George Saunders

From 1989 to 1996, Saunders worked as a technical writer and geophysical engineer for Radian International, an environmental engineering firm in Rochester, New York. He also worked for a time with an oil exploration crew in Sumatra.[12]

Since 1997, Saunders has been on the faculty of Syracuse University, teaching creative writing in the school's MFA program while continuing to publish fiction and non-fiction. In 2006, he was awarded a Guggenheim Fellowship and a $500,000 MacArthur Fellowship. He was a Visiting Writer at Wesleyan University and Hope College in 2010 and participated in Wesleyan's Distinguished Writers Series and Hope College's Visiting Writers Series. His non-fiction collection, The Braindead Megaphone, was published in 2007.[13]

Saunders's fiction often focuses on the absurdity of consumerism, corporate culture, and the role of mass media. While many reviewers mention his writing's satirical tone, his work also raises moral and philosophical questions. The tragicomic element in his writing has earned Saunders comparisons to Kurt Vonnegut, whose work has inspired him.[14]

The film rights to CivilWarLand in Bad Decline were purchased by Ben Stiller in the late 1990s; as of 2007, the project was in development by Stiller's company, Red Hour Productions.[15] Saunders has also written a feature-length screenplay based on his story "Sea Oak".[16]

In a November 2015 conversation with American writer Jennifer Egan for the New York Times, Saunders said that he was writing a novel set in the 19th century, which while "ostensibly historical" was also closer to science fiction than much of his previous work.[17]

Saunders considered himself an Objectivist in his twenties but now views it unfavorably, likening it to neoconservatism.[18] He is now a student of Nyingma Buddhism.[2]

Saunders has won the National Magazine Award for Fiction four times: in 1994, for "The 400-Pound CEO" (published in Harper's); in 1996, for "Bounty" (also published in Harper's); in 2000, for "The Barber's Unhappiness" (published in The New Yorker); and in 2004, for "The Red Bow" (published in Esquire).[19] Saunders won second prize in the 1997 O. Henry Awards for his short story "The Falls", initially published in the January 22, 1996 issue of The New Yorker.[20][21]

His first short-story collection, CivilWarLand in Bad Decline, was a finalist for the 1996 PEN/Hemingway Award.[22]

In 2001, Saunders received a Lannan Literary Fellowship in Fiction from the Lannan Foundation.[23] In 2006, he was awarded a Guggenheim Fellowship from the Guggenheim Foundation.[24] That same year, he received a MacArthur Fellowship.[25]

In 2009, Saunders received an award from the American Academy of Arts and Letters.[26][27] In 2014, he was elected to the American Academy of Arts and Sciences.[28]

In 2006, he won the World Fantasy Award for Best Short Story for his short story "CommComm", first published in the August 1, 2005 issue of The New Yorker.[29][4]

His short-story collection In Persuasion Nation was a finalist for The Story Prize in 2006.[30]

In 2013, Saunders won the PEN/Malamud Award for Excellence in the Short Story.[31]

His short-story collection Tenth of December won the 2013 Story Prize.[6] The collection also won the inaugural Folio Prize in 2014, "the first major English-language book prize open to writers from around the world."[7][32][33][8]

The collection was also a finalist for the National Book Award,[34] and was named one of the "10 Best Books of 2013" by the editors of the New York Times Book Review.[35]

In a January 2013 cover story, The New York Times Magazine called Tenth of December "the best book you'll read this year."[36]

One of the stories from the collection, "Home", was a 2011 Bram Stoker Award finalist.[37]

• National Magazine Award for Fiction, 1994 – "The 400-Pound CEO", short story, published in Harper's Magazine
• National Magazine Award for Fiction, 1996 – "Bounty", short story, published in Harper's Magazine
• National Magazine Award for Fiction, 2000 – "The Barber's Unhappiness", short story, published in The New Yorker
• National Magazine Award for Fiction, 2004 – "The Red Bow", short story, published in Esquire
• 2nd Prize in the 1997 O. Henry Awards – "The Falls", short story, published in The New Yorker (January 22, 1996 issue)
• Lannan Foundation – Lannan Literary Fellowship, 2001
• MacArthur Fellowship, 2006
• Guggenheim Fellowship, 2006
• American Academy of Arts and Letters, Academy Award, 2009
• World Fantasy Award for Best Short Story – "CommComm", published in The New Yorker (August 1, 2005 issue)
• PEN/Malamud Award for Excellence in the Short Story, 2013
• The Story Prize, 2013 – Tenth of December: Stories
• Folio Prize, 2014 – Tenth of December: Stories
• The New York Times Book Review, "10 Best Books of 2013", Tenth of December: Stories
• American Academy of Arts and Sciences, Elected as Member, 2014
• Booker Prize, 2017 – Lincoln in the Bardo
• American Academy of Arts and Letters, Inducted as Member, 2018[38]
• Premio Gregor von Rezzori, 2018

• PEN/Hemingway Award, 1996 – Finalist – CivilWarLand in Bad Decline
• The Story Prize, 2006 – Finalist – In Persuasion Nation
• National Book Award for Fiction, 2014 – Finalist – Tenth of December: Stories
• Bram Stoker Award, 2011 – Finalist – "Home" (short story)

• Lincoln in the Bardo (2017) (novel)

Collections

• CivilWarLand in Bad Decline (1996) (short stories and a novella)
• Pastoralia (2000) (short stories and a novella)
• In Persuasion Nation (2006) (short stories)
• Tenth of December: Stories (2013) (short stories)

Stories

• Saunders, George (2006). A bee stung me, so I killed all the fish (notes from the Homeland 2003–2006). Riverhead Books.[49]
• The Braindead Megaphone (2007) (collected essays)
• — (Autumn 2009). "The view from the South Side, 1970". Granta (108): 120–122.
• Congratulations, by the way: Some Thoughts on Kindness (2014)[50]
• — (July 11–18, 2016). "Trump days : up close with the candidate and his crowds". American Chronicles. The New Yorker. 92 (21): 50–61.[51]
• A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life (2021)

• Fakes: An Anthology of Pseudo-Interviews, Faux-Lectures, Quasi-Letters, "Found" Texts, and Other Fraudulent Artifacts, edited by David Shields and Matthew Vollmer (2012)