Kylix

The primary use for the kylix was drinking wine (usually mixed with water, and sometimes other flavourings) at a symposium or male "drinking party" in the ancient Greek world, so they are often decorated with scenes of a humorous, light-hearted, or sexual nature that would only become visible when the cup was drained. Dionysos, the god of wine, and his satyrs or related komastic scenes, are common subjects. On the external surface sometimes, large eyes were depicted, probably also with humorous purposes (Eye-cup). Other humorous purposes would include designs on the base of the cup, such as the male genitals on the Bomford Cup, a late 6th century kylix.[1] The shape of the kylix enabled the drinker to drink whilst recumbent, as was the case in the symposia.[2] It also enabled them to play kottabos, a game played by flinging wine lees at targets.

A typical bowl held roughly 8 oz/250ml of fluid, though this varied greatly with size and shape.[3]

There are many sub-types of kylix, variously defined by their basic shape, the location or subject of their painting, or their main place of production, or often a combination of these. Several of these are grouped under the term of Little-Master cup. The sub-types include:

Double view of a late 6th-century cup

• 
  Kylix type A, no turned or "offset" lip; a "fillet" at the top of the short stem.
• 
  Kylix type B, no turned or "offset" lip, nor a "fillet", so the profile runs smoothly from lip to foot
• 
  Band cup, with the main painting in a band low on the body.
• 
  Droop Cup
• 
  Eye-cup, painted with eyes
• 
  Kassel Cup
• 
  Komast cup, Athenian black-figure, with short stem, angled "offset" lip.[4]
• 
  Lakonian cup
• 
  Lip cup, with the main painting just below the lip; the stem and foot are lost in this example
• 
  Siana cup, Similar to Komast, with slightly longer stem, and painted on the inside.[4]
• 
  Merrythought cup, with distinctive "wishbone" handles
• 
  For comparison, a black-glaze kantharos with Boeotian inscription (Thespiae, 450–425 BC)

Detail of a Kylix depicting a young warrior running,[5] The Walters Art Museum

After the kylikes were formed, an artisan drew a depiction of an event from Greek mythology or everyday life with a diluted glaze[6] on the outer surface of the formation.

Inside the drinking bowl was often a portrait of dancing and/or festive drinking.[2] Unique compositional skills were necessary for the artisans to attain due to the lack of verticals and horizontals on the surface. Onesimos, Makron, and Douris were famous painters in this field, renowned for their works.[7]

Individual kylixes with articles include:

• Arkesilas Cup, very unusual because it shows a living political figure, Arkesilaos II, king of Kyrene (d. 550 BC). It is dated to about 565/560 BC, and is now in Paris.
• Dionysus Cup, famous for its painting, 540–530 BC. It is one of the masterpieces of the Attic Black-figure potter Exekias and one of the most significant works in the Staatliche Antikensammlungen in Munich.[8]
• Berlin Foundry Cup, a red-figure kylix from the early 5th century BC. It is the name vase of the Attic vase painter known conventionally as the Foundry Painter. Its most striking feature is the exterior depiction of activities in an Athenian bronze workshop or foundry. It is an important source on ancient Greek metal-working technology.
• Brygos Cup of Würzburg, an Attic red-figure kylix from about 480 BC. It was made by the Brygos potter and painted by the man known as the Brygos Painter. Its symposium scenes are some of the best-known images of Greek pottery.

• Gordion cup

Media related to Kylixes at Wikimedia Commons