Kyla Greenbaum

Kyla Greenbaum (1922 – 15 June 2017) was a British pianist and composer, the younger sister of conductor and composer Hyam Greenbaum. She gave the first UK performance of Arnold Schoenberg’s Piano Concerto in 1945 and the first of Prokofiev’s Second Piano Concerto in 1955.[1]

Greenbaum was born in 1922 in Brighton, England to Polish parents and (like her brother two decades earlier) she received her first musical training at home. She went on to study at the Royal Academy of Music (1938-42) and then in Budapest.[2] She first attracted notice as a pianist during the second world war as a regular performer at the famous National Gallery wartime lunchtime concerts organised by Myra Hess. The grand piano she owned for many years afterwards was scratched when the ceiling collapsed on it as she was hiding underneath during a German bombing raid.[1] Her evident virtuosity quickly led to performances of challenging and otherwise neglected romantic and contemporary music repertoire, such as Liszt's Piano Concerto No 2 with the BBC Symphony Orchestra conducted by Constant Lambert on 5 May 1945,[3] and (on 30 May 1945 with Frederick Thurston and others) the first broadcast performance of Hindemith's Quartet for clarinet, violin, cello and piano.[4] On 17 February 1948 Greenbaum debuted Alan Bush's Le Quatorze Juillet. Other contemporary works she championed were James Iliff's Piano Sonata (which is dedicated to her),[5] John Lambert's Piano Sonata (played at Morley College on 14 March 1954)[6] and John Greenwood's Piano Quintet.[7] She also performed Schoenberg's Phantasy, Op. 47,[8][9]

On 28 August 1945, aged just 23, Greenbaum made the first of 13 appearances as a soloist at the BBC Proms with a performance of Constant Lambert's The Rio Grande.[10] It became her calling card, with Lambert saying that he preferred her interpretation to that of Hamilton Harty who premiered the piece in 1929. (She played it at the Proms for the final time on 15 August 1951 with the composer conducting, just days before his death).[11] She followed this on 7 September 1945 with the first performance in England of Schoenberg's Piano Concerto, Basil Cameron conducting.[12][13] Despite some underlying hostility the work was received by the audience with unexpected enthusiasm, and (according to The Musical Times) she played with "immense courage".[14] Other Proms appearances included William Walton's Sinfonia Concertante (14 January 1947), John Ireland's Legend for piano and orchestra (10 September 1948), Alan Rawsthorne's Piano Concerto No 1 (7 September 1949),[15] and the first UK hearing of Sergei Prokofiev's Piano Concerto No. 2 (26 August 1955), by then 40 years old.[2][16] In 1952 Greenbaum was one of three pianists (the others being the identical twin piano duo Mary and Geraldine Peppin) performing Peter Racine Fricker's Concertante for three pianos, strings and percussion.[17]

Her best known recordings include The Rio Grande (made in 1949)[18] and Tchaikovsky's Piano Concerto No. 1 in B-flat minor (made in 1957).[19] These were both reissued in 2017 on the CRQ label.[20]

Greenbaum turned to composition in later life. She wrote a score for the play with dance Theresa by Julia Pascal, one of a trilogy of plays under the general title The Holocaust Trilogy, staged at the New End Theatre in Hampstead on 5 November 1995.[9] Bells was composed in 1998. Song of Songs, a setting of the Old Testament, is scored for solo soprano with clarinet, horn, string trio, double bass and percussion.[21] It received its first performance in 2006 as part of Jewish Culture Day at the Southbank Centre in London.[2]