I Love Everybody

I Love Everybody is the fifth album by Lyle Lovett, released in 1994. The album consists of songs written by Lovett prior to the recording of his first album, Lyle Lovett (1986).[1][4]

Not to be confused with I Love Everybody (Johnny Hartman album).
I Love Everybody
Studio album by
Lyle Lovett
ReleasedSept 27, 1994
RecordedAug 31 1993 - Jan 12, 1994
GenreCountry, folk
Length52:41
LabelCurb/MCA
ProducerLyle Lovett & Billy Williams
Lyle Lovett chronology
Joshua Judges Ruth
(1992)		 I Love Everybody
(1994)		 The Road to Ensenada
(1996)
Professional ratings
Review scores
SourceRating
Allmusic [1]
Audio[2]
New York Times(favorable) [3]
Rolling Stone [4]
Stereo Review(favorable) [5]

On the 8th track, "Record Lady," Lyle refers to college friend and fellow musician, Robert Earl Keen.

...Robert Earl, he's a friend of mine
You know he's always looking out for my best interest...

Several songs prominently feature one or more of Lovett's trademark penchants: wry humor (They Don't Like Me), playful surrealism (Penguins) and disturbing frankness (Creeps Like Me).

Lovett's wife at the time, Julia Roberts, provides backing vocals on several tracks. Other performers lending their voice include Rickie Lee Jones and Leo Kottke.

Track listing

All songs by Lyle Lovett, except "Fat Babies" written with Eric Taylor

No.TitleLength
1."Skinny Legs"2:42
2."Fat Babies"2:54
3."I Think You Know What I Mean"3:05
4."Hello Grandma"2:35
5."Creeps Like Me"2:14
6."Sonja"2:00
7."They Don't Like Me"2:34
8."Record Lady"4:11
9."Ain't It Somethin'"2:14
10."Penguins"2:31
11."The Fat Girl"2:00
12."La To The Left"3:20
13."Old Friend"3:13
14."Just The Morning"4:23
15."Moon On My Shoulder"2:20
16."I've Got The Blues"3:34
17."Good-Bye To Carolina"3:28
18."I Love Everybody"3:39

Personnel
  • Lyle Lovett – vocals, guitar
  • Kenny Aronoff – drums
  • Russ Kunkel – drums, percussion
  • John Leftwich – bass
  • Edgar Meyer – bass, string arrangements
  • Joel Derouin – violin
  • Berj Garabedian – violin
  • Mark O'Connor – violin (tracks 3, 6, 12, 14, 16, & 17)
  • Sid Page – violin, concertmaster
  • Claudia Parducci – violin, background vocals
  • Barbara Porter – violin
  • Larry Corbett – cello
  • John Hagen – cello, background vocals
  • Suzie Katayama – cello
  • Steve Richards – cello
  • Daniel Smith – cello
  • Lee Thornburg – trumpet
  • Sweet Pea Atkinson – background vocals
  • Sir Harry Bowens – background vocals
  • Lt. Col. L.H. "Bucky" Burruss – background vocals
  • Willie Green Jr. – background vocals
  • Paul Halperin – background vocals
  • Walter Hyatt – background vocals
  • Rickie Lee Jones – background vocals (tracks 2 & 18)
  • Jim Kerr – background vocals
  • Leo Kottke – background vocals (tracks 2 & 18)
  • Nathaniel Kunkel – background vocals
  • Ken Levitan – background vocals
  • Arnold McCuller – background vocals
  • Gil Morales – background vocals
  • Herb Pedersen – background vocals
  • Willis Alan Ramsey – background vocals
  • Julia Roberts – background vocals (tracks 2 & 18)
  • Harry Stinson – background vocals
  • Eric Taylor – background vocals

Production notes
  • Produced by Lyle Lovett & Billy Williams
  • Nathaniel Kunkel – engineer, mixing
  • Gil Morales – engineer
  • Doug Sax – mastering
  • Marsha Burns – project coordinator
  • Tim Stedman – art direction, design
  • Jonas Livingston – art direction

Chart performance
Chart (1994) Peak
position
Canadian RPM Top Albums 40
New Zealand Albums Chart 36
UK Albums Chart 54
US Billboard 200 26

Notes and sources
  1. Deming, Mark. "Allmusic review". Allmusic. All Media Guide. Retrieved 2011-07-01.
  2. Michael Tearson, "Rock-Pop Recordings -- I Love Everybody by Lyle Lovett", Audio: The Equipment Authority, 78:10, October 1994, p. 60
  3. Jon Pareles, "POP REVIEW: Lyle Lovett, From Wistful to Weird", New York Times, Nov 15, 1994 (link)
  4. John Milward, Rolling Stone, Oct 6, 1994, p. 88 (link)
  5. "Best Recordings of the Month: Lyle Lovett's I Love Everybody, Debussy preludes from Krystian Zimerman, the Allman Brothers Band's Where It All Begins, and Rossini's complete Semiramide", Stereo Review, 59:9, September 1994, p.87-91
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