Hunsur Krishnamurthy

Prior to working in films, Krishnamurthy worked in theatre as a playwright, writing plays such as Swarga Samrajya. He then worked for the Bangalore-based Bharat Nataka Company as a playwright and a scenarist, following which, he had a stint at Bombay Talkies. He then worked as a part of Marathi stage actor Bal Gandharva's theatre troupe. During that time, he also worked with famed Kannada theatre personalities Gubbi Veeranna and Mohamed Peer. In 1936, during his work with the latter in his drama company Chandrakala Natak, he worked with B. R. Panthulu, another popular theatre personality at the time, in his play Samsara Nauke, as an assistant director.[2]

Krishnamurthy entered the Kannada cinema primarily as a dialogue writer for films such as Hemareddy Mallamma (1945) and Krishnaleele (1947). He also wrote the screenplay for the films. Writing lyrics for the soundtracks of films such as Kanyadana, (1954), Devakannika (1954) and Sodari (1955), he made his debut as a director in the 1958 mythological film Shree Krishna Gaarudi, that features Rajkumar in the lead role, an actor who would go on to dominate Kannada cinema as an actor for over two decades. Krishnamurthy followed this up with other films such as Veera Sankalpa (1964), Satya Harishchandra (1965), Sri Kannika Parameshwari Kathe (1966), Bhakta Kumbara (1974), Babruvahana (1977), Bhakta Siriyala (1980), Bhakta Dnyanadeva (1982) and Shiva Kotta Sowbhagya (1985). Most of his films in the mythological genre had Rajkumar playing the lead role. Commercial successes during the time, they were instrumental in shaping Rajkumar's career as an actor. His film Satya Harishchandra won the National Film Award for Best Feature Film in Kannada at the 13th National Film Awards, and is seen as a milestone in Kannada cinema.[3] His 1977 film Veera Sindhoora Lakshmana, which was based on the life of Lakshmana, a freedom fighter who fought the British during the Indian freedom struggle, was major commercial success.[4]

Actors M. P. Shankar and Rajesh were introduced by him in his films; Shankar in Rathnamanjari (1962) and Rajesh in Veera Sankalpa.[5][6]