Hold Me Now (Thompson Twins song)

"Emotionally, it was written as the result of some argument that was resolved between Alannah and myself", explained Tom Bailey in an August 2014 interview with Songfacts. "We actually decided, well, this is an interesting emotional subject. What it feels like to get back together again after separation and the kind of ideas that come up and the way that emotion and physicality somehow are brought together."[1] According to Bailey, the song also "had a very strong idea"[2] behind it and was written very quickly.

When they were going to record the song, Bailey said that he was excited, nervous, and "almost over-prepared for it", he knew exactly what instruments were going on every track; it took three days to record.[2] The band had originally planned to record it with producer Alex Sadkin and engineer Phil Thornalley - both of whom they worked with previously on Quick Step & Side Kick - but at the time both were otherwise engaged in finishing off Duran Duran's Seven and the Ragged Tiger album in Australia. Therefore due to conflicting schedules, the group ended up recording "Hold Me Now" at RAK Studios, London on 48-track with Bailey in the producer's chair - hence the latter's sole producer credit was printed on the single sleeves in early pressings.[3][4] Eventually, both Sadkin and Thornalley returned from Australia and helped finish the record, with Bailey laying down the final lead vocals - hence Sadkin's co-producer credit on the labels.[3][4] Thornalley remembered going straight from the airport to the studio and mixing "Hold Me Now" - Sadkin, having made sure all was at the right technical standards, would usually sit back and let Thornalley mix while "on fire".[5] though his credit would appear on later editions of the single. About the process Bailey commented: "You know what a great producer is? It's someone who takes great ideas and makes them into good records. In our field, great music is a hit record."[2] The song became the Thompson Twins' biggest hit in America,[6] [7] but at the same time it pressured the band to produce top-selling music, even if they were not completely comfortable with that, as Alannah Currie stated in an interview with David Oriard of The Spokesman-Review:[8]

The biggest trouble that we've had basically is that the song, "Hold Me Now" was a huge hit, it was really big here, it was really big all over the world. Which is great, but it was just an accidental thing. It was just a song that we wrote. But after that then, we got everybody—managers, the record company—on our back to write "Hold Me Now, Part 2" and harassing you to try and find a formula. But we can't really. We'll never find a formula for what we did. And that upsets some of them.

"Hold Me Now" is a pop, new wave and synthpop ballad,[9] performed with a "hypnotic, swaying groove",[10] that features the sound of a marimba in the background.[11] The song is composed in the key of D major, with a time signature set in common time, and moves at a moderate tempo of 108 beats per minute.[12]

While most of the group's previous songs have a dance-oriented sound, "Hold Me Now" has a mainstream piano-based melody but keeps the prominent bass line and Currie's Latin percussion of earlier releases.[9] The song is in a verse-chorus form, employing a simple melody.[13] The end chorus, which includes Leeway performing the song's harmonies, repeats for a full minute and a half, nearly one-third of the song's full length.[9]

Originally, "Hold Me Now" received a mixed response from pop music critics. In a review of the group's album Into the Gap, Parke Puterbaugh, from Rolling Stone magazine, said that the band took a "new and drastic tangent" and that they "have slowed it all down to bring the human factor into clearer focus", adding that "Hold Me Now" maintains a "hypnotic, swaying groove that suggests reserves of pastoral contentment even in the wake of the storm".[10] Robert Christgau, in a review for The Village Voice, said that the song "is a classic on chord changes alone, even though Tom Bailey sings it", adding that nothing else in the album Into the Gap "approaches its heart-tugging mastery".[14] J. D. Considine, in a review for The Washington Post, commented that the song's melody adds "accessibility but could easily turn to dreary monotony".[13]

Two decades later, the song received positive reviews from critics. Jose F. Promis from AllMusic commented that "years later [it] still sounded as fresh and innocent as when it was first released".[15] Stewart Mason, also from AllMusic, commented that the song is an unexpected departure from the group's previous dance-oriented sound, comparing it with Spandau Ballet's "True", adding that "Bailey is not actually technically very good, but he's clearly trying very hard", and felt that the song "is a bit labored [...] but overall, 'Hold Me Now' deserved its huge hit status".[9] Raymond Fiore from Entertainment Weekly said that the song "still sounds good today" and called it "the sound of new wave-pop brilliance".[11] In 2005, the song ranked #308 in Blender's list of the 500 Greatest Songs Since You Were Born, describing it as "a new wave let's-stay-together plea" that is "so cornball it works".[16]

The music video for "Hold Me Now" was directed by Rupert James, produced by Tim Bevan, and edited by Brian Grant and Nick Morris.[17] The video features the Thompson Twins in a set with a blue background. Each member is standing on a platform, singing or playing a different instrument, a guitar or a piano for Bailey, a marimba or another percussion instrument for Currie, and a bass guitar or congas for Leeway. The video is heavily edited, with frames sliding from the sides, doubling or tripling, split-screen edits, and close-ups of the band while singing or dancing. At the end the background changes from blue to red, and the three members are featured together singing and clapping while the song is fading out.

"Hold Me Now" was released in the United Kingdom in November 1983, debuting on the UK Singles Chart at number 31, peaking at number four, and staying in the chart for 15 weeks.[18] It became the band's first top five in the country,[19] and their biggest seller earning a gold certification by the British Phonographic Industry (BPI) in January 1984.[20] The song was a moderate hit in Europe, reaching the top 10 in Germany and Ireland,[21][22] and peaking at number 18 in Switzerland.[23]

The single was released in North America in February 1984. In Canada the single entered the RPM singles chart at number 43,[24] peaking at number three on 28 April 1984.[25] The Canadian Recording Industry Association (CRIA) certified "Hold Me Now" gold in May 1984.[26] In the United States the single entered the Billboard Hot 100 on 11 February 1984 at number 73,[27] peaking at number three on 5 May 1984, and staying 21 weeks on the chart,[28] becoming the band's biggest hit in the country.[15] In addition, it topped Billboard's Hot Dance Club Play chart for a week on 28 April 1984, becoming the band's third number-one single on this chart.[29]

• 7" single

1. "Hold Me Now" – 4:44
2. "Let Loving Start" – 3:43

• 12" maxi-single

1. "Hold Me Now" (Extended version) – 9:54
2. "Let Loving Start" (Extended version) – 9:09

• Tom Bailey – lead vocals, guitar, bass guitar, piano, keyboards, producer
• Alannah Currie – percussion, xylophone, drums, backing vocals
• Joe Leeway – congas, backing vocals
• Alex Sadkin – producer
• Phil Thornalley – audio mixing
• Adrian Peacock – photography
• Satori (from ideas by Alannah Currie) – design/artwork

American alternative rock band Lazlo Bane covered the song for their 2012 EP Guilty Pleasures the 80's Volume 1.[43] Eden xo released a cover of the song in 2015, featured in the comedy-horror television series Scream Queens.[44]

• "Hold Me Now" lyrics
• Lyrics of this song at MetroLyrics