Guardians and Gladiators

Show runner Warren Leight told TV Line, "In our season premiere, our cops arrive at a crime in Central Park where a Black man has already been arrested. As civilians record their every move on cell phones, the squad makes a series of quick decisions that turn an already enraged community further against them. Throughout the episode, and the season, we’ll be looking at how explicit and implicit bias shape the criminal justice system, and also at how public scrutiny and anger, and internal conflicts, affect our squad."[3] Leight elaborated further to Forbes, "All [of our] episodes are set in the aftermath of the George Floyd protests. All law enforcement actions — from arresting a black suspect on the word of a Central Park 'Karen,' to bringing a case before a distrusting Grand Jury, even to Fin's being the target of a lawsuit from the shooting at the end of last season — are now viewed through a different prism. Our team has to adjust to a new world, and has to take a hard look at their own biases."[4]

In the midst of unrest and the pandemic, Leight also told Forbes that the SVU cast and crew were just glad to be back to work, "We were sad to end our season early, and sadder still to be off the air so long. Our show, our characters, and our city have come back strong. The episodes this fall, shot just weeks before airing, capture this moment in time with all the loss, hope, anxiety and drama that have defined 2020.”[4]

Ice-T told TMZ Live "You're going to see Mariska['s character] deal with the challenge of 'is she racist?' We have this 'Karen' situation where we pick up this Black guy, but did we profile him? Was implicit bias involved? Why didn't we question the white lady? So I really commend 'Law & Order' for hitting these topics head on, I'm very proud to be on a show that tries to stay current and tries to stay conscious."[5]

In its original American broadcast on November 12, 2020, "Guardians and Gladiators" was viewed by 3.01 million viewers and acquired a 0.6 rating/7% share in the age 18–49 demographic. "Guardians and Gladiators" was the most-watched program on NBC that night. It was tied the third-ranked program in that timeslot with CBS's Mom, Thursday Night Football on FOX winning the night with a 3.5 in the 18-49 age demo.[6]

The Ramble in Central Park is where the episode shoot and based on the birdwatching incident.

Laura Bradley at The Daily Beast commended SVU for taking a stance on racial police bias. "SVU is clearly committed to meeting the challenge head-on, primarily through its central hero Olivia Benson," she stated. "It’s clear that SVU’s writers and producers take their mandate seriously this season—and for the most part, “Guardians and Gladiators” is a fascinating look at how these shows might slowly re-imagine their roles. Still, this process is not going to be easy or seamless. SVU might’ve shifted its vantage point, but we’re still living in the same fictionalized world with the same fictional characters. We’ve known some of these characters for decades, and for all that time they have, more or less, been treated as heroes—their actions justified, their mistakes minimized, their misjudgments forgiven after generally gentle scrutiny." She continued, "Benson, Fin, and their crew are no more or less broadly representative of actual police now than they were a few years ago—but we, too, now see them in a different light. As the future continues to take shape, both on screen and in real life, it’s unclear what SVU will ultimately look like. Still, this is a fascinating first step—particularly because save for a couple questionable moments, SVU has done a good job of refusing to let its officers off the hook so far."[7]

Neetha K. at Meaww commented, "There are a lot of eyes on crime procedurals these days and of the ones that have aired, 'Law & Order' has taken a more nuanced -- and rightful -- approach in addressing the issue. The show also took a remarkable step in making Olivia admit her own bias, but what is key will be to see whether the show will continue addressing the police's bias and systemic racism throughout not just the season, but for the remainder of the show."[8] In a second article, Neetha pointed out that the self-revelation of Benson's potential bias left SVU viewers split on the issue on whether or not she is, or the extent of how much; while also noting that SVU "went much further than any other show – even its network sister show, 'Chicago PD' – in looking at the systemic racism that exists in the country and within the police and how it has affected the concept of law and order in society." She went on further, "Of course, Olivia's acceptance of her own bias was met with mixed reactions. Admittedly, even if she is a fictional character, Olivia is one of the good ones -- and the way she admitted and reflected on her bias confirms that. However, some viewers found it hard to admit that Olivia might be racist – though that is not what the show intends. However, there were viewers who appreciated the direction 'Law & Order: SVU' has taken for its 22nd season and for its lead character."[9]

TV Fanatic's Jack Ori commented on the topic of Benson's bias. "Not being a person of color, I can't speak for how viewers who experience race-based police violence in real life might have felt about this episode. [...] But from my perspective, I thought SVU did a fairly good job, not just of showing Benson's growing awareness of her own biases but also of illustrating how complicated an issue this is."[10]

Lindsay Kornick of the politically conservative website Newsbusters was more critical of the episode's portrayal of unconscious complicity within systemic racism. "For the record, no one in this episode actually explains exactly what 'self-inventory' really means in this case. Apparently, it includes calling your entire basis of work systematically racist and never stopping suspicious black men. At least they aren't entertaining the 'defund the police' idea. Unfortunately, the viral video starts to affect their work directly. Once they find the rapist, he feigns abuse from the police and claims he confessed under duress to the jury. The jury then sides with the rapist, letting him go free, while his victim remains in a coma. And even then, everyone still blames the police, claiming this wouldn't have happened if the police didn't profile a black man." Kornick concluded, "No, this wouldn’t have happened if people didn’t assume every cop was an evil racist. More importantly, this wouldn’t have happened if networks weren’t so desperate to appeal to BLM activists that they claim the characters in a show over twenty years old are now racist. Law & Order: Special Victims Unit has always been a hotbed of liberal issues, but now they’ve thrown their own premise under the bus. Considering BLM wasn’t happy with their pandering in 2015 (in reference to the 17th season episode "Community Policing"), I doubt this will change anybody's minds. Welcome to America. 2020."[11]

Meanwhile Mick Joest at Cinema Blend critiqued how SVU tackled the ongoing COVID-19 pandemic, specifically how the actors/characters were wearing their masks. "Considering the location, and the fact that Law & Order: SVU is filmed in New York City, some may have assumed that the show would go the extra mile to use proper precautions. Unfortunately, the characters in the Season 22 premiere fell well short of that, frequently removing their masks and not keeping their distance to prevent the spread of illness." Joest pointed out the different scenes where characters pulled down or completely removed a mask or didn't use proper distancing. He concluded, "In a time of quarantine and pandemic, audiences are more aware than ever when a show isn't necessarily operating according to the real world. In the real world of 2020, people (hopefully) aren't removing their mask to deliver a line to strangers. [...] Hopefully, either the characters get a bit more serious with the mask use, or the series may be in for a rough couple of weeks."[12]