Jean Daullé

Jean Daullé was born at Abbeville in 1703. He received his first lessons in engraving from Dom Robart, a monk of the priory of St. Peter at Abbeville, and afterwards went to Paris, where his fellow-citizen, Robert Hecquet, taught him what little he himself knew. His merit did not remain long unnoticed, and he was received into the Academy in 1742.[1]

He was a friend of the portrait artist Donat Nonnotte, and engraved several of his pictures.[2] He died in Paris in 1763. After his death some of his engravings were published by his widow as his 'OEuvre.'[1]

He engraved several portraits and plates of historical and other subjects, which are chiefly executed with the graver in a clear and firm style, which entitles him to rank with the ablest artists of his time. He marked his works J. D. The following are his principal plates:[1]

Portraits

Claude Charles de Rouvroy de Saint-Simon, French bishop, after Hyacinthe Rigaud

• Catherine, Countess of Feuquières, daughter of Pierre Mignard; after Mignard.
• Hyacinthe Rigaud, painter; after Rigaud; engraved for his reception at the Academy in 1742.
• Marguerite de Valois, Countess of Caylus; after the same.
• Charles Edward Stuart, son of the Pretender.
• Clementina, Princess of Poland, his consort; after David.
• Madame Favart, in the part of 'Bastienne;' after Carle van Loo.
• Claude Deshayes Gendron, oculist; after Rigaud.
• Jean Baptiste Rousseau; after Aved.
• Jean Mariette, engraver; after Pesne.

Subjects after various masters

The Persian, after Rembrandt

• The Magdalen; after Correggio; for the Dresden Gallery.
• Diogenes with his Lantern; after Spagnoletto; for the same.
• Quos Ego; after Rubens.
• The Two Sons of Rubens; after the same; for the Dresden Gallery.
• Neptune appeasing the Tempest; after the same.
• Charity with Three Children; after Albani.
• The Triumph of Venus; after Boucher.
• Les Amusemens de la Campagne; after Boucher.
• Latona; after J. Jouvenet.
• Four Marine subjects; after Joseph Vernet.
• The Bath of Venus; after Raoux.
• Two subjects; after G. Metsu.
• Jupiter and Calisto; after N. Poussin.
• St. Margaret; after Correggio.
• Child playing with Cupid; after Van Dyck.

A detailed account of this artist's works is contained in Delignière's 'Catalogue raisonné de l'oeuvre gravé de Jean Daullé d' Abbeville,' 1872, 8vo.[3]

• Bryan, Michael; Stanley, George (1878). A biographical and critical dictionary of painters and engravers: with a list of ciphers, monograms, and marks. G. Bell. Retrieved 21 November 2012.
• Sordet, Yann (2001). L ́amour des livres au siècle des Lumières: Pierre Adamoli et ses collections. Librairie Droz. p. 327. ISBN 978-2-900791-45-5. Retrieved 21 November 2012.CS1 maint: ref=harv (link)

Attribution:

•  This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "Daullé, Jean". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). I (3rd ed.). London: George Bell & Sons.