Hotel La Louisiane

Jean-Paul Sartre sets up Juliette Greco in room Ten and moved to room Nineteen which he kept in his name until 1950. Juilette Greco and Miles Davis meet in the hotel which will be the setting of their love story.[7] Albert Cossery, the Egyptian writer elects residence there in 1945 until his death, in 2008. Other writers have lived there, such as Ernest Hemingway, Antoine de Saint-Exupéry, Henry Miller, Cyril Connolly, Peter Berling, and Albertine Sarrazin.

On November 4th 1965, the hotel is mentioned in a letter addressed by Albertine Sarrazin to her mother "I am at the Louisiane hotel, 60 rue de Seine. Seems like Verlaine, Appolinaire, Sartre and Camus came here. An oldish room with a round ceiling and many voices."[8]

During the fifties and the sixties, the cellars of Saint Germain des Pres are turned into jazz concert rooms. It is the case under the hotel with the opening of the Petit Zinc.[9] During that period, the Louisiane welcomes Oscar Peterson, Miles Davis, Bud Powell, Max Roach, Dizzy Gillespie, Billie Holiday, Lester Young et Charlie Parker, John Coltrane, Chet Baker, Mal Waldron, Dexter Gordon, Wayne Shorter.[10]

In the sixties and the seventies, the hotel welcomes many celebrities belonging to the beat generation and to various rock bands. Among them, musicians like Jim Morrisson,[11] lead singer of The Doors, or Pink Floyd. Barbet Schroeder moves in with Mimsy Farmer and Klaus Grunberg to shoot the movie More, which bears the same name as the eponymous Pink Floyd album which makes up the music of the film.

In the summer of 1970, Gene Vincent and Adrian Owlett move to the Louisiane to oversee the production of The Day the World Turned Blue album and to organize the subsequent French tour.

Towards the end of the Eighties, Quentin Tarantino[12] becomes a regular. He called the restaurant scene at the end of Inglourious Basterds, La Louisiane.[13] Bertrand Tavernier shoots his movie titled ‘Autour de minuit’ at la Louisiane. Leos Carax and Juliette Binoche stay there while they shoot les Amants du Pont Neuf.

The documentary film of Michel La Veaux, Hôtel La Louisiane describes the way the hotel has impacted the various artists and writers who have made it their residence.

In 2002, from 14 to 27 December, Alain Le Gaillard[14] gallery hosts 24 artistes in 12 rooms, amongst which : Julien Beneyton, Jean-luc Bichaud, Nicole Tran Ba Vang, Barthélémy Toguo, Lionel Scoccimaro, Emmanuelle Villard, Wang Du.

In 2007, at the favour of the Curating Contest exhibit, the rooms of three entire floors are turned into temporary galleries. In each room, a curator invites one or several artists.

From May 31rst to June 16th 2018, within the setting of Parcours Saint-Germain, an event bringing together many businesses and hotels to display contemporary works, the hotel welcomes exhibit Chambre 10 by the collective Sans Titre 2016.

The following year, a show titled Flower Power[15] takes place from May 23rd to June 2nd 2019. Four rooms are turned into exhibition spaces. Artists present their creations on the theme of the sixties-seventies: Martine Aballéa, Pierre Joseph et Frank Perrin, along with the participation of the atelier of Nathalie Talec from the Beaux-Arts of Paris. In November 2019, the exhibition the Shining [16] sees ten artists pay tribute to the Stanley Kubrick movie.

The Louisiane is mentioned in several books, for instance in Hôtels littéraires. In Voyage autour de la terre, Nathalie de Saint-Phalle weaves into her narrative the description of the three oval rooms favoured by writers : rooms Ten, Nineteen and Thirty Six.[17] The current owner, Xavier Blanchot, is one of the pioneers of French Internet. La Louisiane has also been the siege of his offices and of a number of startups since 1999.[18]