Jens Lund

His father was a cabinetmaker for the Royal Court. He left school in 1886, after the loss of both of his parents left him with a nervous ailment, and became a student of the painter, Axel Hou. Although he also studied silviculture and law, he eventually decided to focus on art as a career. He was married in 1893 to the daughter of a local catechist.[1][2]

He spent a year working with Jens Jensen-Egeberg, but his greatest inspiration came during a stay in Paris from 1896 to 1899, when he studied at the Académie Julian with Tony Robert-Fleury and became acquainted with his fellow Danish artists, Rudolph Tegner, Johannes Holbek and Niels Hansen Jacobsen.[3]

This was followed by a long series of travels; many in the company of Tegner. His trips included Italy (1901-1903 and 1905-1907), Greece (1902), Spain and Morocco (1905), Bruges (1909) and Gotland (1910).[3]

Throughout his work, he attempted to forge a connection between writing and graphic expression; publishing two works with text to advance his goal: Livets Skov (1901) and Forvandlede Blomster (1899). Asger Jorn considered some of his early works to be forerunners of Surrealism. His later works were more naturalistic.[3]

In an unpublished memoir, Mindet og Nuet (1921), he described the life of the Danish art community in Paris and their attraction to Symbolism and Art Nouveau.[3] He was president of the Graphic Arts Society from 1921 until his death.[1]

Among his numerous book illustrations are those for Brand by Henrik Ibsen, Bruges-la-Morte by Georges Rodenbach (translated by Lund and his wife)[1] and Les Fleurs du Mal by Charles Baudelaire.

• 
  Jacobs Syn (1900)
• 
  Illustration from
  Les Fleurs du Mal (1901)
• 
  Aphrodite (1905)
• 
  Princess (1906)
• 
  Adam (1912)

Media related to Jens Lund at Wikimedia Commons