E.S.P. (Bee Gees album)

With the Bee Gees now back in the Warner-Elektra-Atlantic conglomerate, producer Arif Mardin was once again available to work with them.

The Gibb brothers began writing and recording songs for E.S.P. around September 1986. They worked at Maurice's home studio, informally known as Panther House, rather than at Middle Ear. Maurice set everything up and Scott Glasel was effectively the assistant engineer. Scott's recollection years later is that Barry brought in the songs as demos, featuring just his voice and guitar, and that they recorded the fuller demos based on Barry's songs. Scott also recalls Barry and Robin many times arguing heatedly over trivial things and calling off the project, only to have Maurice call Scott a few days later to let him know they were starting again.[4]

Over the previous few years Barry and Robin had become accustomed to different recording styles. Barry preferred to write the songs and record demos, then go into the studio with session players to record polished versions for release. Robin instead liked to use the recording sessions themselves to work out the songs. Maurice liked a hands-on approach and where he had a voice in production he either appears prominently on the finished tracks or worked out arrangements with a few session players during recording. The compromise recording method adopted for E.S.P. was for the brothers to start all the recordings themselves and then complete them with session players and a producer. If they started with an idea and a rhythm track, they built a song onto it as they recorded, something that would accommodate what all three preferred to do. The result of this process would then be a demo, with vocals by the three brothers and instrumentals by Maurice and Barry. The album made extensive use of the Fairlight CMI as much of the drumming was programmed using the instrument by Barry and Maurice and their engineer Scott Glasel. The Gibb instrumental tracks were done from October into 1987. The second stage appears to have been recording the main vocal tracks, and where this was done is unknown. The demo of "E.S.P." on the box set Tales from the Brothers Gibb is at this second stage. Lastly, session musicians replaced most of the instrumental parts and the brothers dubbed additional vocals. They also edited some of the tracks, inserted new sections, and sped up at least two of them. A song titled "Young Love" was scrapped from the album, and was the only outtake.[4] A demo for "Tokyo Nights" also appears to have been recorded around this time but wasn't featured on the album. The song was later recorded again and released on their following album, One.

All tracks are written by Barry, Robin, and Maurice Gibb.

Bee Gees

• Barry Gibb – vocals, guitars, drums, programming, drum programming, arranger, producer
• Robin Gibb – vocals, keyboards, arranger, producer
• Maurice Gibb – vocals, keyboards, synthesizer, guitars, bass, programming, drum programming, arranger, producer

Additional personnel