Don Shirley

Donald Walbridge Shirley was born on January 29, 1927, in Pensacola, Florida,[4] to Jamaican immigrants, Stella Gertrude (1903–1936), a teacher, and Edwin S. Shirley (1885–1982), an Episcopal priest.[5]

Shirley started to learn piano when he was two years old.[6] He briefly enrolled at Virginia State University and Prairie View College,[7] then studied with Conrad Bernier and Thaddeus Jones at Catholic University of America in Washington, D.C., where he received his bachelor's degree in music in 1953.[8]

Known as "Dr. Shirley," he had two honorary doctorates.[9]

His birthplace was sometimes incorrectly given as Kingston, Jamaica, because his label advertised him as being Jamaican-born.[4] According to some sources, Shirley traveled to the Soviet Union to study piano and music theory at the Leningrad Conservatory of Music.[10] According to his nephew, Edwin, his record label falsely claimed that he studied music in Europe to "make him acceptable in areas where a Black man from a Black school wouldn’t have got any recognition at all."[7]

In 1945, at the age of 18, Shirley performed the Tchaikovsky B-flat minor concerto with the Boston Symphony Orchestra.[6] A year later, Shirley performed one of his compositions with the London Philharmonic Orchestra.[6]

In 1949, he received an invitation from the Haitian government to play at the Exposition Internationale du Bi-Centenaire de Port-au-Prince, followed by a request from President Estimé and Archbishop Joseph-Marie Le Gouaze for a repeat performance the next week.[11]

Shirley was married to Jean C. Hill in Cook County, Illinois on December 23, 1952,[12] but they later divorced.[1][13]

Discouraged by the lack of opportunities for black classical musicians, Shirley abandoned the piano as a career for a time. He studied psychology at the University of Chicago[14] and began work in Chicago as a psychologist. There he returned to music. He was given a grant to study the relationship between music and juvenile crime, which had broken out in the postwar era of the early 1950s. Playing in a small club, he experimented with sound to determine how the audience responded. The audience was unaware of his experiments and that students had been planted to gauge their reactions.[15]

At Arthur Fiedler's invitation, Shirley appeared with the Boston Pops in Chicago in June 1954. In 1955, he performed with the NBC Symphony at the premiere of Ellington's Piano Concerto at Carnegie Hall. He also appeared on TV on Arthur Godfrey and His Friends.

Shirley's first album as a leader was Tonal Expressions, for Cadence Records.[16] It reached No. 14 on Billboard's Best-Selling Pop Albums chart in 1955.[17] During the 1950s and 1960s, he recorded many albums for Cadence, experimenting with jazz with a classical influence. In 1961, his single "Water Boy" reached No. 40 on the Billboard Hot 100 and stayed on the chart for 14 weeks. He performed in New York City at Basin Street East, where Duke Ellington heard him and they started a friendship.

The Negro Motorist Green Book listed businesses that served black travelers in the segregated South

During the 1960s, Shirley went on a number of concert tours, some in Southern states, believing that he could change some minds with his performances. For his initial tour, in 1962,[18] he hired New York nightclub bouncer Tony "Lip" Vallelonga as his driver and bodyguard. Their story is dramatized in the 2018 film Green Book,[2] the name of a travel guide for black motorists in the segregated United States.

The film controversially depicts Shirley as estranged from his family and alienated from other African Americans. Shirley's surviving family members disputed this, stating that he was involved in the Civil Rights Movement, attended the 1965 Selma to Montgomery march, and knew other African American artists and leaders. He had three brothers, and according to his family kept in contact with them.[19] Author David Hajdu, who met and befriended Shirley in the 1990s through composer Luther Henderson, wrote: "the man I knew was considerably different from the character Ali portrayed with meticulous elegance in Green Book. Cerebral but disarmingly earthy, mercurial, self-protective, and intolerant of imperfections in all things, particularly music, he was as complex and uncategorizable as his sui generis music."[20]

In late 1968, Shirley performed the Tchaikovsky concerto with the Detroit Symphony.[21] He also worked with the Chicago Symphony and the National Symphony Orchestra.[6] He wrote symphonies for the New York Philharmonic and Philadelphia Orchestra. He played as soloist with the orchestra at Milan's La Scala opera house in a program dedicated to George Gershwin's music.[22] Russian-born composer Igor Stravinsky, who was a contemporary of Shirley's, said of him, "His virtuosity is worthy of Gods."[23]

Shirley died of heart disease on April 6, 2013, at the age of 86.[1]