Howard Thomas

Thomas began his career typing invoices for a firm of wire-drawers in Manchester. While doing that job, he taught himself to write newspaper articles and short plays. When some of these articles were published, he managed to get a job in the firm's advertising department. That job enabled Thomas to mix with advertising agents and through networking he obtained a position with F John Roe, one of Manchester's advertising agencies.

He moved to the London agency F C Prichard Wood and Partners, and he continued to write articles, having a London entertainment column in the Manchester Evening Chronicle. This column was spotted by the London Press Exchange and he was hired by them as a copywriter.

At London Press Exchange, Thomas worked in the commercial radio section, at first writing, then producing commercial packages for companies including Cadbury's. These packages, usually of music or variety acts interspersed with subtle commercials for the sponsor, were then placed on Radio Luxembourg and similar longwave broadcasters who could be heard in the UK.

In this position, he came to the attention of the BBC, and he began to submit scripts and programme ideas to them while continuing to work for the international commercial broadcasters. However, at the outbreak of World War II, the commercial broadcasters closed and the advertising market contracted. Thomas kept his post at London Press Exchange, but effectively had no work to do. He attempted to fill time by writing books about the blackout and writing more articles for newspapers, and also worked for Publicity Films Limited producing public information films.

On the outbreak of war, the BBC had closed its existing two Regional Programme and National Programme stations and replaced them with a single national station, the Home Service (now BBC Radio 4).

This move was criticised as it led to boredom amongst the listeners during the Phony War, who were also faced with cinemas and sporting events being closed "for the duration" and the loss of the competition to the BBC.

As the Phony War ended, the BBC decided to introduce an entertainment-based national radio station, primarily for the men under arms. The new service, the Forces Programme hired many new producers from the former commercial agencies, including Howard Thomas.

On leaving the BBC, Howard Thomas joined the Associated British Picture Corporation as head of British Pathé, the newsreel and film company.

Thomas relaunched the ailing Pathé Gazette as Pathé News, began hiring new cameramen and pioneered the switch to colour film. He also arranged for the Pathé archives, then of little or no intrinsic value to the company, to be indexed and properly preserved for future use.

By the 1950s, it was becoming clear that television was eroding the size of cinema audiences. Frustrated at his inability to convince the Associated British Picture Corporation that it should either expand into production of popular feature films or bid for one of the new commercial broadcasting licences offered under the Television Act 1954 by the Independent Television Authority (ITA), Howard Thomas began to look for roles in the new ITV companies that were being started.

He was offered the job of General Manager of Kemsley-Winnick Television, the new weekend contractor for the midlands and north of England. However, before he could take up the job, Lord Kemsley pulled out of the company and the contract lapsed.

The ITA made a last-ditch attempt to get the Associated British Picture Corporation involved in commercial television as a replacement for Kemsley-Winnick. The board of the company was finally convinced to try, and signed a contract with the ITA on 21 September 1955 to form Associated British Cinemas (Television) Limited to take over the contract.

Howard Thomas was appointed as managing director of the company and hired Sydney Newman and Brian Tesler as his controllers of drama and light entertainment respectively.

In 1966, the ITA announced that the pattern of broadcasting for Independent Television was to change from 1968. All contractors would be required to reapply for their contracts, and, though there would be one more contract available than before (for Yorkshire), the previous weekend splits in the three central regions of London, the midlands and the north of England would be altered. The London split would change to Friday evenings (rather than the self-contained weekend it had previously been) and the midlands and the north would be redivided into three whole-week regions. ABC's contract area would therefore cease to exist.

Howard Thomas had planned for ABC Television to apply for the extended London weekends contract (with an application for the Midlands seven-day contract as a stand-by). However, the appearance of a consortium of major figures from the BBC and Rediffusion under the leadership of David Frost made this difficult. The London Television Consortium (later London Weekend Television) won the contract, and the ITA was left with no place for ABC.

The ITA's solution was to ask ABC and Rediffusion to merge to form a new company. They specified that ABC would have a slim majority of the shares, and that the managing director would be Howard Thomas. In practice, the merger proved impossible due to outside interests held by both parent companies. Instead, the parent companies formed a joint company called Thames Television Holdings Limited (trading as Thames Television), which took over the staff of ABC in Teddington and a minority of staff from Rediffusion. Management and on-screen talent was mainly provided by ABC.

Thames retained the London weekdays licence until 31 December 1992.

The Independent Broadcasting Authority set a limit on the age of managing directors of ITV companies, specifying that they retire at the age of 75.

When Howard Thomas reached this age, Thames Television Holdings (the company that held the shares in Thames formerly held by the now-defunct Associated British Picture Corporation) promoted him from Thames Television to become chairman of Thames Television International – then a subsidiary of Thames but previously known as EMI Films and, before that, the remains of the former ABC owner Associated British Picture Corporation.

Howard Thomas married Hilda in 1934 and they had two daughters, Rosemary and Carol.

He was appointed a Commander of the Order of the British Empire (CBE) in 1967.

• The Avengers
• Armchair Theatre
• Eamonn Andrews

• Thomas, Howard With An Independent Air London: Weidenfeld & Nicolson 1977 ISBN 0-297-77278-3
• Sendall, Bernard Independent Television in Britain: Volume 1 – Origin and Foundation 1946–62 London: The Macmillan Press Ltd 1982 (reprinted 1984) ISBN 0-333-30941-3 pp68, 82–84, 312, 359
• Briggs, A. The history of broadcasting in the United Kingdom, 3 (1970) · Howard
• Potter, J. Companies and programmes, 1968–80, vol. 4 of Independent television in Britain (1982–90) London: The Macmillan Press Ltd 1990
• Graham, Russ J Thomas: Independent broadcaster TVHeroes from Electromusications by Transdiffusion 2005, accessed 3 February 2006
• Bowden-Smith, Chris (Ed.) ABC at Large Telemusications from Transdiffusion 2002, accessed 3 February 2006
• Elen, Richard G British Film Institute Screenonline – ABC undated, accessed 3 February 2006
• Elen, Richard G British Film Institute Screenonline – Thames undated, accessed 3 February 20
• Daily Telegraph (7 November 1986)
• The Times (7 November 1986)

• Howard Thomas at IMDb
• ABC at Large
• Talk of Thames
• British Pathé