Helplessness Blues

Helplessness Blues is the second studio album by American indie folk band Fleet Foxes, released on May 3, 2011 on Sub Pop and Bella Union. Much like its predecessor Fleet Foxes (2008), Helplessness Blues received universal acclaim from critics, going on to be nominated for Best Folk Album for the 54th Grammy Awards. The release peaked at number 4 on the Billboard 200, the band's highest position on the chart to date. To support the album, the Fleet Foxes embarked on a worldwide Helplessness Blues Tour.

Helplessness Blues
Studio album by
ReleasedMay 3, 2011 (2011-05-03)
Recorded2010
Studio
Genre
Length49:56
Label
Producer
Fleet Foxes chronology
Fleet Foxes
(2008)
Helplessness Blues
(2011)
Crack-Up
(2017)

Helplessness Blues is the band's first studio album to feature bass guitarist Christian Wargo and multi-instrumentalist Morgan Henderson. It is also the only Fleet Foxes album to feature drummer and backing vocalist Josh Tillman, who left the band in 2012 to pursue his solo career under the name Father John Misty.

Recording

Robin Pecknold had initially hoped that the Fleet Foxes could’ve released their second album in 2009; however, the band's touring schedule had caused them some setbacks. They got together to rehearse new songs in February 2009 in a rented house outside Seattle, but the sessions were mostly scrapped, costing the band $60,000 of their own money. After their tour in support of the 2008 releases ended, Pecknold mentioned the possibility of starting to record new songs, but Josh Tillman, Fleet Foxes' drummer and co-song arranger, was scheduled to play Europe and North America all along the 2009-10 winter as part of his solo musical act.

Added to this, Phil Ek, the band's producer and friend answered in an interview that he was likely to continue as the producer as Robin had already sent him some demos to start listening to. In an interview with Pitchfork Media, Pecknold stated he expected the album to be released sometime in the second half of 2010. In an interview with Rolling Stone Magazine, Pecknold admitted that his girlfriend of five years found the stress this album placed on their relationship too much, and ended things. Upon hearing the completed album, she realized that Pecknold's efforts were worth it, and they tried to work it out.[6] The couple has since split up.[7]

Pecknold has come out saying for their second album he tried to sound "less poppy, less upbeat and more groove-based". Taking inspiration from Roy Harper's folk album Stormcock, or at least its 12-string guitar he said: "That will be the primary sonic distancing from the last record". Added to this, he stated they wanted to record very quickly, saying he wanted to do the "vocal takes in one go, so even if there are fuck-ups, I want them to be on there. I want there to be guitar mistakes. I want there to be not totally flawless vocals. I want to record it and have that kind of cohesive sound. Van Morrison's Astral Weeks, to me, is the best-sounding album because it sounds like there were only six hours in the universe for that album to be recorded in. So I want it to have that feeling."[8]

The band had recorded since April 2010 in different locations (including West Hurley, New York) after two years of writing material and decided to scrap the earlier idea of a fast recording (though according to the band, the vocal takes so far have all been done in one take, perhaps in line with the original imperfect recording idea).

Release

The album cover was illustrated by a Seattle artist Toby Liebowitz and painted by artist Christopher Anderson.[9] The title track, "Helplessness Blues" was released via free download on January 31, 2011, and the album's fourth track, "Battery Kinzie" premiered on Zane Lowe's show on March 22. Their record label, Sub Pop, also released a downloadable music video made up of recording and other miscellaneous footage set to "Grown Ocean" on its site in support of the album. For Record Store Day on April 16, the band released a 12" double A-side single of the title track backed with "Grown Ocean" in the US and with "Battery Kinzie" in Europe.[10]

On November 1, the video for "The Shrine / An Argument" was released via Sub Pop's YouTube account and Sean Pecknold's Vimeo account.[11]

Critical reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?8.1/10[12]
Metacritic85/100[13]
Review scores
SourceRating
AllMusic[2]
The A.V. ClubA[14]
Entertainment WeeklyB−[15]
The Guardian[16]
The Independent[17]
Los Angeles Times[18]
NME4/10[19]
Pitchfork8.8/10[20]
Rolling Stone[3]
Spin9/10[4]

Helplessness Blues received widespread critical acclaim from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 85 based on 42 reviews, which indicates "universal acclaim".[13] Larry Fitzmaurice of Pitchfork wrote that the album's "analytical and inquisitive nature never tips into self-indulgence" and that "amidst the chaos, the record showcases the band's expanded range and successful risk-taking, while retaining what so many people fell in love with about the group in the first place."[20] Chris Martins of The A.V. Club praised the album's "sophisticated, truth-seeking songs",[14] while Alexis Petridis of The Guardian called it "almost laughably beautiful."[16] Andy Gill, writing in The Independent, felt that Fleet Foxes "manage to make giant strides creatively without jettisoning their core sound."[17] Robert Christgau, who was dismissive of the band's previous releases, gave the album a one-star honorable mention, indicating "a worthy effort consumers attuned to its overriding aesthetic or individual vision may well like," and declared it "darker and more socially conscious than either their escapist admirers or their ideological detractors are equipped to notice."[21]

The album was nominated for Best Folk Album for the 54th Grammy Awards.[22]

Accolades

Publication Accolade Year Rank
Consequence of Sound Top 50 Albums of 2011 2011
The Guardian The Best Albums of 2011 2011
Paste The 50 Best Albums of 2011 2011
Paste The 100 Best Indie Folk Albums of All Time 2020
33[1]
Pitchfork The Top 50 Albums of 2011 2011
Pitchfork The 200 Best Albums of the 2010s 2019
135[27]
PopMatters The 75 Best Albums of 2011 2011
Rolling Stone 50 Best Albums of 2011 2011
Spin The 50 Best Albums of 2011 2011
Stereogum Top 50 Albums of 2011 2011
Uncut The Top 50 Albums of 2011 2011

Track listing

All tracks are written by Robin Pecknold, arranged by Fleet Foxes.

No.TitleLength
1."Montezuma"3:36
2."Bedouin Dress"4:30
3."Sim Sala Bim"3:14
4."Battery Kinzie"2:50
5."The Plains / Bitter Dancer"5:54
6."Helplessness Blues"5:02
7."The Cascades"2:08
8."Lorelai"4:25
9."Someone You'd Admire"2:30
10."The Shrine / An Argument"8:06
11."Blue Spotted Tail"3:05
12."Grown Ocean"4:36
Total length:49:56

Credits and personnel

Credits adapted from the album's liner notes.[33]

Musicians

Fleet Foxes

Additional musicians

  • Alina To – violin on "Bedouin Dress" and "The Shrine / An Argument"
  • Bill Patton – pedal and lap steel guitar on "Grown Ocean"
  • Hanna Benn – string arrangement assistance on "Bedouin Dress"

Recording

  • Phil Ek – co-producer, engineer, mixing
  • Greg Calbi – mastering at Sterling Sound
  • Adam Armstrong – recording assistant
  • Trevor Spencer – recording assistant
  • Jonny Mendoza – recording assistant
  • Cathy Ferrante – recording assistant
  • Jay Follette – recording assistant
  • Brian Kornfeld – recording assistant
  • Davey Brozowski – recording assistant

Studios

Art

  • Toby Liebowitz – cover mind-map illustration
  • Chris Alderson – color
  • Sean Pecknold – photo collage, design, all photography
  • Olivia Park-Sargent – sunburst painting
  • Robin Pecknold – type design
  • Dusty Summers – design

Charts

Certifications

Region CertificationCertified units/sales
United Kingdom (BPI)[61] Gold 164,918[62]

References

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  3. Fricke, David (April 28, 2011). "Helplessness Blues". Rolling Stone. Retrieved February 11, 2016.
  4. Petrusich, Amanda (May 3, 2011). "Fleet Foxes, 'Helplessness Blues' (Sub Pop)". Spin. Retrieved February 11, 2016.
  5. David Peisner (May 31, 2017). "How the Fleet Foxes Frontman Got Out to Get Back In". The New York Times. Retrieved November 8, 2020. Fleet Foxes’ first two albums of meticulous, expansive folk-rock have sold more than two million copies worldwide
  6. Breihan, Tom (2009-12-03). "Fleet Foxes' Robin Pecknold Talks Next Album, Side Projects, Creative Struggle". Pitchfork Media. Retrieved 2009-12-04.
  7. "Robin Pecknold — Olivia, In A Separate Bed". All Things Go. All Things Go, LLC. Retrieved 28 August 2012.
  8. Michaels, Sean (2009-12-07). "Fleet Foxes Recording 'Pretty Boring' Second Album". The Guardian. London. Retrieved 2009-05-22.
  9. Alissa (2011-01-31). "Fleet Foxes Announce Second Album, Helplessness Blues, Pre-Order Now". Sub Pop Records. Archived from the original on 2013-01-15.
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  13. "Reviews for Helplessness Blues by Fleet Foxes". Metacritic. Retrieved February 11, 2016.
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