England Keep My Bones

Amidst extensive touring in support of Poetry of the Deed, Turner and his then-untitled backing band recorded Rock & Roll, an EP consisting of tracks written at the same time as Poetry of the Deed alongside new material. Following its release, Turner and the band spent twenty days[13] in January 2011, recording their next studio album with producer Tristan Ivemy. Turner noted, "I guess we worked pretty fast by most measures, but it wasn’t ever rushed, it was a really comfortable recording experience actually. We did an awful lot of pre-production and demoing, so I felt very ready to make the album once the time finally rolled around."[13]

Prior to the album's release, Turner noted that his growing commercial success had influenced his lyrical content, stating, "I could still write songs pretending to be the underdog kid, but it's just not really true anymore."[14] Turner also noted that one of the major themes of the album is that of "English national identity,"[14] stating, "it's something that I want to write songs about. I, quite self-consciously, want to make music that sounds English."[14]

Regarding the album's overall aesthetic, Turner notes, "it's not a radical departure, just maybe a little deeper ploughed into the same furrow,"[15] and stated, prior to its release, "I'm very pleased with it, I think I achieved what I set out to do, which was to make a record that falls equally between Love Ire & Song and Poetry of the Deed. The songs sound very strong to me."[16]

Turner commented on the atheist nature of closing track, "Glory Hallelujah", stating, "I have played many Christian songs on stage in my time, and have no issue with that; but one time I was singing “May the Circle Be Unbroken” onstage in Atlanta, with Chuck Ragan, and it occurred to me that it'd be nice if there was a concomitant atheist song, with the same feel, to put the other side of the argument."[15]

Following the completion of the album, Turner subsequently announced his backing band had named themselves The Sleeping Souls, after a lyric in the track, "I Am Disappeared". Regarding their contributions, Turner noted, "they arrange with me, and there’s a clear distinction. Basically I turn up with songs that are finished to the extent that they have verses, choruses, middle eights, chord progressions and vocals. I generally have some ideas about what I want people to do. People will suggest a guitar or piano line, but I retain power of veto. It’s a dictatorship, rather than a democracy. To be honest, without getting too precious about this, I pay them to be in my band. I don’t want to be in a band, if I did then I'd do that. This is my project."[17] Turner had previously stated, "I made [the album] with my band, but it feels like more of a solo record than Poetry of the Deed,"[18] and further elaborated, "Last time round, I think I was a little excited about having a stable band line-up to take into the studio; also, we worked out all the arrangements in about two weeks of intensive rehearsal. As a result the feel tended towards the rock end of the spectrum and it became a band record – which is fine, but it’s definitely in the side field of what I want to do. This time we were all on tour together pretty much the whole time when I was writing, which meant we had much longer to work on arrangements, plus I was more confident in not using people on some songs, as opposed to just throwing everything on all the time."[19]

All tracks are written by Frank Turner, except where noted.

Critical reception to the album was extremely positive, with NME describing it as "a fearless venture for an artist with something interesting to say."[20] Paste placed it at number 50 on their "Top 50 Albums of 2011" list.[21]

"I Still Believe" was released as the first single from the album (and the single from Rock & Roll EP) on 28 October 2010. This was followed by the song "Peggy Sang The Blues", Frank's tribute to his Grandma on 25 May 2011. It was then announced on 28 July 2011 that "If Ever I Stray" would be released as the album's third single. It was backed by b-side "Sailor's Boots" (previously known as "Rod Stewart") and released on 29 August 2011.

Credits adapted from Allmusic.[32]