Dileesh Pothan

Pothan was born in Omalloor of Manjoor panchayat-village in northern Kottayam district, Kerala. Pothan did his schooling at Emmanuel's High School, Kothanalloor. After pre-degree from Kuriakose Elias College, Mannanam, he pursued a BSc degree at St. Philomena's College, Mysore. Due to his keen interest in drama and cinema, he followed up with an M.A. in Theatre Arts at Sree Sankaracharya University of Sanskrit, Kalady and an M.Phil. in Theatre Arts from Mahatma Gandhi University, Kottayam. Pothan married Jimsy on December 2012 at St. Thomas Church, Kuruppanthara. They have a daughter and a son.[7][8]

Pothan started his film career as an assistant director to the film 9 KK Road (2010). Later on he became an associate director to Aashiq Abu. He assisted director Aashiq Abu in films like 22 Female Kottayam (2012), Da Thadiya (2012), and Gangster (2014).[9] He has also acted in small roles mostly in Aashiq Abu's films, Salt N' Pepper (2011), 22 Female Kottayam (2012), Idukki Gold (2013), Gangster (2014), Iyobinte Pusthakam (2014), and Rani Padmini (2015). He was the chief associate director in Dileesh Nair's 2014 film Tamaar Padaar.[10]

His first appearance infront of a movie camera was as a junior artist in the movie Chandranudikunna Dikkil (1999) directed by Lal Jose. Later his first proper role as an actor was in Salt N' Pepper. Till 2020 he has acted in more than 50 films. Dileesh has also co-produced movies including critically acclaimed 2019 movie Kumbalangi Nights.

Pothan ventured into film production by forming the film production company Working Class Hero in 2018, partnered by Syam Pushkaran. The firms first movie was Kumbalangi Nights.[11]

Pothen’s filmmaking style―flirting with molecule level details, imbuing vibrance; one of its kind and stamping touches of sensationalism, is from the KG George school. But Pothen is also singularly distinctive in his approach, which is a delectable medley of native roots (classy old-school) and modern kerala. In Maheshinte Prathikaram, Pothen charts a butterfly effect idiom through remarkable attention for detail and sensational film language, using every medium―song, sky, rain, space, place and drama with consummated precision.[36]

• Dileesh Pothan at IMDb