Hinton St Mary Mosaic
The Hinton St Mary Mosaic is a large, almost complete Roman mosaic discovered at Hinton St Mary, Dorset, England. It appears to feature a portrait bust of Jesus Christ as its central motif. The mosaic was chosen as Object 44 in the BBC Radio 4 programme A History of the World in 100 Objects, presented by British Museum director Neil MacGregor.
The Hinton St Mary Mosaic | |
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Material | Ceramic |
Created | early 4th century |
Period/culture | Romano-British (Christian) |
Place | Hinton St Mary villa, Dorset |
Present location | G49/wall, British Museum, London |
Registration | 1965,0409.1 |
The mosaic covered two rooms, joined by a small decorated threshold. It is largely red, yellow and cream in colouring. On stylistic grounds it has been dated to the 4th century and is attributed to the mosaic workshop of Durnovaria (modern Dorchester). It is currently in storage at the British Museum, although the central medallion is on display there.
Christian panel
The panel in the larger room is 17 by 15 feet (5.2 by 4.6 m). A central circle surrounds a portrait bust of a man in a white pallium standing before a Christian chi-rho symbol flanked by two pomegranates. He is generally identified as Christ, although the Emperor Constantine I has also been suggested[1] despite the absence of any insignia or identifiers pointing to a particular emperor other than the chi-rho. On each side of this are four lunettes, each featuring conventional forest and hunting vignettes, mostly of a dog and a deer. In the corners are four quarter circles containing portrait busts, either representing the winds or the seasons.
Pagan panel
The panel in the smaller room is 16 1⁄2 by 8 feet (5.0 by 2.4 m). It consists of a central circle containing an image of characters from Roman mythology, Bellerophon killing the Chimera. This has been interpreted in a more Christian context as representing good defeating evil. Flanking this are two rectangular panels again featuring dogs hunting deer.
Context
The mosaic was discovered on 12 September 1963 by the local blacksmith, Walter John White.[2] It was cleared by the Dorset County Museum[2] and lifted for preservation by the British Museum,[3] although none of the rest of the building has been examined. It is generally assumed to have been a villa. The layout of the mosaic room certainly resembles a Roman triclinium, or dining room. However, it might easily be a church or other Christian complex. There were no finds dated earlier than c. 270.
Destruction
In 2000 a new roof was erected by architects Foster and Partners to cover the previously open courtyard of the British Museum.[4] As part of this major building work it was decided that the Hinton St Mary mosaic should be moved. The mosaic, which was fixed to the museum floor was levered up and broken onto pieces. The pieces are now stored in boxes in the museum vaults with only the central Christian portrait on display in the Gallery.[5]
References
- Moorhead, Sam; Stuttard, David (2012). The Romans who Shaped Britain. Thames & Hudson. p. 203. ISBN 978-0-500-25189-8.
- Toynbee 1964, p. 7.
- Painter 1967, pp. 21–22.
- www.fosterandpartners.com, Foster + Partners /. "Great Court at the British Museum | Foster + Partners". www.fosterandpartners.com. Retrieved 2019-12-06.
- "The tragic destruction of the Hinton St Mary Mosaic". Gary Drostle. 2015-07-11. Retrieved 2019-12-06.
Further reading
- Neal, D. S. (1981). Roman Mosaics in Britain.
- Painter, Kenneth (Autumn 1967). "The Roman Site at Hinton St. Mary, Dorset". The British Museum Quarterly. British Museum. XXXII (1–2): 15–31. JSTOR 4422986.CS1 maint: ref=harv (link)
- Smith, D. J. (1969). 'The Mosaic Pavements' in Rivet, A. L. F. The Roman Villa in Britain.
- Toynbee, Jocelyn Mary Catherine (1964). "A New Roman Mosaic Pavement Found in Dorset". The Journal of Roman Studies. Society for the Promotion of Roman Studies. LIV (1–2): 7–14. JSTOR 298645.CS1 maint: ref=harv (link)
External links
Preceded by 43: Silver plate showing Shapur II |
A History of the World in 100 Objects Object 44 |
Succeeded by 45: Arabian bronze hand |