Guilherme de Santa-Rita

He first attended the Academy of Fine Arts (now part of the University of Lisbon), then went to Paris on a state scholarship in 1910.[1] There, he studied at the École des Beaux-Arts. He also shared a studio with Amadeo de Souza-Cardoso and was introduced to Futurism by Filippo Tommaso Marinetti. An avowed Monarchist, after the 1910 Revolution he came into conflict with João Chagas, the Portuguese Ambassador, who was an even stronger advocate of Republicanism. This resulted in the loss of his scholarship.[2]

After his return home, he saw himself as the official representative of Futurism in Portugal and made a failed attempt to publish Marinetti's works there. In 1913, he appeared as a character in the novel A Confissão de Lúcio (Lúcio's Confession) by Mário de Sá-Carneiro.[2] Four years later, he and José de Almada Negreiros were the main participants at a conference in the Teatro República, where Futurist documents were read and a manifesto announced. That same year, he helped launch the journal Portugal Futurista.[1] Only one issue was published, and most of the copies were seized by the police due to alleged obscenity.[2]

He died of tuberculosis at his parents' home in 1918, leaving instructions to destroy all of his works.[1] A few paintings survived in the hands of collectors and friends. They are now in the possession of the Ministry of Culture and the Chiado Museum. Others were partially preserved as black and white illustrations in Portugal Futurista and a similar journal called Orpheu.

• Carlos Parreira, Santa-Rita Pintor: In Memoriam, Library of Alexandria, ISBN 1-465-56991-X (originally self-published in 1919)
• Santos, Irene Ramalho; Santos, Maria Irene Ramalho Sousa (2003). Atlantic poets: Fernando Pessoa's turn in Anglo-American modernism. University Press of New England. ISBN 978-1584652199 – via Google Books.

• "Porto expõe quadro raro de Santa-Rita" by Agostinho Santos from the Jornal de Notícias website.
• "Museu da Guarda expõe três desenhos inéditos de Santa Rita Pintor" by Rita Cipriano from the Observador website.