Der Plan

Kai Horn, one of the founder members, left the group suddenly before their first recording. The first single was recorded with the support of Chrislo Haas and Robert Görl (both DAF members at the time). The recording of a jam session was carried out in an underground shelter using a cassette dictation machine. In 1979 the band released 1500 units of their debut single themselves. This was the start of Der Plan's own label "Warning Records", later known as "Ata Tak". Their early recordings are reminiscent of industrial sounds of the same period (e.g. early works of US band Chrome) and had a significant influence on fellow Düsseldorf act Die Krupps as well as, eventually, on electronic pop worldwide.[1]

Kurt Dahlke aka Pyrolator (ex DAF) joined Der Plan a short time later. The group became more musical, clearly reducing the noisy elements of their songs. Their 1980 debut album Geri Reig still showed their experimental side. On this album, they strongly displayed their musical influences, which included The Residents and Throbbing Gristle. Some titles were kept deliberately "inaudible" by the members in order to explore the boundary of music.

At the end of the year, they released the single Da Vorne Steht 'Ne Ampel which had a plausible melody. Der Plan thereby began to seek out a musical framework which would lead to their later style of "Electronic Schlager" (electronic hit song), or "Synthi Pop", as they called it themselves. The single became one of the first hit tunes of Neue Deutsche Welle, and the group received offers from major record companies. Der Plan decided to remain independent within their own label, although they accepted a partial contract with Teldec to re-release the single. The LP Normalette Surprise was released in 1981 where the group developed "electronic schlagers" further and finally fixed their own style.

In 1982, Rainer Kirberg, the film director, made a film Die letzte Rache (The Last Revenge), for which Der Plan composed the soundtrack. The group not only provided the film music: Moritz R was partly responsible for the film's surrealistic scenic design, which resembled The Cabinet of Dr. Caligari-like German expressionism, whilst Frank Fenstermacher played a small role as an actor. The film was broadcast by ZDF as a part of "Das Kleine Fernsehspiel" series and received critical acclaim. The soundtrack emphasized the group's experimental side in a mixture of experimental sounds and plausible melodies as in preceding works.

In 1984, Der Plan released two singles. Gummitwist did not achieve the expected high chart position, although it was released by a major label (WEA) and enabled the group to appear on ARD's music program Formel Eins. Soon after that, the double single Golden Cheapos was released. It featured three instrumental tunes. The group subsequently released the video Japlan, after which they did a successful Japan tour. The LP entitled Japlan was quite successful in the Japanese market, but was never released in Germany. This LP work was re-released in CD in 2002.

In 1985, the compilation album LP Fette Jahre (Fat years) was released in Germany. It contained well-known single tracks, outtakes, and remixes of previous works. The record sleeve shows an ironic picture of the band members disguised in homeless type clothing.

A new album was released in 1987, entitled Es Ist Eine Fremde Und Seltsame Welt (It is a strange world). The title was taken from a famous quote of Blue Velvet by the cult director David Lynch. The sleeve is very eye-catching, as the wording and the main monochrome image are almost entirely in black. One song from this album 1 Mann, 1 Ball was later covered by Der wahre Heino.

As CDs swept across the market, Der Plan decided to release their best album in CD. It was released in 1988 under the title of Perlen.

Working for the label and record distribution activities over-shadowed the focusing on the band's music. Differences within the group about career priorities began in 1983, resulting in Moritz R leaving the label Ata Tak and moving to Hamburg. Since then Der Plan had changed from a full-time project to an occasional side-project of its members.

Nevertheless, they released yet another album, entitled Die Peitsche Des Lebens in 1989, which was much less successful than their previous works.

In 1992 Der Plan eventually split up.

In 1993 the fake live album "Live At The Tiki Ballroom ...", which is confirmed as a studio album on their official website, was released. Its first edition was accompanied by a mini CD, which contained "techno versions" of well known Der Plan titles.

Moritz R dedicated himself to painting after the group's break up. He chronicled his experiences as part of Der Plan in the book Der Plan - Glanz und Elend der Neuen Deutschen Welle (Der Plan - the Splendor and Misery of the New German Wave).

Pyrolator and Frank Fenstermacher formed a trance project A Certain Frank later. They joined another German group, Fehlfarben in 2002.

Der Plan was formed again as Der Plan v4.0 in Berlin by Moritz R, Achim Treu and JJ Jones in 2003. The album Die Verschwörung (The Conspiracy) was released in 2004.

In 2008 Der Plan was formed as Der Plan v5.0 within the online virtual world Second Life. The entirely virtual band played two gigs using scans of stage designs and masks from their real life in the early 1980s and was represented by the avatars Mo Eriksen, Moni Duettmann and Popeye235 Baxter.