Jane Espenson

After years in sitcoms, Espenson decided to switch from comedic to dramatic writing and submitted her sample scripts to Buffy the Vampire Slayer.[5]

In 1998, Espenson joined Mutant Enemy Productions as executive story editor for the third season of Buffy the Vampire Slayer. Over the rest of the run of the series, Espenson wrote or co-wrote twenty-three episodes, starting with "Band Candy" and ending with Buffy's penultimate episode, "End of Days." After her role as an Executive Story Editor, she was promoted to a Co-Producer in season four. In the fifth season she was promoted again to a producer. She took up the role of supervising producer in the sixth season and was promoted once more to a co-executive producer in the final season.

She wrote episodes both humorous (e.g. "Triangle" and "Intervention") and serious (such as "After Life"). Espenson and Drew Goddard co-wrote the seventh-season episode "Conversations with Dead People," for which they won the Hugo Award for Best Short Dramatic Presentation in 2003.[6]

Espenson is credited as the writer or co-writer of the following Buffy episodes:

She also co-/wrote several comic book stories for Tales of the Slayers, Tales of the Vampires and Buffy the Vampire Slayer Season Eight, the one-shots Jonathan and Reunion and the limited series Haunted.

Espenson joined the crew of Sci Fi's Battlestar Galactica (BSG) just after Battlestar Galactica: Razor, BSG's first television movie, was conceived.[7] As one of BSG's co-executive producers, she worked on every fourth-season episode starting with "He That Believeth in Me"; she was also the writer of "Escape Velocity" and "The Hub" and co-wrote The Face of the Enemy webisodes. Prior to joining the show's staff she wrote one third-season episode and co-wrote another. In August 2008, the Los Angeles Times broke the news that Espenson was the writer behind BSG's second television movie, The Plan,[8] news confirmed in her writer's blog.[9] In January 2009 it was announced that she had joined the spin-off series Caprica as co-executive producer and would take on showrunner duties midway through the first season.[10] Espenson later gave up showrunning duties to focus more on writing.[11]

In August 2010 it was announced that Torchwood creator, lead writer and executive producer Russell T. Davies had hired Espenson to write for the show's fourth series, Torchwood: Miracle Day to be broadcast in 2011.[12] She later confirmed that she would be writing episodes 3, 5, 7 and co-writing episode 8 (with Ryan Scott)[13] and episode 10 (with Davies).[14] Prior to her involvement with Torchwood, Espenson had said she was a fan of the show, particularly the third series, "Children of Earth."[15] To tie in with the launch of Torchwood: Miracle Day, Espenson and Scott collaborated on the Starz-produced 2011 Torchwood webseries entitled Torchwood: Web of Lies, which stars American actress Eliza Dushku.[16] Following the broadcast of each episode of "Miracle Day" on Starz, Espenson wrote a blog on AfterElton mixing her reaction to the episode with behind the scenes information on the devising process.[17]

In 2011 Espenson also co-wrote and produced her first independent web series with partner Brad Bell. Entitled Husbands, it revolved around the life of two newly married gay men. Espenson self-funded the first season. A Kickstarter campaign and the involvement of CW Seed allowed subsequent production. The show eventually comprised four "seasons" and concluded in 2014.[18] The series premiered Tuesday September 13, 2011. The series also generated Husbands, a hardback comic-book collection of stories rendered in a variety of different drawing styles, from Dark Horse Comics. ISBN 9781616551308.

In May 2011, Espenson was brought on to the ABC fantasy series Once Upon a Time, as a writer and consulting producer.[19] She stayed with the show for its entire seven-year run, and became a co-executive producer on the project. She was also involved in creation and writing of the spin-off series Once Upon a Time in Wonderland.[20]

In 2011, working as a freelancer, Espenson wrote episode 6 of season 1 of Game of Thrones, titled "A Golden Crown". It is notable as one of only four Game of Thrones episodes written by women.[21]

In 2015, during the hiatus between seasons of Once Upon a Time, Espenson consulted on the series Jessica Jones, earning a "thanks to" in the credits. In 2019, she returned for a larger role on the staff, and wrote the eleventh episode of the third season "A.K.A. Hellcat".

In 2018, Espenson joined the HBO series The Nevers, as a writer and executive producer.[22] The series is currently in production in London.

Espenson has written episodes for several other television shows, including episode 4.17 ("Accession") of Star Trek: Deep Space Nine, and one episode ("Shindig") of Firefly. She has also worked on Angel, Tru Calling, The Inside, The Batman, Andy Barker, P.I., Jake in Progress and Dollhouse, and was the co-creator of Warehouse 13.[23]

Espenson is the editor of the book Finding Serenity: Anti-Heroes, Lost Shepherds and Space Hookers in Joss Whedon's Firefly (BenBella Books, 2005, ISBN 1-933771-21-6), a collection of non-fiction essays on the short-lived television show Firefly. She also edited the follow-up collection Serenity Found: More Unauthorized Essays on Joss Whedon's Firefly Universe (BenBella Books, 2007, ISBN 9781933771212) She is also the editor of Inside Joss' Dollhouse: From Alpha to Rossum (BenBella Books, 2010, ISBN 9781935251989), a similar collection of essays about Dollhouse.

Espenson wrote the short story "What Holds Us Down," which appears in Still Flying from Titan Press, ISBN 1848565062. Her short story "Int. Wolf - Night" appears in Empower: Fight Like a Girl ISBN 9780692210116 She also has short stories which appear in the "Tales of the Slayers" book series.

In 2016, Espenson served on the MoPOP (Museum of Pop Culture, Seattle) committee to select inductees into the Science Fiction and Fantasy Hall of Fame.[24] She is also featured as a video/voice commentator in the museum itself.

Espenson has written for three of the 101 Best Television Series as determined by the Writers Guild of America: Battlestar Galactica, Game of Thrones and Buffy the Vampire Slayer[25]