Guitar Interludes
Guitar Interludes is an album by American jazz guitarist Joe Pass that was released in 1969.
Guitar Interludes | ||||
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Studio album by | ||||
Released | 1969 | |||
Recorded | August 20, 1969 | |||
Studio | Amigo Studios, Los Angeles | |||
Genre | Jazz | |||
Label | Discovery | |||
Producer | Albert Marx | |||
Joe Pass chronology | ||||
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Reception
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Rolling Stone Jazz Record Guide | [2] |
Writing for Allmusic, music critic Scott Yanow wrote of the album "This odd LP certainly stands out in his discography. The five brief "Interludes," along with "Joey's Blues," feature Pass playing unaccompanied for some of the first times on record, but with the exception of the "Blues," the music is quiet and uneventful. The remaining seven selections are quite a contrast, for they feature Pass and a funky rhythm section essentially accompanying seven singers on a variety of very dated pop songs; for his part, Pass sounds quite uncomfortable."[1]
Track listing
All tracks composed by Joe Pass except where indicated
- "Interlude #1 (Song for Alison)"
- "Interlude #2 (For Bobbye)"
- "Interlude #3 (Levanto Seventy)"
- "Interlude #4 (Vesper Dreams)"
- "Interlude #5 (Shasti)"
- "Joey's Blues"
- "The Maid with the Flaxen Hair" (Claude Debussy)
- "A Time for Us" (Edwin Snyder, Larry Kusik, Nino Rota)
- "Peter Peter" (Irwin Rosman)
- "Go Back to Her" (Allen Rosman, Irwin Rosman)
- "Don't Walk Away" (Irwin Rosman)
- "Long Ago Yesterday" (Irwin Rosman)
- "Blue Carousel" (Irwin Rosman)
Personnel
- Joe Pass – guitar
- Mike Melvoin – keyboards
- Del Casher – guitar
- Vincent Terri – guitar
- Jesse Ehrlich – cello
- Monty Budwig – bass
- Jim Hughart – bass
- Colin Bailey – drums
- Frank Severino – drums
- Victor Feldman – percussion
- Bob Smale – arranger, conductor
References
- Yanow, Scott. "Guitar Interludes". AllMusic. Retrieved 21 December 2017.
- Swenson, John, ed. (1985). The Rolling Stone Jazz Record Guide (1 ed.). New York: Rolling Stone. p. 158. ISBN 0-394-72643-X.
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