Hernando de Cabezón

He was born in Madrid and probably studied music with his father. From January to December 1559 he was employed at the royal chapel, where his father worked, as a substitute organist. He was appointed organist of the Sigüenza Cathedral in 1563, and when his father died in 1566, he succeeded him as royal organist. Like his father, he accompanied the court on its travels; this brought him to Portugal, among other places, where he lived in 1580–1581. In 1598, when Philip II of Spain died, Cabezón went on as royal organist with his son Philip III of Spain. He drafted his will in 1598 and died four years later in Valladolid.[1]

Only a few of Cabezón's compositions survive. He is chiefly remembered for Obras de música para tecla, arpa y vihuela (Madrid, 1578), a large collection of music by his father (also including five pieces by Hernando). The Obras constitute the single most important source for Antonio de Cabezón's work. Hernando's own works include an organ setting of Ave maris stella and several keyboard intabulations. All of these pieces are of very high quality, and the intabulations are notable for their rather radical departures from the vocal originals.[2]

• Apel, Willi. 1972. The History of Keyboard Music to 1700. Translated by Hans Tischler. Indiana University Press. ISBN 0-253-21141-7. Originally published as Geschichte der Orgel- und Klaviermusik bis 1700 by Bärenreiter-Verlag, Kassel.
• Jambou, Louis (2001). "Cabezón. 4. Hernando de Cabezón". In Root, Deane L. (ed.). The New Grove Dictionary of Music and Musicians. Oxford University Press. ‎

• Free scores by Hernando de Cabezón at the International Music Score Library Project (IMSLP)