Henry de Groux

De Groux was the son of the painter and engraver Charles de Groux. Like his father, he trained at the Académie Royale des Beaux-Arts in Brussels. Henry was elected a member of les XX in 1886, but was expelled in 1890 when he refused to have his works displayed in the same gallery as Vincent van Gogh. He shared a studio with the Belgian painter William Degouve de Nuncques for a time in the 188os.[3]^:230

De Groux subsequently moved to Paris, where he befriended Émile Zola. During the social unrest resulting from the Dreyfus affair, de Groux acted as one of Zola's bodyguards. In Paris he also rubbed shoulders with other artists such as Toulouse-Lautrec, Whistler, Gauguin, Ensor, Rodin and Debussy. He also frequented many writers, including his future son-in-law Emile Baumann, Stéphane Mallarmé, Guillaume Apollinaire, Oscar Wilde, Léon Bloy - with whom he maintained a fusional friendship - Verlaine, Zola, Heredia, Gide, Milosz, Remy de Gourmont and Joris-Karl Huysmans.

Henri de Groux exhibited all over Europe at the salons of Paris, Brussels, Ostend, Spa, Amsterdam, London and Florence. In the latter places he was interned in a psychiatric hospital. He escaped from it and walked all the way to back to Marseille.

He illustrated various literary works. He contributed lithographs to L'Estampe originale (1893) and L'Épreuve (1895).

De Groux had a reputation of a bohemian living a wild and disorderly life. In the preamble of Léon Bloy's book La Femme pauvre (The Poor Woman) de Groux is described as follows : With the exception of our great painter Henry de Groux, who has descended as deeply as you and as heartily into my black pit? (La Part Commune Edition, 1897).[4]

His elder daughter Elisabeth de Groux was an engraver. She married Emile Baumann who after his father in laws business write a revealing biography[5] titled The terrible life of Henry de Groux.[6]

As well as a painter, de Groux was a fervent diarist. Starting from 1892, he produced 18 volumes detailing his life as a European artist in the late 19th and early 20th centuries. In 2002, his descendants donated these volumes to the Institut national d'histoire de l'art; selected excerpts were published in 2007.[7][8]

Apollinaire wrote of De Groux's exhibition in Paris at the Salon d'Automne 1911, praising with "...gives one the impression of an immense labor and a sensibility of the highest order..."

Paintings

• 
  Christ Attacked by a Mob (1889), oil on canvas,
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  Bacchanal (date unknown), oil on canvas, 90 x 83 cm., private collection
• 
  The Barque of Don Juan (date unknown), oil on canvas, 75 x 104 cm., private collection
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  Ride of the Valkyries (ca. 1890), Royal Museums of Fine Arts of Belgium, Brussels
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  The Great Upheaval (1893), oil on canvas, 76 x 98 cm., private collection
• 
  Zola Insulted (1898), oil on canvas, 81 x 109,5 cm., private collection
• 
  The Death of Siegfried (1899), oil on canvas, 118 x 148 cm., private collection
• 
  The Grotto (c. 1900), demotions unknown
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  Figures at a Ball (c. 1902), oil on canvas, demotions unknown, private collection
• 
  Portrait of James Ensor (1907), oil on canvas, Mu.ZEE, Ostend
• 
  Portrait of Paul Verlaine (date unknown), oil on canvas, 46 x 38 cm., Royal Museums of Fine Arts of Belgium, Brussels
• 
  The Death of Andronicus (1926), Fin-de-Siècle Museum (French: Musée Fin-de-Siècle, Brussels

Prints and graphics

• 
  Owl with Two Chicks Sitting on Branch (1893), lithograph, 34.5 x 25 cm.
• 
  Grenade Launcher (c. 1914-1918)
• 
  Gas Masks (c. 1914-1918)
• 
  The Massacre (c. 1914-1918)
• 
  Dies irae (c. 1914-1918)
• 
  Portrait of Henry de Groux by his daughter Elisabeth

• Media related to Henry de Groux at Wikimedia Commons