Hozier (album)

Hozier began writing the album after ending his first relationship, saying it forced him to "reflect" upon what being in love meant, having reasons to "distract" himself and "cultivate he ideas" before "turn(ing) them into music".[5] Hozier has stated that there are "a lot of recurring themes" in the album dealing with "personal liberations - finding yourself, accepting yourself, and making sense of yourself" in trying to be honest about "the more wonderful and awful things of your day-to-day".[6] He describes his initial efforts as "angsty, lonely songwriting that teenagers do".[5] He wrote "Take Me to Church" in his parents' living room and recorded the song in a "makeshift attic studio" in Wicklow, collaborating with producer Rob Kirwan.[5][7] At a live performance in Boston, Hozier explained that "Cherry Wine" was recorded at five in the morning in an old, abandoned hotel with a caved-in roof and walls covered in graffiti.[8]

The standard edition of Hozier is just under an hour long, consisting of thirteen tracks, while the deluxe edition adds four bonus songs to the record.[9] It features a guest appearance from Sallay-Matu Garnett, who also co-wrote the songs "Someone New" and "In a Week". The album was otherwise written entirely by Hozier and produced by Rob Kirwan. Hozier is a soul[10] gospel-inspired[10] R&B[10] and folk[10] album, with indie rock and blues inspiration. The album contains an "Americana-rock blend with oily guitar riffs, crashing high-hats, angelic choruses and sung-spoken verses...", characterized by subtle guitar,[11] strong percussion,[12] dark instrumentals,[12] whimsical strings,[13] "soulful" and raw vocals[12] and "haunting" melodies".[10][11][14]

Songs

Hozier opens with "Take Me to Church", a gospel-inflected[15] mid-tempo blues song[16] with "sweeping orchestral choruses"[11] showcasing the artist's vocal range[13] ascribing religious terminology to the nuances of a romantic relationship.[17] "Angel of Small Death and the Codeine Scene" is a blues and indie-rock[12] track, containing guitar riffs[12] clapping hands[16] and church organs[16] with a half-time beat,[13] describing a "temptress" in "stained-glass colors",[10] lamenting the unavoidable "curse of being young in love".[13] "Jackie and Wilson" is a bluesy,[13] laid-back[13][18] soulful[13] rockabilly[13] track, backed by an "angelic choir of harmonies,[15] a tribute to American singer Jackie Wilson. It features "tongue-in-cheek" lyrics musing about a couple "naming their children Jackie and Wilson" while "rais[ing] them on rhythm and blues."[18] "Someone New" is a pop-like[13] whimsical[13] spring-stepped[14] indie-rock song with strong strings,[13] a pizzicato bass[14] and choral harmonies,[13] discussing an wandering celebration of "renewed love" in the face of strangers.[13][10][14][16] "To Be Alone" is melancholy[13] blues song[10] containing a simplistic drumbeat[13] guitar licks[18] and church organs,[13] depicting the "euphoric" attraction of solitude with a partner.[13]

"In a Week" is a romantic ballad telling of a couple decomposing together amidst the Wicklow Mountains.

"From Eden" features a flamenco bridge,[10] referencing the titular garden in its Biblical imagery[13] and describing a journey to "find himself as much as the girl",[15] with the narrator "slithering" to his lover's door.[11] "In a Week" is a Celtic-inspired[15] folk[10] duet with breathy harmonies from Sallay-Matu Garnett[13] detailing pastoral fantasy about decomposing amongst the fauna of the Wicklow Mountains alongside his love.[11][8] "Sedated" is a soulful[10] track with tinkling piano[16] and gospel melodies[16] with depicts a "warning" of personal decay within a relationship.[16] "Work Song" is a gothic-spiritual[14] love song with murmurous vocals[10] tambourine[19] and a strong melodic bass[19] discussing a promise of devotion beyond the grave.[14] "Like Real People Do" is an acoustic[16] song in a "warm"[13] higher key[13] with keening vocals,[15] its lyrics intertwining metaphors of insects and nature,[15] while pleading for his sweetheart[16] to kiss him in affection.[15] "It Will Come Back" is a twangy[10] track with "devilish" strings[15] slide guitar riffs[18] and tambourines[16] with deviant notations[16] while "Foreigner's God" has a soulful edge[18] with loaded lyrical[19] and religious allegories.[10] "Cherry Wine" ends the album on an apologetic note[16] with an intimate[16] acoustic live-recording[13] that juxtaposes the samples of chirping birds and soft guitar[18] with the description of an tempestuous, abusive relationship.[15]

Hozier performing in West Hollywood while promoting the album on tour of United States and Europe.

The album was available to pre-order in Europe upon its announcement with North American and Australian pre-order dates from July 2014.[20] The album was released 19 September 2014.

Professional ratings

Aggregate scores
Source	Rating
Metacritic	79/100[25]
Review scores
Source	Rating
AllMusic	[1]
The Arts Desk	[26]
The A.V. Club	B[27]
Clash	8/10[2]
Entertainment Weekly	A-[28]
Exclaim!	9/10[29]
The Irish Times	[30]
Rolling Stone	[3]
State	[31]
The Telegraph	[4]

Hozier received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 79, based on 10 reviews.[25]

AllMusic's Timothy Monger called the album "a strong debut," praising the singer's soulful voice and the quality of the material. "Like fellow Irishman Van Morrison did decades before, Hozier draws on the soul and R&B of Jackie Wilson and runs it through the mystery white-boy filter of Jeff Buckley, adding a touch of Bon Iver's rural indie aesthetic to mix into his own dark cocktail," he wrote.[1] Sergiusz Królak of JazzSoul.pl claimed, "Hozier (...) revealed album with emotionally strong songs," adding that "acoustic-rock-ballad tracklist makes a great whole with deep-emotional vocal and strong lyrics".[32]

Simon Harper of Clash magazine commented that "His voice, more poitín-sweetened than whiskey-soaked, caresses delicate melodies and rougher rhythms alike with confidence – it lingers compellingly in the creeping blues of 'To Be Alone', whispers prettily in the folky 'Like Real People Do', and preaches fervently in the ragged R&B of 'Jackie And Wilson'. The Irishman's storytelling is suitably fluid, relying on the realism of true romance rather than affecting any impoverished Delta designs. As a result, 'Hozier' is an authentic portrait of an artist – soulful, spiritual and seductive – and is a deeply impressive first step."[2]

Rolling Stone magazine's Jon Dolan wrote, "Blessed with a sensual singing voice and a seemingly bottomless well of lapsed-Catholic-style conflict, Hozier channels Van Morrison's Celtic R&B, Southern soul and Black Keys-style garage blues into intimately roiling songs like 'Angel of Small Death and the Codeine Scene.'"[3] Helen Brown of The Telegraph noted, "Gospel choirs hum and swell tenderly beneath the rougher edges of his riffs. They add mature, universal gravitas and often a holy ecstacy to an intense, youthful lyrical tangling of religion and romantic obsession that regularly finds him poised 'between love and abuse'," adding that "Hozier mixes his tormented blues with sunny R&B."[4]

"Take Me to Church" received a nomination for the category Song of the Year at the 57th Grammy Awards while Hozier was nominated for the category Top Rock Album at the 2015 Billboard Music Awards and International Album of the Year at the 2016 Juno Awards.[33][34] Hozier won Best Album at the European Border Breakers Awards, a prize recognising the achievements of international artists outside their home country.[35] Jessica Goodman and Ryan Kistobak of The Huffington Post included the album on their list of 2014's best releases.[36]

Hozier peaked at number two on the Billboard 200 and number three on the UK Albums and ARIA Charts .[37][38][39] The album ranked at number one on the Rock Albums Chart and the Americana/Folk Chart.[40] The album debuted at number two on the Canadian Albums Chart, selling 8,800 copies in its first week.[41] Hozier also secured Top 15 chart positions in Belgium, Denmark, Holland, and Germany.[35]

As of March 2019, the album has sold 972,000 copies and has earned 2.6 million equivalent album units in the U.S.[42] In Hozier's home country of Ireland, the project started atop with 7,300 units.[43] It has sold 90,000 copies there.[44]

All tracks are written by Andrew Hozier-Byrne, except "Someone New" written by Hozier-Byrne and Sallay Matu Garnett.