Il Sorpasso

The film starts in a sun-baked and seemingly empty Rome on an August morning during the Ferragosto national holiday. A young, timid law student, Roberto (Trintignant), gazing out his window, is asked by a 40-ish man named Bruno (Gassman), who is passing on the street below at the wheel of a convertible Lancia Aurelia, to make a phone call for him. Roberto tells him to come up and make the call himself. After Bruno fails to contact his friends — he is running a full hour late for his meeting with them, something he apparently doesn't deem a good enough motive for them to have "abandoned" him — he insists on repaying Roberto's courtesy with an aperitivo. Tired of studying for the day and falling prey to Bruno's enthusiasm, Roberto accepts.

Thus begins a cruise along the Via Aurelia, the Roman road that also gives the name to Bruno's beloved car. Roberto is unwilling or unable to part from this casual acquaintance despite having almost nothing in common with him. Bruno is loud, brash, risk taking, a bit coarse, and a braggart to boot. He drives recklessly, speeding and constantly attempting "il sorpasso" — the impatient and aggressive practice of serial tailgating and honking to overtake other cars on the road. He is also charming and likable, however, and Roberto feels drawn to Bruno's impulsive, devil-may-care attitude.

Over two days of highs and lows across the coasts of Lazio and Tuscany, the two men fall into various adventures while gradually learning more about each other. They spontaneously drop in on Roberto's relatives, and, as a result of some of Bruno's observations, Roberto realizes his childhood was not as golden as he had remembered it. Later, he finds out about Bruno's failed marriage and teenage daughter, which reveals a life not nearly as carefree as the one Bruno pretends to lead.

The bonding and emerging friendship between the two men is cut short when, spurred on by an enlivened Roberto, Bruno attempts to overtake another car on the blind curve of a cliffside road. He swerves to avoid an oncoming truck and is thrown from the car. Roberto goes over the cliff in the car, leaving a bloodied and shocked Bruno by the side of the road. When a police officer arrives and asks Bruno about the man who went over the edge, Bruno realizes he does not even know Roberto's last name.

• Vittorio Gassman - Bruno Cortona
• Jean-Louis Trintignant - Roberto Mariani
• Catherine Spaak - Lilli Cortona
• Claudio Gora - Bibi
• Luigi Zerbinati - commendatore
• Luciana Angiolillo - Bruno's wife
• Linda Sini - Aunt Lidia
• Nando Angelini - Amedeo

The movie is considered as one of the best examples of commedia all'italiana.

Film critics frequently acknowledge that the story offers a poignant portrait of Italy in the early 1960s, when the "economic miracle" (dubbed the "boom" — using the actual English word — by the local media) was starting to transform the country from a traditionally agricultural and family-centered society into a shallower, individualistic and consumerist one.

It was one of two highest-grossing Italian films in Italy for the year ended 30 June 1963 along with Sodom and Gomorrah.[1]

The Roman customizer crew Emporio Elaborazioni Meccaniche dedicated a customized bike to the movie. They named a MotoGuzzi V11 cafe racer "Sorpasso".[2]

The soundtrack includes original themes by Riz Ortolani, and Italian 1960s hits such as "Saint Tropez Twist" by Peppino di Capri, "Quando, quando, quando" performed by Emilio Pericoli, "Guarda come dondolo" and "Pinne fucile ed occhiali" by Edoardo Vianello and "Vecchio frac" by Domenico Modugno.

• Italian National Syndicate of Film Journalists Nastro d'Argento
  • Winner: Best Actor (Migliore Attore Protagonista)- Vittorio Gassman
• Mar de Plata Film Festival
  • Winner: Best Director- Dino Risi

• Il Sorpasso at IMDb
• Il sorpasso: Italy, Dark and Light an essay by Antonio Monda at the Criterion Collection