandra Shipp, and Jessica Chastain. In Dark Phoenix, the X-Men are forced to face the full power of the Phoenix after a mission in space goes wrong.

"X-Men: Dark Phoenix" redirects here. For the comic storyline, see The Dark Phoenix Saga. For the comics characters, see Jean Grey and Phoenix Force (comics).

Dark Phoenix
Theatrical release poster
Directed bySimon Kinberg
Produced by
Written bySimon Kinberg
Based on
Starring
Music byHans Zimmer
CinematographyMauro Fiore
Edited byLee Smith
Production
company
Distributed by20th Century Fox[1]
Release date
  • June 4, 2019 (2019-06-04) (TCL Chinese Theatre)
  • June 7, 2019 (2019-06-07) (United States)
Running time
114 minutes[2]
CountryUnited States
LanguageEnglish
Budget$200 million[3][1][4]
Box office$252.4 million[1]

After X-Men: Days of Future Past (2014) erased the events of X-Men: The Last Stand (2006) from the series' timeline, Kinberg expressed interest in a new adaptation of Chris Claremont and John Byrne's "The Dark Phoenix Saga" in a future film that would be more faithful than his previous attempt with The Last Stand, which was met with a mixed reception, with even Kinberg and co-writer Zak Penn ultimately unimpressed with the final product. The new adaptation was confirmed as a follow-up to Apocalypse in 2016. Kinberg signed on as director in June 2017, with the majority of the cast was set to return from Apocalypse. Filming began later that month in Montreal and was completed in October 2017; the entire third act was later reshot in late 2018, following poor test screenings. The film was dedicated to the memory of X-Men co-creator Stan Lee, who died in 2018.

Dark Phoenix was theatrically released in the United States on June 7, 2019, produced, and distributed by 20th Century Fox. It is the lowest-grossing installment in the main series, and the second-lowest grossing X-Men film behind The New Mutants (2020), which was released in theatres during the COVID-19 pandemic. It grossed only $252 million worldwide on a $200 million production budget, which due to high marketing and distribution costs saw it lose upwards of estimated $133 million for the studio overall, becoming the biggest box office bomb of 2019 according to Deadline Hollywood. The film received generally negative reviews from critics; many viewed it as a disappointing and anticlimactic conclusion to Fox's X-Men series, although the performances of the cast and Hans Zimmer's score were praised.[5][6]

Plot

In 1975, eight-year-old Jean Grey is involved in a car crash while driving with her parents. They are both killed instantly, leaving her an orphan. Professor Charles Xavier takes her to Xavier's School for Gifted Youngsters, where he promises to teach Grey how to use her gifts for good.

In 1992, the X-Men respond to a distress signal from the Space Shuttle "Endeavour", which has been critically damaged by solar flare-themed energy. While saving the astronauts, Jean is struck by the energy. Miraculously, she survives the blast and absorbs the energy, saving her team's aircraft from destruction. However, as a result of the energy, her psychic powers are greatly amplified, and her emotional state begins to deteriorate, leading Raven Darkhölme to scold Xavier. As she becomes increasingly stressed, Jean's powers continue to become harder to control. She accidentally unleashes her power on mutants celebrating the victory in space at Xavier's school.

Xavier reveals to the rest of the X-Men that he had placed mental blocks in Jean's mind as a young girl to keep her from retaining her childhood trauma. Raven is shocked at Charles' revelation. Meanwhile, the mental blocks in Jean's mind are destroyed by her enhanced power and her childhood trauma slowly returns, filling her with rage and pain. She travels to her hometown after having visions of her father speaking to her.

Upon arriving, she finds her father alive; he had survived the car crash but forsook her afterwards. Jean recovers her complete memory of the car accident and realizes that, unable to control her powers at such a young age, she had accidentally rendered her mother unconscious at the wheel with her telepathy, inadvertently causing the crash that killed her. The realization that she is responsible for her mother's death causes her to develop post-traumatic stress disorder, and her powers spiral even further out of control. The X-Men arrive, and after a brief skirmish, Xavier pauses time to allow Raven to try to persuade Jean to come back home. However, Jean lashes out against Raven and blasts her away and with her powers. Jean also injures Peter Maximoff. Raven lands on shrapnel, which pierces through her body and kills her. Jean flees as Hank McCoy weeps over Raven's body.

Hank confronts Charles, claiming that instead of protecting the students from the world, he should have protected them from him. Jean travels to the island of Genosha, a mutant refuge run by Erik Lehnsherr. She asks for his help in controlling her rage, and initially, he agrees. However, U.S. military helicopters appear on the island shortly after, demanding Jean's surrender. She engages the military forces in combat, but Erik saves them. He then banishes Jean from the island, refusing to help her.

Jean flees again and meets Vuk, the leader of a shape-shifting alien race known as the D'Bari, who has assumed human form. She explains to Jean that the cosmic force she encountered in space has bonded to her body. Vuk then reveals that the force had wiped out the D'Bari home planet and had continued to consume all those in its path, causing destruction wherever it went until it was drawn to Jean.

Hank, grieving over Raven's death, blames Charles for failing to keep her safe. He leaves the school and allies with Erik and his faction of mutants, in an attempt to kill Jean in New York City and avenge Raven. Upon learning of Erik's plan, the X-Men fly to New York to try to save Jean. As they battle, Erik manages to enter the building and confronts Jean, only to be defeated by her amplified powers. Xavier then enters, and Jean attacks him until he convinces her to read his memories – allowing her former personality to resurface. Feeling remorseful, Jean offers to let Vuk take the force from her, who agrees. However, it is revealed that doing so would kill her and that Vuk intends to use the force to conquer Earth.

Scott Summers prevents Vuk from fully absorbing the force from Jean by blasting her with his optic beam, though Jean loses consciousness from the ordeal. U.S. government troops arrive and, using stun weapons and power-inhibiting collars, attack and subdue both mutant factions. All of the mutants are then placed on a train headed towards a containment facility.

Vuk and her D'Bari forces attack the train. When the shape-shifters overpower the soldiers, the mutants are freed from their restraints to combat the threat. Charles and Scott convince Hank, Erik, and his allies that Jean is still inherently good and not beyond help. Now united to protect Jean, the mutants deal with most of the D'Bari attackers, until Vuk arrives and heads for Jean, defeating each mutant who attempts to stop her. Charles confers with Jean within his mind, allowing her to regain control. She forgives Charles for his errors, understanding that he did what he did out of love and that the X-Men became her real family when her father abandoned her.

Jean awakens and breaks free of her restraints, saving the mutants from Vuk's attack and the ensuing train wreck before disintegrating the remaining D'Bari as they attack her. Vuk once again attempts to drain Jean of the force, but she grabs hold of Vuk and flies into outer space. Jean unleashes all her power and kills Vuk, but the strain causes her to vanish in a burst of energy in the form of a phoenix.

In the aftermath of the incident, Xavier's school is renamed the "Jean Grey School for Gifted Youngsters", and Hank becomes their new dean with Charles having retired. While settling himself in Paris, Charles is surprised at a cafe by Erik, who offers to play a game of chess. As they begin, a flaming phoenix appears in the sky.

Cast
The cast of Dark Phoenix promoting the film at the 2019 WonderCon. Top to bottom (scrollable): Hoult, Turner, Sheridan, Shipp, Smit-McPhee, and Peters.
  • James McAvoy as Professor Charles Xavier: A mutant pacifist, he founded Xavier's School for Gifted Youngsters. Many of the characters in the film turn against Xavier as some of his decisions regarding Jean Grey's abilities are revealed. Director Simon Kinberg felt that the character always acts out of concern for the "greater good," though he may make some "misguided" choices at times. Kinberg hoped that each character would come across as having "a valid point of view" in the film.[7]
  • Michael Fassbender as Erik Lehnsherr / Magneto: Quicksilver's father and a powerful mutant who can control magnetic fields and manipulate metal, he is Xavier's former best friend and often rival. Magneto has formed a community of mutant refugees on the island of Genosha,[8] which Kinberg compared to Israel in it being a homeland where mutants can be safe.[9]
  • Jennifer Lawrence as Raven Darkhölme / Mystique: A shape-shifting mutant and Xavier's adopted sister. Lawrence described her role in the film as more maternal than before, as she leads the younger X-Men.[10] The film continues growing the schism between Mystique and Xavier, with Mystique not approving of some of Xavier's methods, though Kinberg hoped that this would be more subtle in Dark Phoenix than in the previous X-Men films.
  • Nicholas Hoult as Hank McCoy / Beast: A mutant with a beastly appearance and superhuman physical abilities. He is a teacher at Xavier's School and helps lead the younger X-Men. He continues to have feelings for Mystique.
  • Sophie Turner as Jean Grey / Phoenix: An extremely powerful mutant scared of her telepathic and telekinetic powers who is one of Xavier's most prized students. The Phoenix entity is unleashed in the film, leading to a fight between the two personalities for control, leading her to grow more and more unstable. The film also explores her past. Turner studied dissociative identity disorder and schizophrenia for the role, particularly for scenes where she has to change from the vulnerable Jean to the confident Phoenix.[11] Kinberg said Turner has the lead role in the film, a first for the actress.[12] Summer Fontana portrays a young Jean Grey.
  • Tye Sheridan as Scott Summers / Cyclops: A mutant who fires concussive optic beams. The film develops his relationship with Jean Grey, which Kinberg called "a huge part of the emotional core of the movie." This forces the character to become a leader in the film,[13] as he is the most prominent character who holds on to hope as Jean grows more unstable.[9]
  • Alexandra Shipp as Ororo Munroe / Storm: An African mutant who can control the weather.
  • Evan Peters as Peter Maximoff / Quicksilver: Magneto's mutant son who can move at superhuman speed. Peters described the character as more mature and subdued in the film, being focused on using his abilities for good as a member of the X-Men.[14]
  • Kodi Smit-McPhee as Kurt Wagner / Nightcrawler: A German mutant who can teleport.
  • Jessica Chastain as Vuk / Margaret Smith: The leader of a shape-shifting alien race known as the D'Bari who seeks to capture and destroy the Phoenix. Kinberg described her as "the devil on Jean's shoulder,"[9] while Chastain called her character "clinical."[15] Chastain also plays Margaret Smith, the woman Vuk impersonates.
  • Scott Shepherd as John Grey: Jean's father.
  • Ato Essandoh as Jones: Vuk's second in command.
  • Brian d'Arcy James as the President of the United States

Additionally, Kota Eberhardt portrays telepath Selene Gallio, while Andrew Stehlin portrays Ariki, a mutant who can utilize his hair braids as a weapon; the character that was initially reported as Red Lotus.[7][16] Halston Sage briefly appears as Dazzler in the character's first cinematic appearance,[17] Hannah Anderson appears as Jean's mother Elaine, and Lamar Johnson appears as Match. Veteran X-Men writer Chris Claremont makes a cameo appearance as a White House guest during the scene when Xavier accepts his award for rescuing the crew of the space shuttle Endeavour.[18] Daniel Cudmore, who previously portrayed Colossus in the franchise, was announced to have a role, but did not appear.[19]

Production

Development

After joining the 2003 film X2, writer Zak Penn convinced director Bryan Singer not to adapt the Marvel Comics storyline "The Dark Phoenix Saga" for the film, believing it was "too soon to go into the Phoenix story and it was too soon to get cosmic."[20] The character of Jean Grey / Phoenix was instead explored "subtly", with the intention of the full story being adapted in the next film instead.[20][21] Singer did not return to direct the sequel, X-Men: The Last Stand, which was written by Penn and Simon Kinberg. The studio chose to adapt the "Dark Phoenix Saga" as only one of the film's "parallel storylines", with an executive at 20th Century Fox suggesting that the "Gifted" storyline also be in that film.[21][22] This version of the story was not well received by fans and critics. Kinberg stated that he and Penn were ultimately unhappy with how the adaptation turned out as well.[23]

After the timeline of the X-Men franchise was retconned with the 2014 film X-Men: Days of Future Past, it was noted that a new adaptation of the "Dark Phoenix Saga" could be made that ignores the events of The Last Stand. Kinberg and Singer both expressed interest in the prospect, and hinted that 2016's X-Men: Apocalypse would set up elements for a retelling. Apocalypse introduces Sophie Turner as a young Jean Grey, and begins exploring "how powerful she is."[23] By April 2016, the sequel to Apocalypse was believed to indeed re-adapt "The Dark Phoenix Saga."[24] In May 2016, Kinberg said that the next X-Men film after Apocalypse would be set in the 1990s, advancing one decade, as had been done for each of the previous few X-Men films.[25] He also noted that Apocalypse had introduced younger versions of several characters from the original X-Men films to give them a new origin story—including Storm, Cyclops, Nightcrawler, and Jean Grey—with the intention of then exploring them in their own line of films. He added that he also hoped to see the cast of the previous trilogy of films return, namely James McAvoy as Charles Xavier, Michael Fassbender as Erik Lehnsherr / Magneto, and Jennifer Lawrence as Raven Darkhölme / Mystique.[26]

In July, Kinberg said he would begin writing the next mainline X-Men film "real soon".[27] That November, Fox was said to be pressing "the reset button" on the franchise due to the financial and critical under-performance of Apocalypse, with the franchise being reconfigured and Singer not returning to direct the next film. McAvoy, Fassbender, Lawrence, and Nicholas Hoult's contracts from the previous trilogy had ended, but Kinberg was optimistically writing the new script with them in mind.[28] It was rumored in February 2017 that the next film would be titled X-Men: Supernova, and would begin filming that June.[29] Also in February, Turner confirmed that she would return for the film.[30] Kinberg was believed to be interested in making his directorial debut with the film,[31] and was described as the top contender for the job with interest from Fox. The studio was also looking to negotiate new deals with Lawrence, Fassbender, McAvoy, and Hoult to return.[32] By the end of the month, Kinberg described reports that he may direct the film as "premature," but added that if he were to direct, he would not be daunted by the scale of the film due to his experience writing and producing many of the other X-Men films. He also reiterated that he would adapt "The Dark Phoenix Saga" differently to how it was for The Last Stand if given another opportunity to do so.[33]

Writing and original two-part plan

Dark Phoenix was planned as a two-film story,[34] with a back-to-back film production. However, in late pre-production the studio decided to produce one film with the prequel cast as new management didn't want anymore X-Men movies set in the past due to the reception of X-Men: Apocalypse, which resulted in rewrites.[35][36] However, there were still plans for a Phoenix sequel with an eventual crossover with the New Mutants series based on the Inferno storyline,[37][38] but those plans were ultimately cancelled due to the Disney merger. This resulted in footage being cut from both films that were meant to set-up sequels, especially in the case of Dark Phoenix as it was meant to be two movies.[39]

Chris Claremont also confirmed the two-film plan and revealed that the first film features Phoenix and the second film was supposed to feature the Dark Phoenix. The film's purpose, according to Claremont, was to make the audience fall in love with Jean, while the second's purpose was to break their hearts.[40][41]

Concept art revealed that the film was to originally feature the return of Emma Frost with a new incarnation of the Hellfire Club. The new members were Harry Leland, Friedrich von Roehm, Fenris, Shinobi Shaw, and the Red Lotus gang (who Andrew Stehlin was originally set to play).[42] They were replaced with the Skrulls as the film's villains after the script was rewritten, but later after reshoots, the D'Bari were chosen as the alien race.[43] However, the role the aliens play in the story was still based on the Hellfire Club, with Jessica Chastain's character being inspired by Mastermind and Emma Frost.[44][45] More concept art revealed that the scene with the D’Bari watching Charles Xavier at the White House was an element from the earlier script, as the Hellfire Club can be seen watching the event on television at their lair.[46]

According to visual effects supervisor Greg Butler, the story was originally meant to be more cosmic, but that aspect of the Phoenix was meant for the second part of a two-film story.[47] In June 2017, it was rumored that the Shi'ar alien race would be featured in the film,[48] and Angelina Jolie was being looked at for a role, though she was not expected to accept the part. Jessica Chastain was also potentially being considered for the same character.[49] Chastain herself had admitted her character kept constantly changing.[50]

Simon Kinberg stated that if he had had four hours to tell the story, he would have included the Hellfire Club and Lilandra.[51]

Pre-production

Kinberg said at the start of March 2017 that he and producer Hutch Parker had begun early prep on the film, and that Supernova was just a code name they had been using for the sequel. He said that they began discussing the story for the film during post-production on Apocalypse, and that they wanted to do "something bold and radical and expand the universe in the same way that Logan feels bold and radical and certainly Deadpool does as well."[52] In pitching the film to the studio, Kinberg used real world imagery such as footage of disasters or lightning strikes, and focused on an organic and relevant approach as a response to criticisms of Apocalypse's heightened reality.[53] Fox officially titled the film Dark Phoenix in April 2017, and gave it a release date of November 2, 2018.[54] Fassbender indicated in May that he would be returning for the film,[55] and Parker soon hinted that a younger version of the character Rogue could appear, and that the film could possibly explore the cosmic elements of the "Dark Phoenix" storyline.[56][57]

Fox confirmed that Kinberg would direct the film, and that McAvoy, Fassbender, Lawrence, and Hoult had all signed on to return for one more film. In addition to Turner, Apocalypse actors Alexandra Shipp, Tye Sheridan, and Kodi Smit-McPhee were also confirmed to be returning, while producers for the film were revealed to be Kinberg and Parker. At that time, Chastain was in talks to join the cast as Shi'ar Empress Lilandra, the film's villain. The film's script was said to "hew closer" to the original "Dark Phoenix Saga" by Chris Claremont and John Byrne than The Last Stand did.[58][59] Despite being initially listed as a producer, Lauren Shuler Donner had no involvement in the film and was only given credit due to contract terms.[60][61] It was later revealed that the character Dazzler would appear in the film, after being hinted at in a scene that was eventually deleted from Apocalypse.[62] Halston Sage was cast in the role in August 2017.[63] Singer was originally announced as being a producer on the film, but following allegations of sexual abuse against Singer, Kinberg stated that he was not involved in the film and his name would not be in the film's credits.[12]

Daniel Orlandi returned as costume designer for the film after doing so on Logan,[9][64] and worked with Kinberg to come up with costumes for the X-Men that were closer to the original comic designs that Kinberg had wanted to see in the films since he first joined the franchise, but had never been in a position to control before. The final costumes for the film feature the yellow-and-blue design of the original comics, but combine features of designs from many different incarnations of the group. Kinberg also looked to Logan for general design inspiration, wanting to replicate the "naturalistic" and "handmade" quality of that film for the costumes, sets, props, and title design. He felt that this would give more impact to the large-scale elements of the film, and help it be more emotional, comparing this idea to the original Star Wars films.[9]

Filming

Principal photography began on June 28, 2017, in Montreal, Quebec,[58][65] under the working title Teen Spirit.[66] Mauro Fiore served as cinematographer.[67] Filming primarily took place at MELS Studios.[68] Before the end of the month, Evan Peters was set to reprise his role as "audience favorite" character Quicksilver from the previous films, and Lamar Johnson joined the cast in an undisclosed role.[69] At the start of August, Chastain confirmed her involvement in the film;[70] she was interested in the story, after turning down roles in other superhero films, due to its focus on female characters.[71] Kinberg said he wanted the film to be "human" and emotional like previous X-Men films, and that he was looking to ground the "Dark Phoenix Saga" story for his adaptation "so it's not too intergalactic."[72] He later clarified that the film would still include alien characters as in the comic storyline, an element that was ignored for the Last Stand adaptation but which he felt was integral to the story.[73][7] He also said that the film would tonally be less operatic than previous X-Men films, which he hoped would make it more relatable for audiences.[73] By September, Daniel Cudmore had stated that he would be appearing in the film, but could not confirm whether he would be reprising his role as Colossus from previous films in the franchise.[19] Chastain revealed that she was not actually playing Lilandra.[74] While Olivia Munn had initially said that she would reprise her role as Psylocke,[75] by February 2019, she revealed that she was unable to reprise her role due to scheduling conflicts with filming The Predator.[76] Filming was completed on October 14, 2017.[65][77]

Post-production

In December 2017, Kinberg revealed that the film would be in post-production for almost a year, longer than usual for the series, because he wanted to take the time to have the visual effects look right by focusing on the "nuance" of the effects rather than the scale.[78] He also explained that he "felt in his gut" that this was the story that he needed to tell once Singer left the franchise, and that his vision for the film was "so clear in my head, emotionally and visually, that it would have killed me to hand this to somebody else to direct." The film was described as being the most sinister and somber of the franchise, with McAvoy finding it to be the most emotional of the X-Men films he had worked on. It becomes a "fight for Jean's soul" and features a twist that was intended to have significant repercussions on the entire franchise.[79] Lawrence revealed that she had worked to convince Kinberg to direct the film, and had promised to return for it if he did so, despite her dislike of the make-up required to portray her character.[80] It was also revealed then that the film would introduce a version of the island Genosha, adapted to the film as a mutant refuge led by Magneto;[8] and that it would focus on the female characters more so than previous films in the series, particularly Jean Grey as both the protagonist and antagonist of the film, and Chastain's character, with whom Grey has a complex relationship.[71]

Fox delayed the film's release in March 2018, pushing it back from November 2, 2018 to February 14, 2019.[81] This was because Fox and Kinberg wanted to schedule some routine reshoots for the film after receiving feedback from audiences during a test screening, but were not able to get all of the necessary cast members together until August or September 2018. This would not have left enough time to complete post-production work such as visual effects for the additional footage before the November 2018 release date.[82] Specifically, Kinberg was looking to rework the third act of the film, and re-wrote part of the script ahead of the reshoots. With post-production already underway, the film was believed to have been under-budget, while the planned reshoots would cost less than $10 million. Additionally, Kinberg and the studio had been looking to change the film's release date for "some time" to avoid competing with the Christmas-oriented film The Nutcracker and the Four Realms. The new February release date was noted as having the film opening away from other major studio films, while placing it on President's Day weekend, which had proved to be successful for Deadpool and Marvel's Black Panther.[83] Addressing the reshoots, Kinberg confirmed the scheduling delays, and described the photography as a "normal" part of the film's creation that would allow him "enough time to have it ready and looking perfect."[84]

At the end of April, a Fox panel at the 2018 CinemaCon revealed the first logo for the film. It did not include "X-Men" in the title, but included a circle around the 'X' in Dark Phoenix which was compared to the X-Files logo;[85] the film was later confirmed to be simply titled Dark Phoenix in the United States, and X-Men: Dark Phoenix for release internationally.[9] By that August, the reshoots were expected to take place in Montreal over two-and-a-half weeks, though the Quebec Film and Television Bureau believed that these reshoots would take up to three months to complete, due to scheduling conflicts among the cast members.[68][86] The reshoots were set to take place at MTL Grandé studios since MELS Studios was reserved for another production during the reshoot period,[68] and had begun by August 31.[87] At the end of September, after the release of the film's first trailer, Fox again delayed the film's release, setting it for June 7, 2019. This date was seen as a better time to release the film in China, where the trailer received more attention than in the United States, while also allowing it to take advantage of premium screens that had previously been reserved for Fox's newly delayed and later canceled Gambit film.[88][89] The move was also reportedly to appease James Cameron, who had Alita: Battle Angel moved from December to February and did not want competition from another Fox would-be blockbuster; Kinberg and Dark Phoenix producers opposed the change as the film was not made for a summer and was facing heavy competition.[90]

In January 2019, Lana Condor revealed that she was unable to return as Jubilee due to her commitment to the film To All the Boys I've Loved Before (2018).[91] Lee Smith serves as editor for the film.[92] Visual effects were provided by MPC, MELS, Rising Sun Pictures, Rodeo FX, Scanline VFX and Soho VFX, with Phil Brennan serving as the main visual effects supervisor.[93]

Music
Dark Phoenix: Original Motion Picture Soundtrack
Film score by
Hans Zimmer
ReleasedJune 7, 2019 (2019-06-07)
GenreFilm score
Length67:55
LabelFox Music
Hans Zimmer chronology
Widows
(2018)		 Dark Phoenix: Original Motion Picture Soundtrack
(2019)		 The Lion King: Original Motion Picture Soundtrack
(2019)
Xperiments from Dark Phoenix
Film score by
Hans Zimmer
ReleasedAugust 2, 2019 (2019-08-02)
GenreFilm score
Length78:43
LabelRemote Control Productions
Hans Zimmer chronology
The Lion King: Original Motion Picture Soundtrack
(2019)		 Xperiments from Dark Phoenix
(2019)		 The SpongeBob Movie: Sponge on the Run
(2020)

Evan Peters stated in January 2018 that Hans Zimmer was composing the score for the film,[94] despite Zimmer having said in March 2016 that he would not score another superhero film following his experience working on Batman v Superman: Dawn of Justice.[95] Zimmer later explained that in conversations with director Ron Howard he was convinced to not keep a "blanket" view, and to focus on waiting for the right story rather than avoiding an entire genre. When Kinberg approached him at a concert to talk about his vision for Dark Phoenix, Zimmer realized that the story was one that he wanted to help tell, and that the film was an opportunity for something that he had always wanted to try in a film score; he decided to join the production.[96] In writing the film's score, Zimmer wrote new themes for the X-Men, Magneto, and the Phoenix, and chose to omit previously established themes written by previous composer John Ottman.

On May 23, 2019, the track "Extraordinary Being" by Emeli Sandé was released as the official soundtrack.[97] The soundtrack was released digitally on June 7. A second album, entitled Xperiments from Dark Phoenix, containing previously unreleased suites and themes written for the film was announced on July 25.[98] Originally planned to be released as the second disk of a two-CD set, a fan-led petition to Fox Music was made when it appeared the material would not be released. Zimmer later revealed in an interview with Scala Radio that over 16 hours of music was written for the film, and that he was fighting to get a second disk released after the critical and financial failure of the film.[99] The album was released digitally on August 2, 2019.

Track listing
No.TitleLength
1."Gap"8:07
2."Dark"4:27
3."Frameshift"8:15
4."Amity"5:52
5."Intimate"10:14
6."Negative"3:58
7."Deletion"4:51
8."Reckless"9:35
9."Insertion"7:56
10."Coda"4:40
Total length:67:55
Track listing
No.TitleLength
1."X-HZT"17:27
2."X-X"5:59
3."X-LGDP"8:07
4."X-SI"6:25
5."X-HD"3:32
6."X-MP"3:21
7."X-MT"5:03
8."X-TX"8:48
9."X-MDP"9:06
10."X-F"3:56
11."X-CH"4:58
12."X-SS"2:01
Total length:78:43

Marketing
(L:R) Writer-director Simon Kinberg, producer Hutch Parker, and stars Sophie Turner, Tye Sheridan, Nicholas Hoult, Alexandra Shipp, Evan Peters, and Kodi Smit-McPhee promoting Dark Phoenix at the 2019 WonderCon.

Turner revealed the first trailer for Dark Phoenix on The Late Late Show with James Corden on September 26, 2018, before Fox released it online. Responses to the trailer widely considered it to be too similar to X-Men: The Last Stand.[100] Graeme McMillan and Aaron Couch of The Hollywood Reporter wrote that this feeling could have been avoided if the trailer had shown more of the film's space and alien elements, which would have differentiated it from the Last Stand adaptation.[101] Scott Mendelson at Forbes called the trailer "dull," and said that its focusing on the characters rather than big effects or action was a risk by Fox, given that audiences have indicated through the box office numbers of X-Men: Apocalypse that they are not necessarily interested in this version of the X-Men characters.[102] The trailer was watched 8 million times within 24 hours on Fox's YouTube channel, but received 44 million views within that same time period across Chinese social media platforms, leading to Fox re-focusing their release plans on China.[88]

A second trailer was released on February 27, 2019, followed by a third and final trailer on April 17. All-in-all, some press estimated that the studio spent around $90 million promoting the film.[103]

In March 2019, Vanity Fair had reported that the film faced promotional difficulties as long-term employees on the marketing team vacated as the result of lay-offs from the merger with Disney. They reported that a Fox marketing executive said: "We know when we are dropping a trailer, but we are nowhere near where we should be at this time. It's frightening. I would be mad if I were a filmmaker."[104] Similar reports were made after the film's release, with The Hollywood Reporter stating that it resulted in the film having less awareness rates than any other film in the series based on a NRG tracking poll taken in May.[105] Deadline Hollywood also reported that they too heard of the marketing campaign being in disarray since February and cited it as a major factor to the film's financial failure. They also report that Disney had attempted to integrate the film into their marketing but did not have enough time, which Simon Kinberg had confirmed in a KCRW podcast.[35][106]

On May 23, 2019, the official video of the soundtrack Extraordinary Being by Emeli Sandé was released, showing moments from the film.[107]

Release

Dark Phoenix was released in the United States on June 7, 2019. It was previously slated for November 2, 2018,[54] then rescheduled to be released on February 14, 2019,[81] before being pushed to June.[88] It is known as X-Men: Dark Phoenix for release in countries outside of the United States.[9] The film is distributed by 20th Century Fox.[108] The film held its world premiere at the TCL Chinese Theatre in Hollywood, California on June 4, 2019.[109]

Home media

Dark Phoenix was released in the US on digital download by Walt Disney Studios Home Entertainment under the 20th Century Fox Home Entertainment label on September 3, 2019, and was released on Ultra HD Blu-ray, Blu-ray, and DVD on September 17.[110] For home media releases, the film was titled X-Men: Dark Phoenix.[111]

Reception

Box office

Dark Phoenix grossed $65.8 million in the United States and Canada, and $186.6 million in other territories, for a worldwide total of $252.4 million.[1] The film has been widely described as a box office failure.[112] Deadline Hollywood calculated the net loss of the film to be $133 million, when factoring together all expenses and revenues.[103]

In the United States and Canada, Dark Phoenix was released alongside The Secret Life of Pets 2, and was initially projected to gross $50–60 million from 3,721 theaters in its opening weekend, with the studio expecting a $50-million debut.[113][3] However, after making $14 million on its first day (including $5 million from Thursday night previews, the lowest X-Men total since The Wolverine's $4 million in 2013), projections were lowered to $34 million. It ended up debuting to $32.8 million, finishing second, behind The Secret Life of Pets 2. It was the lowest total of the franchise by $20 million and the first time an X-Men film did not top the box office the week of its release.[114] In its second weekend, the film fell 73% to $7.3 million, finishing fourth.[115] The following weekend the film was pulled from 1,667 theaters and made $3.5 million, finishing tenth.[116]

In other territories, the film was projected to gross $120–135 million, including $50–60 million from China, for a global debut of around $170 million.[117] The film made $13 million on its first day in China (including previews). It ended up debuting to just $103.7 million internationally and $136.5 million worldwide. Its largest markets were China ($45.6 million), South Korea ($5.1 million), Mexico ($5 million) and the United Kingdom ($4.9 million).[118]

Critical response

On Rotten Tomatoes, the film holds an approval rating of 22% based on 366 reviews, with an average rating of 4.63/10. The site's critical consensus reads, "Dark Phoenix ends an era of the X-Men franchise by taking a second stab at adapting a classic comics arc—with deeply disappointing results."[119] It is the lowest-rated installment of the X-Men film series on the website.[120] On Metacritic, the film has a weighted average score of 43 out of 100, based on 52 critics, indicating "mixed or average reviews."[121] Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale and those at PostTrak gave it an overall positive score of 69% (with an average 3 out of 5 stars) and a 49% "definite recommend."[114]

Writing for TheWrap, William Bibbiani said of the film: "It would be wonderful to report that Dark Phoenix was an impressive send-off to this long-running franchise... Instead it's just a disappointingly average superhero flick, with a familiar story, disinterested actors, some cool action sequences, and a whole lot of missed opportunities."[122] Michael Phillips of the Chicago Tribune gave the film 1.5 out of 4 stars and said, "It's hard to even render an opinion on the discrete strengths and weaknesses of a franchise that has devolved to the point of Dark Phoenix, a lavishly brutal chore nearly as violent as the Wolverine movie Logan and a movie featuring more death by impalement and whirling metal than all the Saw movies put together."[123]

Matt Goldberg of Collider gave the film a grade of "D" and wrote, "When Marvel Studios inevitably reboots X-Men, a movie like Dark Phoenix will be a forgotten relic. The characters and their world deserve better, but we'll have to wait until their next evolution."[124] Kurt Loder of Reason magazine wrote, "There are several things wrong with Dark Phoenix. I'm tempted to say everything is wrong with it, except that the picture is largely in focus and the credits appear to be correctly spelled. Other than that, though..."[125] Rodrigo Perez of The Playlist said: "Its atrocious, expository dialogue, cumbersome plot, whiplashing character motivations, unintentionally funny moments, and often corny costumes ensure Dark Phoenix will be remembered in the annals of mediocre movies."[126]

Conversely, Variety's Owen Gleiberman summarized his positive review with, "The X-Men franchise wraps up... with a functionally plotted sequel that attains a note of ominous majesty, thanks to Sophie Turner's presence as an X-Woman consumed by the awesomeness of her power."[127]

Kinberg took responsibility for the film's poor reception, stating, "I'm here, I'm saying when a movie doesn't work, put it on me. I'm the writer-director, the movie didn't connect with audiences, that's on me."[128]

"X-Women" line

Many fans and critics were put off by a line in the film uttered by Raven suggesting that the name of the titular team be changed to the "X-Women",[129][130] and expressed their opinion that the line was inserted into the script in response to feminism and the #MeToo Movement.[131][132] The clip was shown as a teaser before the movie was released in theaters, a move that Kate Erbland of IndieWire referred to as "cheeky" and a "cheap shot" on Fox's part that contributed to the movie's critical and commercial failure.[133]

Accolades

The film was nominated for two Golden Raspberry Awards but did not win either of them. It was nominated in the category Worst Prequel, Remake, Rip-off or Sequel, and Jessica Chastain was nominated as Worst Supporting Actress, but lost to Rambo: Last Blood and Rebel Wilson in Cats, respectively.[134]

Future

Initially Kinberg said in May 2016 that Dark Phoenix would be the first in a new trilogy focusing on the younger versions of the original X-Men characters.[26] However, after the acquisition of 21st Century Fox by Disney was announced in December 2017, Disney CEO Bob Iger stated that any future X-Men films would be produced by Marvel Studios as part of the Marvel Cinematic Universe, making Dark Phoenix and The New Mutants the last films in the Fox-produced series.

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