Larry Charles

Charles performed stand-up comedy during the 1970s until he was hired to write for the short-lived sketch comedy show Fridays, where he worked with Larry David. This began Charles's career in television writing that included The Arsenio Hall Show and eventually Seinfeld. David gave him the job as a writer on Seinfeld and his directorial debut[5] on Curb Your Enthusiasm.

Although series co-creators Larry David and Jerry Seinfeld wrote the bulk of the show's episodes during the early seasons, Charles was their second in command during this period. Charles had met Seinfeld co-creator David when he was part of the writing staff of the ABC sketch show Fridays, on which David and Michael Richards were also part of the show's ensemble cast.[6] Charles had been unable to write for the show's first season, as he had been writing for The Arsenio Hall Show.[6][7]

Charles is noted for contributing some of the show's darker storylines and scenes. In the season two episode "The Baby Shower" Charles wrote a dream sequence in which the title character, Jerry Seinfeld, was killed. Charles's episodes also covered such controversial topics as Nazis (in "The Limo"), a psychotic stalker (in "The Opera") and a hospital patient committing suicide (in "The Bris"). A season two episode he wrote, "The Bet", concerning Elaine buying a handgun to protect herself, was never filmed because NBC, some of the cast, and the show's director felt the gun content was too provocative.[8][9][10] Charles claimed that his writing on Seinfeld was heavily influenced by Dragnet, Superman and Abbott and Costello.[11]

Charles said he was instrumental in the development of Cosmo Kramer; he felt that "Jerry and George were so well-defined through Larry David and Jerry, that there was less room for me to, sort of, expand on those personas. But Kramer was very unformed at the beginning of the show and it gave me an area of creativity to, sort of, expand upon. So I spent a lot of time with Kramer because he was a character that I could have an impact on in the future of the show".[10] It was Charles who imbued in Kramer a distrust of authority (especially in his episodes "The Baby Shower" and "The Heart Attack"), and who created the character of Kramer's notorious unseen friend Bob Sacamano, after his real-life friend of the same name.[12]

Charles's feature debut was Masked and Anonymous (2003) which he directed, and co-wrote with Bob Dylan (under the pseudonyms Rene Fontaine and Sergei Petrov, respectively). The film received a mixed reaction from audiences and critics alike; it did poorly at the box office.[4] Charles maintains it takes many viewings to get true enjoyment from the film: "I want the movie to be like a great Bob Dylan song that is listened to over and over and for people to [go] back and see it again and get a lot more things, or totally different things."[13]

His second feature film as director, the Sacha Baron Cohen comedy mockumentary Borat!, was much more successful; it "set new records in terms of profitability; on a budget of 18 million dollars, it grossed in excess of 261 million dollars."[4] In an interview, Charles discussed how, because of the nature of the mockumentary process, he had to act as well, even if none of his performance made it to the screen: "We all, especially me, had to play a character as well. I wasn't Larry Charles when we were on the road. We all had to be in character, and we had to balance that with our aesthetic and logistical needs to produce the movie properly [...] The director also had to act."[14] The film was nominated for Best Motion Picture — Musical or Comedy at the Golden Globes.

Talking with fans outside TIFF premiere of Religulous, 2008

Charles's third film was Religulous — a documentary about Bill Maher's take on the state of contemporary religion[15] — which was released in October 2008.

Charles rarely performs live, but has appeared at Un-Cabaret and can be heard on several of its podcasts.[16]

Charles also has a cameo in the episode titled "The Parking Garage," which was written by David.

In 1995, Charles left the writing staff of Seinfeld to join that of another hugely successful mid-1990s sitcom: Paul Reiser's Mad About You.

Charles served as executive producer on two short-lived programs, The Tick (for which he wrote two episodes), and the Dilbert animated series, which he co-developed with Scott Adams and co-wrote the following episodes:

In 2000, Charles began his first job as a director on Curb Your Enthusiasm, Larry David's follow-up series to Seinfeld (which Larry David co-created). Charles directed 18 episodes of the hit HBO show.

Charles served as an executive producer and writer on the HBO show Entourage for the first two seasons. The episodes that he wrote were: