Harold Everett Porter

Harold Everett Porter (19 September 1887 - 21 June 1936) was an American writer. Under the pen name of Holworthy Hall he published plays, verse, novels and short stories. He took his pseudonym from the dormitory for first-year students where he stayed at Harvard University.[1]

Harold Porter in 1917

Biography

Porter was born in Boston, Massachusetts. He was the son of Albert de Lance (D.) Porter, who was first a printer in Boston, and then a publisher in New York City as owner of the A. D. Porter Co.[1] His mother, Louella née Root, was born in Ohio and raised in Massachusetts.[2]

Holworthy Hall, Harvard University

He attended Harvard College winning a scholarship in the year 1906–1907.[3] He was on the lacrosse team in 1906–1907.[4]

Porter was the editor of the Harvard Lampoon from 1906 to 1909 and an editor of the Harvard Advocate, the campus literary magazine, from 1907 to 1909.[1]

He shared Room 13 in Holworthy Hall, the freshman's dormitory, with John Mansfield Groton,[5] next door to Robert Middlemass (with whom he collaborated on The Valiant) and the artist Julian Ellsworth Garnsey in Room 14.[6]

After graduating in 1909 he worked at the Boston publisher Little, Brown & Co., and then with his father's firm at the A.D. Porter Company. The firm published a monthly magazine, The Housewife, which he edited. His first short story under the pseudonym Holworthy Hall was printed in The Saturday Evening Post, and he continued to write short stories for the rest of his life.

In 1916, he was named the president of the A. D. Porter Company.[1]

His short story "The Same Old Christmas Story" appeared in the 1,000th edition (or so) of the Harvard Advocate in May 1916. He was characterised in a review in the rival Harvard Crimson as a "noble graduate of 1907, with a bank account, a tender heart and too much leisure."[7]

During World War I he served in the office of the Secretary of War in Washington, D.C., working in the Military Intelligence Division, as a first lieutenant and then captain. He continued to publish stories, and was demobilized as a major in the Officer Reserve Corps.[1] His two non-fiction books date from this period.

He joined the Skaneateles Country Club in 1920. He moved to France to escape the US, living in Paris and Cannes, in a house overlooking the Mediterranean. Playing golf was a particular passion, and he wrote less and less. His marriage ended in divorce, and he returned to the US alone to live in Connecticut. He continued to write stories and died in Torrington of pneumonia, aged 48.[1]

Personal life

In 1911 he married Marian 'Marnie' Heffron of Syracuse, New York. She was the daughter of Dr. John Lorenzo Heffron, the dean of the School of Medicine at Syracuse University.[1] Heffron retired in June 1922 after 40 years' connection with the teaching staff of the medical school, 15 of them as dean.[8]

After their separation/divorce she went back to the States with their three children, and became involved (as Mrs. Harold Everett Porter) with luncheons and dinners for the Boston Symphony Orchestra at the Copley-Plaza Hotel.[9]

Selected bibliography

Poems
  • "Epithalamium" (1913, Life magazine)[10]
  • "Opera Porteri" (1913, Life magazine)[11]
Short stories
Novels
Plays
Non-fiction

Light verse

Porter was evidently a great lover of classical music, and the following lines (which originally appeared in Life magazine in 1913) evoke memories of his favourite operas, singers and musicians.[16][17][18]

References

Notes
  1. KIHM 2009.
  2. Barlow, John F. "Holworthy Hall". IMDb. Retrieved 4 March 2016.CS1 maint: ref=harv (link)
  3. Cable, A. G. (May 1909). Secretary's First Report / Harvard College Class of 1909 (PDF). Cambridge (Mass.): Crimson Printing Co., printed for the Class. p. 44.
  4. Morse, J. M. (June 1908). Secretary's First Report / Harvard College Class of 1907. Cambridge (Mass.): Crimson Printing Co., printed for the Class. p. 99 [111].
  5. By 1918 he was Rev. J. M. Groton. Son of the late Rev. William M. Groton (former rector of Christ Episcopal church, Westerly). Chaplain of the Episcopal base hospital, Unit 54, of Philadelphia, in France since December 1917, was appointed chaplain in the national army in July 1918. He is rector of the Church of Our Savior, Jenkintown, Pa. Source:"Westerly". Norwich Bulletin, 26 July 1918, p. 6g-h. Retrieved 5 March 2016.
  6. Dorm History Search. Harvard College. Accessed 6 March 2016.
  7. Hart, Albert Bushnell (12 May 1916). "Anniversary Advocate Admirable". The Harvard Crimson. Retrieved 4 March 2016.
  8. "Scientific Notes and News". Science. New Series. American Association for the Advancement of Science. 56 (1436): 15–17. 7 July 1922. doi:10.1126/science.56.1436.15. JSTOR 1647388. (free access) NB In the same Notes & News section: the John Fritz Medal for applied science was awarded to Guglielmo Marconi.
  9. "Boston Symphony Orchestra: 52nd season 1932-1933. Programme". 13 March 1933, p. 15. Retrieved 6 March 2016.
  10. Appeared in My next imitation.
  11. Life was founded by Edward S. Martin, Holworthy Hall Room 4, also co-founder of Lampoon, which Porter edited.
  12. Revolves around an imaginary doctoral thesis, 'The Rôle of Vision in the Mental Life of a Mouse'. The Scrap Book 9, 5 (1910), p. 773. See Messing 2014, pp. 139, 260. The Scrap Book was edited by Frank Munsey. See also Online Books Page: The Scrap Book.
  13. Includes "The Same Old Christmas Story", reprinted in the Harvard Advocate, May 1916. "It reads like that story of Bunner's, where the brave little boy sells the gold brick to a kind old gentleman, and thus provides a Christmas for the family of the unsuccessful bunco steerer."[7]
  14. "The author always makes his characters talk easily and amusingly, but his plot is too complicated and unreal to rivet attention." Review in "The New Books". The Outlook, 11 April 1917, p. 668.
  15. "The Valiant", McClure's (March 1921, p. 8)
  16. "Opera Porteri". The Theatre. XVII (143): 18. January 1913. Retrieved 18 April 2018.
  17. Treating 'Porter' as a Latin second declension noun like 'puer', the title might be roughly translated as 'The operas of Porter', or even 'Porter's opera'; classics scholars would have recognised a pun on titles like Herodoti opera / 'The works of Porter'.
  18. The words fit fairly well to the tune of Mattinata (YouTube) by Leoncavallo.
Sources


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