I Married a Woman

I Married a Woman is a 1958 American comedy film made in 1956, starring George Gobel and Diana Dors, produced by Gobel's company Gomalco Productions. The film also features John Wayne in a cameo role as himself. It was filmed in RKO-Scope and black and white except for one of Wayne's two scenes, which was shot in Technicolor. The film's original title was So There You Are.[2]

I Married a Woman
Film poster
Directed byHal Kanter
Produced byWilliam Bloom
Written byGoodman Ace
StarringGeorge Gobel
Diana Dors
Adolphe Menjou
Music byCyril Mockridge
CinematographyLucien Ballard
Edited byKennie Marstella
Production
company
Distributed byUniversal-International
Release date
  • May 14, 1958 (1958-05-14)[1]
Running time
85 minutes
CountryUnited States
LanguageEnglish

The film was a box office disappointment which hurt the careers of Dors and Gobel.[3]

Plot

Advertising executive Mickey Briggs is given 48 hours by his boss, Sutton, to come up with a campaign for client Luxemberg Beer and save the company from ruin. Mickey neglects his wife, Janice, who once had been a "Miss Luxemberg" in a successful ad campaign featuring various attractive models.

Janice has just discovered she is expecting a baby, but is unable to inform Mickey, who is too distracted by work. Even when they find time to go to a movie, John Wayne is on screen, being considerate to his screen wife (Angie Dickinson), which makes Janice weepy but Mickey finds unrealistic.

It does give Mickey an idea, however, for a campaign in which "Miss Luxemberg" is now "Mrs. Luxemberg", enjoying family bliss. Sutton loves it, then rejects all the applicants until he decides that Janice herself must return to be "Mrs. Luxemberg". Film footage of their real life is shot without Janice's knowledge.

All goes terribly wrong, with Janice instead suing Mickey for divorce and Sutton's company for $100,000. After flirting with Mickey's wife, best pal Bob Sanders breaks the news that she's pregnant, which makes Mickey try harder to win her back. On a cruise and in love again, the couple is startled to spot John Wayne on board, arguing with his wife.

Cast

Diana Dors in I Married a Woman film trailer

Production

The film was based on an original story by New York radio writer and producer, Goodman Ace. In September 1950 the screen rights were bought by Norman Krasna and Jerry Wald, who had a production deal at RKO.[4] They wanted to cast Cary Grant and Betsy Drake.[5] In October Richard Fleischer was assigned the job of directing.[6] In November Celeste Holm was announced as star.[7] Ace was brought to Hollywood to work on a script, which Krasna wanted to aim at the female audience.[8] In December 1950 RKO announced the film would be made the following year.[9]

However production kept being put back. In February Wald and Krasna said the film would be made in August, with Stanley Rubin as producer, but the film had no star or director.[10] In September 1951 Wald and Krasna said they had a script, and wanted to cast Cary Grant but wanted to get the casting right.[11] Wald and Krasna eventually left RKO.

The project was reactivated a number of years later. In April 1956, Diana Dors signed to play the female lead opposite TV star George Gobell.[12] Her fee was $75,000 plus expenses.[13] It was Gobel's second leading role after The Birds and the Bees.

Dors arrived in the US in late June.[14] The job of directing was given to Hal Kanter, who worked with Gobel in television.

Filming took place in July 1956. Kanter called the film "light and frothy. It gave Goodman Ace... the chance to unload a lot of witty barbs he's been saving up over the years."[15]

Gobell called Dors "a fine performer".[16] During filming RKO signed Dors to make a second film, The Lady and the Prowler, which became The Unholy Wife.[17]

See also

References

  1. "I Married a Woman: Detail View". American Film Institute. Retrieved June 2, 2014.
  2. "Helen Hayes to Perform in Film of 'Anastasia'". The Montreal Gazette. May 5, 1956. Retrieved September 23, 2010.
  3. Vagg, Stephen (September 7, 2020). "A Tale of Two Blondes: Diana Dors and Belinda Lee". Filmink.
  4. "MONOGRAM LISTS 40 FILMS FOR YEAR: Rod Cameron to Star in Two Gold Banner Productions in Cinecolor at Studios Wald, Krasna Buy Ace Story". New York Times. September 6, 1950. p. 48.
  5. "FILMLAND BRIEFS". Los Angeles Times. September 21, 1950. p. B13.
  6. THOMAS F. BRADY (October 17, 1950). "SCREEN DIRECTORS WILL MEET ON ROW: Members to Hear Mankiewicz Give His Views on Sunday-- Recall Count Is Pending". New York Times. p. 39.
  7. Hopper, Hedda (November 16, 1950). "Celeste Holm to Leave Play and Do a Movie: Looking at Hollywood". Chicago Daily Tribune. p. c6.
  8. Schallert, Edwin (October 29, 1950). "HOLLYWOOD IN REVIEW: 'When I Leave World' Was Jolson Song in '14". Los Angeles Times. p. D6.
  9. "RKO TO MAKE 32 TOP-BUDGET FILMS: One-Third of Scheduled 1951 Productions to Be Shot in Color, Executive Announces". Los Angeles Times. December 5, 1950. p. A7.
  10. "RKO Prepares to Start Films Costing 10 Million". Los Angeles Times. February 5, 1951. p. 22.
  11. Schallert, Edwin (September 23, 1951). "Pair Cite Need for Film Flair: Krasna and Wald See Showmanship, Exciting Personalities as Essential". Los Angeles Times. p. D1.
  12. Louella Parsons (May 28, 1956). "British Monroe Accepts U.S. Job". The Washington Post and Times Herald. International News Service. p. 19.
  13. "Drama: 'Old Yeller' Will Be Walt Disney Picture". Los Angeles Times. July 16, 1956. p. 26.
  14. "Diana Dors, England's Reply to Monroe, Here: Calls Marilyn 'Greatest Thing That Ever Happened;' Plans Film With George Gobel". Los Angeles Times. June 30, 1956. p. 3.
  15. OSCAR GODBOUT (July 22, 1956). "HOLLYWOOD CANVAS: A JAPANESE BOY AND HIS HORSE AND COMIC COWBOYS ON VIEW THIS WEEK". New York Times. p. X5.
  16. Thomas, Bob (August 19, 1956). "LONELY GEORGE TOO BUSY NOW TO GET LONELY". Chicago Daily Tribune. p. n8.
  17. OSCAR GODBOUT (July 19, 1956). "DIANA DORS SIGNS PACT WITH R.K.O.: British Actress Will Appear in 'Lady and the Prowler' --Aldrich Picks 2d Film Of Local Origin". The New York Times. p. 31.
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