Enough (film)

Enough, produced by Columbia Pictures, is directed by Michael Apted and written by Nicholas Kazan.[2] On November 9, 2000, New York Daily News reported that Lopez was in talks to star in Enough, "which follows a newly married young woman's descent into domestic violence after her dream man physically abuses her, causing her to go on the run".[3] Sandra Bullock was originally cast to play Slim, a waitress. In November 2000 Variety magazine reported that Bullock had to back out of Enough because of scheduling conflict with another film.[4]

On May 19, 2001, it was reported that Lopez was cast as Slim, and Once and Again actor Billy Campbell was cast as Mitch, a "wealthy contractor" and Slim's abusive husband.[4] Juliette Lewis, Noah Wyle, Dan Futterman and Fred Ward were also announced to be co-starring in the film.[2] According to Basham, filming began on May 21, 2001, and took place on location in Los Angeles, San Francisco, Port Townsend and Seattle.[4] During a documentary featured on a special edition DVD of the film, Kazan said Lopez was "very good" at creating the character on film "through unscripted details, physical gestures and fiddling with props." He described her emotional acting as "perfect pitch".[5] Apted, who heard urban legends that Lopez was a diva confessed that "She was fantastic" and good to work with.[5] He also noted Lopez "very much on the case, and that was very impressive."[5] Years later Lopez confessed that during the filming of Enough, she overworked and had a nervous breakdown.[6] In 2008, she stated: "I was suffering from a lack of sleep. And I did have a kind of nervous breakdown. I froze up on set. Well, not on a set, but in my trailer. I was like, I don't want to move, I don't want to talk, I don't want to do anything. It was on that movie, Enough. Yeah, I did. I had a nervous breakdown."[6]

The defense technique of Krav Maga was used by the character Slim to fight back against her abusive husband Mitch

Enough is a thriller film which also details an abusive relationship.[7] Kazan said it's "About the worst aspect of the male psyche is that males have been taught, traditionally, to expect to get what they want. Much of the problems that men have, or the problems that men impose on women, have to do with feeling like they’re entitled, and that women should do what men want."[5] Ryan J. Downey of MTV News said "Is America ready to see its favorite iced-up, well-manicured diva, Jennifer Lopez, all glammed-down and kicking ass as a battered wife?".[8]

Explaining the concept of the film, Lopez stated: "There's twists and turns and it's exciting [...] but it also has a message, which is what attracted me to it in the first place, which is an empowering thing." Describing its message, she said "[If] you're in these negative situations, negative relationships, whatever, you can get out [...] The power to get out of those things is always within yourself. That's the message of the movie."[8] When Lopez read the script, she knew she was "going to have to do [the] whole sequence at the end" which featured an act that required her to "become a believable lean, mean fighting machine."[8] Lopez then thought she should learn T'ai Chi or Tae Kwon Do, but was worried about learning it at an expert level in a short period of time.[8] Her personal trainer then suggested that she study Krav Maga, the "official self-defense system of the Israeli Defense Forces which has recently become trendy in the States. The fighting style focuses on combating realistic scenarios with moves that are based on common, instinctual reactions", according to MTV News.[8] Talking about the system, Lopez said: "[Krav Maga] levels out the playing field between men and women [...] Where it doesn't matter how big or tall or strong you are. You can actually maneuver around that. It's about getting out of the way, counter attacking and using whatever you can to get the upper hand."[8]

During an interview with Lopez, journalist Diane Sawyer of ABC News noted that people "in the abuse counseling industry, have said you can't tell women that, they can't do that. That something that's dangerous, even to see it in their minds."[9] Lopez responded by stating: "Well, you know, this is a movie that has the touches upon those themes, but really, it's a thriller [...] it's about empowering yourself in any situation, you know, that you have. When I read the script, I saw it as, you have the power within yourself, no matter how severe the situation can be, to change whatever that is, to find that power within yourself to change any negative situation."[9]

Sony Pictures Home Entertainment released the DVD of Enough on October 8, 2002, in Dolby Digital English and French languages, as well as subtitles.[11] A VHS edition was released on March 4, 2003. A special widescreen edition containing an aspect ratio of 2.40:1 was released on September 16, 2003; it also included Spanish language options. It has a range of extras which includes three deleted scenes: "Strip Joint Break In", "Enough Is Enough" and "Krav Maga: Contact Combat". Lopez's music video for the song's soundtrack "Alive" is also included.[5] During a "making-of" documentary for the film entitled "Max on the Set: Enough" Lopez stated she was attracted to Enough because it was "like a female Rocky".[5] Cynthia Fuchs from PopMatters wrote an in-depth review of the special addition DVD release, and said: "Just why this film needs a second DVD release is unclear, except for the apparent diktat that there is no such thing as enough or even too much J-Lo".[5]

The film earned generally negative reviews from critics, although some praised Lopez's performance. On Rotten Tomatoes, 22% of critics gave the film positive reviews, based on 124 reviews. The site's consensus states: "Enough exploits the serious issue of spousal abuse to make an illogical, unintelligent thriller."[12] On Metacritic, the film had an average score of 25% based on reviews from 32 critics.[13] Audiences surveyed by CinemaScore gave the film a grade A- on scale of A to F.[14]

Stephen Holden of The New York Times said Lopez "holds the screen in a star performance that has less to do with acting than with embodying a forceful, streetwise woman who stands up for herself", while commenting that its preview had "audience gasping" and "Enough does a better job than most movies of sustaining a mood of palpable physical menace, then confirming your worst fears".[15] Alice King of Entertainment Weekly described the film's plot as "arduously nonsensical" and felt that Lopez lacked connection with her on-screen daughter Tessa Allen, commenting that: "All this to protect a helium-voiced little girl with whom Lopez has so little chemistry, it's as if she's handling garbage rather than a small child."[16] Blake French from Contactmusic.com was underwhelmed with the development of the film, and was critical that the film does not use Slim's old friend and romantic interest enough, nor does it develop Slim's real and adopted father figures while it "uses the tiresome old 'kid' cliché. Gracie is, as always, just old enough to understand the situation, but not quite old enough to make an actual impact in the story."[17] French did praise Lopez in the end sequence, "By the final scenes, despite their obviousness, I was as engrossed in the movie as I could have been, actually rooting for J. Lo to kick some bad guy butt".[17] Mick LaSalle of the San Francisco Chronicle wrote: "Lopez has an image of being sexy and tough, but her appeal as an actress is that she's down to earth and that her emotions are accessible. There's nothing cold about her." Additionally, LaSalle felt that "It's the most tension-producing movie out there right now", stating that "it has the biggest visceral kick, capable of inspiring blood lust in otherwise peaceful viewers.[18]

ReelViews' James Berardinelli said Enough is director "[Michael] Apted at his most commercial, and, unfortunately, his least compelling."[19] Michael Atkinson of The Village Voice called Campbell the film's "primary power source", "His steely gaze and overbearing quietude are forever tainted; "Once and Again" doesn't stand a chance in Lifetime reruns".[20] Robert Koehler of Variety was negative, "Enough, a thriller detailing how a good wife gets back at an evil, possessive husband, is never provocative enough to generate strong emotional response." Roger Ebert of the Chicago Sun-Times called the film "tacky material" and was surprised to "see a director like Michael Apted and an actress like Jennifer Lopez" involved in it.[21] Paula Nechack of the Seattle Post-Intelligencer called Enough "implausible and ugly" and felt that it had already been done by actresses including Julia Roberts and Ashley Judd, and its script was "more than enough of a mess to tarnish her box-office luster."[22] Maitland McDonagh of TV Guide reviewed the film negatively, but praised the ending sequence, "If ever a movie was undermined by its packaging, it's this formulaic thriller about a resourceful battered wife and the brutal husband who won't let her go [...] the entire promotional campaign is driven by the last 20 minutes, in which Slim becomes a lean, mean fighting machine and kicks the bastard's ass".[23] Nathan Rabin of The A.V. Club said "the film's idiocy works for Lopez: Every diva needs at least one camp classic on her résumé".[24] Desson Thomson from the Washington Post emphasized his disappointment with the film, stating: "In terms of actual social conscience, the movie gets a demagogic, rabble-rousing F. It also gets a failed grade for honest writing."[25]

Jennifer Lopez was nominated for a Golden Raspberry Award for Worst Actress for her performance in the film (as well as for Maid in Manhattan) but lost in a tie to both Madonna for Swept Away and Britney Spears for Crossroads.