Ernest Borneman

Ernst Bornemann was the only child of the Jewish couple Curt and Hertha (née Blochert) Bornemann. Born and raised in Berlin, he says he was "sexually mature at fourteen, politically mature at fifteen, and intellectually mature between fourteen and sixteen". As a pupil he made the acquaintance of German Marxist poet Bertolt Brecht and also worked at the counselling centre for workers established by Austrian-Jewish psychologist Wilhelm Reich's Socialist Association for Sexual Counselling and Research, an organisation Reich had moved from Vienna to Berlin in 1930.

Another important influence in Bornemann's early life was music, especially from overseas. As a ten-year-old, at the world's fair in Paris, France, he saw musicians from Belgian Congo who fascinated him. He went to concerts in Berlin as soon as they would let him in, listening, among others, to Marlene Dietrich, the Weintraub Syncopators and jazz saxophonist Sidney Bechet. A distant relative, the ethnomusicologist Erich von Hornbostel, introduced him to his field of study, and after school Bornemann attended Hornbostel's lectures and on weekends helped out in his archive. It was Hornbostel who initiated Bornemann into the world of jazz.

A member of the Communist Party of Germany, he fled Germany in 1933 after the NSDAP came to power. He deceived authorities by posing as a member of the Hitler Youth on his way to England as an exchange student. On arriving, he sought and was granted political asylum. He soon anglicized his first name to Ernest and, by dropping the second n, his family name to Borneman.

In England, Bornemann did not procure regular employment, and instead became a writer. In 1937, Gollancz published Bornemann's The Face on the Cutting-Room Floor, which he had completed before turning 20. By 1968 he had written six novels, five under his anglicized name and one using the pseudonym Cameron McCabe.

In London, Bornemann met the Hungarian-Jewish anthropologist and psychoanalyst Géza Róheim, through whom he became interested in anthropological problems. He also took personal analytic treatment under Roheim. During his London years Bornemann was preoccupied with jazz, both theoretically and practically. He went to the concerts of famous musicians touring Britain, such as Duke Ellington and Cab Calloway, He played the piano, the double bass and the drums, and went to sea playing in dance bands on transatlantic cruise ships. He spent many hours in the British Museum Reading Room and at other institutions of learning. His notes on the origins and development of jazz grew steadily, and in 1940 he sent the first version of his study, a 580-page typescript entitled Swing Music: An Encyclopaedia of Jazz to Jewish-American anthropologist Melville J. Herskovits, then the most prominent U.S. specialist in African American studies.

In 1940, after the British declaration of war on Germany, Bornemann was deported to a detention camp in Canada as an enemy alien. He was later released to work for the BBC and on miscellaneous film projects, including one with Orson Welles.

In 1960, Bornemann moved to West Germany, at the invitation of Chancellor Konrad Adenauer, to build up a state-owned television station called Freies Fernsehen Gesellschaft (FFG, "Free TV Company"). However, following a decision of the German Federal Court the station was prevented from broadcasting. Bornemann then began studies in scientific sexology, a subject that had interested him ever since his time with Wilhelm Reich and later Géza Róheim. He received a doctorate in 1976 for a comprehensive study of the origins and future of patriarchy, published as Das Patriarchat. He went on to publish many more studies of sexuality, language and power, and later was appointed to a professorship at the University of Salzburg in Austria. The German Society for Social-Scientific Sexuality Research honored him in 1990 as the first-ever recipient of the Magnus Hirschfeld Medal for Sexual Science, for his pioneering work in investigating early childhood sexuality. Professionals working with survivors of sexual abuse of children criticized Bornemann's support for the so-called sexual liberation of children which proposed that "every child should have the right to sexual intercourse with a grown-up". They accused him of condoning pedophilia.

In the final decades of his life Bornemann lived in Scharten, Upper Austria, where he committed suicide at the age of 80 after the collapse of a love affair with a colleague 61 years his junior.

• "Afterword". In: Cameron McCabe: The Face on the Cutting-Room Floor (Gregg Press: Boston, Mass., 1981) (includes the tapescript of a long interview with Borneman conducted in 1979 by Reinhold Aman, the editor of the scholarly U.S. periodical Maledicta; reprinted in the 1986 Penguin edition of the novel)
• Ein lüderliches Leben. Portrait eines Unangepaßten, ed. Sigrid Standow (2001).

• Borneman the jazz fan (in German)
• Über Ernest Borneman, Wilhelm-Reich-Blätter, Heft 3, No.4 (1979), pp. 74–86 (in German).