Josephine Stephenson

Stephenson learned cello and piano as a child, and as a teenager attended the Maîtrise de Radio France (the choir school of Radio France).[2] After briefly studying Philosophy at the Sorbonne University in Paris,[3] she moved to the UK where she attended Clare College, University of Cambridge as a choral scholar and received a Bachelor’s degree in Music. She later obtained a Master’s degree in Composition from the Royal College of Music, having studied under Kenneth Hesketh.[4] In 2017-2019 she was a 'Writing The Future' composer with the London Sinfonietta.[5]

During her Masters studies, Stephenson's orchestration was likened to Claude Vivier,[6] and her first short opera On False Perspective was staged in the Britten Theatre, co-produced by Tête à Tête and the Royal College of Music.[7]

In 2015 she collaborated with FellSwoop Theatre on a devised piece of musical theatre, Ghost Opera, first performed at the Aix-en-Provence Festival[8] and developed with The Lowry.[9] In the same year she won ‘Best Composer’ at Underwire Film Festival for her work on the short film Emma, Change The Locks.[10]

In 2016 Stephenson was commissioned by Radio France to write a piece for the Maîtrise, Ce n'était pas nous, premiered at the Maison de la Radio.[11]

She contributed to the world’s first concerto for drum machine and orchestra in 2018, in a night curated by Nonclassical at Village Underground.[12] The same year, after working with the band Daughter,[13] Stephenson became part of singer Elena Tonra's new band, Ex:Re, playing cello, providing backing vocals, and arranging songs.[14]

Stephenson's song cycle Une Saison en Enfer, on text by Arthur Rimbaud, was written for and premiered by Allan Clayton, Aurora Orchestra, and conductor Brett Dean at the Wigmore Hall in London, December 2019.[15]

She is one of the three artistic directors of the London-based concert series and record label Listenpony, alongside Freya Waley-Cohen and William Marsey.[16]

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