Leigh Brackett

Brackett first published in her mid-20s; the science fiction story "Martian Quest" appeared in the February 1940 issue of Astounding Science Fiction. Her earliest years as a writer (1940–42) were her most productive. Some of her stories have social themes, such as "The Citadel of Lost Ships" (1943), which considers the effects on the native cultures of alien worlds of Earth's expanding trade empire. During this period, she was also an active member of the Los Angeles Science Fantasy Society (LASFS), and participated in local science fiction fandom in other ways, including contributing to the second issue of Pogo's STF-ETTE, an all-female science fiction fanzine (probably the first such).[3]

The Brackett-Bradbury collaboration "Lorelei of the Red Mist" took the cover of Planet Stories in 1946.

Brackett's first detective story, "Murder in the Family", was published in Mammoth Detective in 1943.

Brackett's first novel, No Good from a Corpse (1944), was a hard-boiled mystery novel in the tradition of Raymond Chandler (The book resulted in her getting her first big screenwriting assignment.) After this, Brackett's science fiction stories became more ambitious. Shadow Over Mars (1944) was her first novel-length science fiction story; though somewhat rough-edged, it marked the beginning of a new style. This was strongly influenced by the characterization of the 1940s detective story and film noir. It won a Retro Hugo for best novel in 2020.

In 1946, Brackett married fellow science fiction author Edmond Hamilton (fellow LASFS member Ray Bradbury served as best man).

Planet Stories published the novella "Lorelei of the Red Mist", in which the protagonist is a thief called Hugh Starke. Brackett finished the first half before turning it over to her close friend[4] Bradbury, so that she could leave to work on the screenplay of the movie The Big Sleep, based on a Chandler novel.

Brackett returned to science fiction writing after her movie work, in 1948. From then on to 1951, she produced a series of science fiction adventure stories that were longer than her previous work, including such classic representations of her planetary settings as "The Moon that Vanished" and the novel Sea-Kings of Mars (1949). The latter was later published as The Sword of Rhiannon, a vivid description of Mars before its oceans evaporated.

In "Queen of the Martian Catacombs" (1949), Brackett created the character of Eric John Stark. Stark, an orphan from Earth, is raised by the semi-sentient aboriginals of Mercury, who are later killed by Earthmen. He is saved by a Terran official, who adopts Stark and becomes his mentor. When threatened, Stark reverts to the primitive N'Chaka, the "man without a tribe", who he was on Mercury. From 1949 to 1951, Brackett featured Stark (whose name echoes that of the hero in "Lorelei of the Red Mist") in three stories published in Planet Stories: "Queen of the Martian Catacombs", "Enchantress of Venus", and "Black Amazon of Mars". With this last story, Brackett's high adventure period of writing ended.

Brackett adopted an elegiac tone in her stories, no longer celebrating the conflicts of frontier worlds but lamenting the passing of civilizations, and concentrating more on mood than plot. The reflective, introspective nature of these stories is indicated in the titles: "The Last Days of Shandakor", "Shannach — the Last", and "Last Call from Sector 9G".

"Last Call" was published in the final issue (Summer 1955) of Planet Stories, which had been her most reliable publisher. After Planet Stories folded, and later in 1955, Startling Stories and Thrilling Wonder Stories, Brackett had lost all of her magazine market. The first phase of her career as a science fiction author ended. She did produce other stories over the next decade, and revised and published some as novels.

A new production of this period was The Long Tomorrow (1955), one of Brackett's more critically acclaimed science fiction novels. This novel describes an agrarian, technophobic society that develops after a nuclear war.

After 1955, Brackett concentrated writing for the more lucrative film and television markets. In 1963 and 1964, she briefly returned to her old Martian milieu with a pair of stories. "The Road to Sinharat" can be regarded as an affectionate farewell to the world of "Queen of the Martian Catacombs", and the other – with the intentionally ridiculous title of "Purple Priestess of the Mad Moon" – borders on parody.

Brackett and her husband shared Guest of Honor duties at the 22nd World Science Fiction Convention in 1965 in Oakland, California.[5]

After another hiatus of nearly a decade, Brackett returned to science fiction in the 1970s with the publication of The Ginger Star (1974), The Hounds of Skaith (1974) and The Reavers of Skaith (1976), collected as The Book of Skaith in 1976. This trilogy brought Eric John Stark back for adventures upon the extra-solar planet of Skaith (rather than his old haunts of Mars and Venus).

Often referred to as the "Queen of Space Opera", Brackett also wrote planetary romance. Almost all of her planetary romances take place in the Leigh Brackett Solar System, which contains richly detailed fictional versions of the consensus Mars and Venus of science fiction from the 1930s to the 1950s. Mars appears as a marginally habitable desert world, populated by ancient, decadent and mostly humanoid races; Venus as a primitive, wet jungle planet, occupied by vigorous, primitive tribes and reptilian monsters. Brackett's Skaith combines elements of her other worlds with fantasy elements.

Though the influence of Edgar Rice Burroughs is apparent in Brackett's Mars stories,[6] her Mars is set firmly in a world of interplanetary commerce and competition. A prominent theme of her stories is the clash of planetary civilizations; the stories illustrate and criticize the effects of colonialism on civilizations that are either older or younger than those of the colonizers. Burroughs' heroes set out to remake entire worlds according to their own codes; Brackett's heroes (often antiheroes) are at the mercy of trends and movements far bigger than they are.[7]

After the Mariner missions proved there was no life on Mars, she never returned to her solar system. When she started to write planetary romance again in the 70s, she invented a new solar system outside our own.[8]

Shortly after Brackett broke into science fiction writing, she wrote her first screenplays. Hollywood director Howard Hawks was so impressed by her novel No Good from a Corpse that he had his secretary call in "this guy Brackett" to help William Faulkner write the script for The Big Sleep (1946).[9] The film was written by Brackett, William Faulkner, and Jules Furthman, and starred Humphrey Bogart. It is considered one of the best movies ever made in the genre.

After getting married, Brackett took a long break from screenwriting. When she returned to screenwriting in the mid-1950s, she wrote for TV and movies. Howard Hawks hired her to write or co-write several John Wayne pictures, including Rio Bravo (1959), Hatari! (1962), El Dorado (1966), and Rio Lobo (1970). Because of her background with The Big Sleep, she later adapted Raymond Chandler's novel The Long Goodbye for the screen.

Brackett worked on the screenplay for The Empire Strikes Back, the first Star Wars sequel. The film won the Hugo Award in 1981. This script was a departure for Brackett, as until then, all of her science fiction had been in the form of novels and short stories. George Lucas said that he asked Brackett to write the screenplay based on his story outline. Brackett wrote a finished first draft titled "Star Wars sequel", which was delivered to Lucas shortly before her death from cancer on March 18, 1978; however, her version was rejected and two drafts of a new screenplay were written by Lucas and, following the delivery of the screenplay for Raiders of the Lost Ark, turned over to Lawrence Kasdan to rework some dialogues.[10][11] Both Brackett and Kasdan (though not Lucas) were given credit for the final screenplay. Brackett was credited in tribute despite the fact that she was not involved in the final result of the film.

Laurent Bouzereau, in Star Wars: The Annotated Screenplays, said that Lucas disliked the direction of Brackett's screenplay, discarded it, and produced two more screenplays before turning the results over to Kasdan.[12] io9's co-founder Charlie Jane Anders has written that while "It's fashionable to disparage Brackett's contributions to Empire", "it's not true that none of Brackett's storyline winds up in the final movie — the basic story beats are the same."[13]

For over 30 years, Brackett's screenplay could only be read at the Jack Williamson Special Collections library at Eastern New Mexico University in Portales, New Mexico and the archives at Lucasfilm in California. However, it was officially published in February 2016.[14] In this draft, there was a love triangle between Luke, Leia and Han Solo. Yoda was named Minch, Luke has a hidden sister named Nellith, Lando Calrissian was known as Lando Kaddar, Luke's father was still a distinct character from Darth Vader and appears as a Force ghost on Dagobah, and also, Han Solo, at the end of the script, is leaving to search for his uncle Ovan Marek, the most powerful man in the universe after the Emperor Palpatine.

John Saavedra of Den of Geek website says:

Most importantly, you see that Brackett's draft, while definitely in need of a rewrite and several tweaks, holds all of the big moments we'd eventually see on screen. We still get a version of the Battle of Hoth (a much more ridiculous one), the wise words of an old Jedi Master, the excitement of zooming through a deadly asteroid field, a love triangle (a MUCH more overt one), a majestic city in the clouds, unexpected betrayals, and the climactic duel between Luke Skywalker and Darth Vader that we would reenact on playgrounds for years to come.[15]

• "Martian Quest" (Astounding Science Fiction, February 1940)
• "The Treasure of Ptakuth" (Astounding Science Fiction, April 1940)
• "The Stellar Legion" (Planet Stories, Winter 1940)
• "The Tapestry Gate" (Strange Stories, August 1940)
• "The Demons of Darkside" (Startling Stories, January 1941)
• "Water Pirate" (Super Science Stories, January 1941)
• "Interplanetary Reporter" (Startling Stories, May 1941)
• "The Dragon-Queen of Jupiter" (Planet Stories, Summer 1941), also published as "The Dragon-Queen of Venus"
• "Lord of the Earthquake" (novelette; Science Fiction, June 1941)
• "No Man's Land in Space" (novelette; Amazing Stories July 1941)
• "A World Is Born" (Comet Stories July 1941)
• "Retreat to the Stars" (Astonishing Stories, November 1941)

• "Child of the Green Light" (Super Science Stories, February 1942)
• "The Sorcerer of Rhiannon" (novelette; Astounding Science Fiction, February 1942)
• "Child of the Sun" (novelette; Planet Stories, Spring 1942)
• "Out of the Sea" (novelette; Astonishing Stories, June 1942)
• "Cube from Space" (Super Science Stories, August 1942)
• "Outpost on Io" (Planet Stories, Winter 1942)
• "The Halfling" (novelette; Astonishing Stories, February 1943)
• "The Citadel of Lost Ships" (Planet Stories, March 1943)
• "The Blue Behemoth" (Planet Stories, May 1943)
• "Thralls of the Endless Night" (Planet Stories, Fall 1943)
• "The Jewel of Bas" (novelette; Planet Stories, Spring 1944)
• "The Veil of Astellar" (novelette; Thrilling Wonder Stories, Spring 1944)
• "Terror Out of Space" (Planet Stories, Summer 1944)
• "Shadow Over Mars" (Startling Stories, Fall 1944), published in book form as The Nemesis from Terra, winner of a best novel Retro Hugo in 2020.

• "The Vanishing Venusians" (novelette; Planet Stories, Spring 1945)
• "Lorelei of the Red Mist", with Ray Bradbury (novella; Planet Stories, Summer 1946)
• "The Moon That Vanished" (novelette; Thrilling Wonder Stories, October 1948)
• "The Beast-Jewel of Mars" (novelette; Planet Stories, Winter 1948)
• "Quest of the Starhope" (Thrilling Wonder Stories, April 1949)
• "Sea-Kings of Mars" (Thrilling Wonder Stories, June 1949), published in book form as The Sword of Rhiannon
• "Queen of the Martian Catacombs" (Planet Stories, Summer 1949), expanded and published in book form as The Secret of Sinharat
• "Enchantress of Venus" (novella; Planet Stories, Fall 1949), also published as "City of the Lost Ones"
• "The Lake of the Gone Forever" (novelette; Thrilling Wonder Stories, October 1949)
• "The Dancing Girl of Ganymede" (novelette; Thrilling Wonder Stories, February 1950)
• "The Truants" (novelette; Startling Stories, July 1950)
• "The Citadel of Lost Ages" (novella; Thrilling Wonder Stories, December 1950)

• "Black Amazon of Mars" (Planet Stories, March 1951), expanded and published in book form as People of the Talisman
• "The Starmen of Llyrdis" (Startling Stories, March 1951)
• "The Woman from Altair" (novelette; Startling Stories, July 1951)
• "The Shadows" ( Startling Stories, February 1952)
• "The Last Days of Shandakor" (novelette; Startling Stories, April 1952)
• "Shannach – The Last" (novelette; Planet Stories, November 1952)
• "The Ark of Mars" (Planet Stories, September 1953), later published as part of the book Alpha Centauri or Die!
• "Mars Minus Bisha" (Planet Stories, January 1954)
• "Runaway" (Startling Stories, Spring 1954)
• "Teleportress of Alpha C" (Planet Stories, Winter 1954/1955), later published as part of the book Alpha Centauri or Die!
• "The Tweener" (The Magazine of Fantasy and Science Fiction, February 1955)
• "Last Call from Sector 9G" (Planet Stories, Summer 1955)

• "The Other People" (novelette; Venture Science Fiction Magazine March 1957), also published as "The Queer Ones"
• "All the Colors of the Rainbow" (novelette; Venture Science Fiction Magazine, November 1957)
• "The Road to Sinharat" (novelette; Amazing Stories, May 1963)
• "Purple Priestess of the Mad Moon" (The Magazine of Fantasy and Science Fiction, October 1964)
• "Come Sing the Moons of Moravenn" (The Other Side of Tomorrow, 1973)
• "How Bright the Stars" (Flame Tree Planet: An Anthology of Religious Science-Fantasy, 1973)
• "Mommies and Daddies" (Crisis, 1974)
• "Stark and the Star Kings", with Edmond Hamilton (in the collection of the same name, 2005)

• Shadow Over Mars (1951) – first published 1944; published in the U.S. as The Nemesis from Terra (1961)
• The Starmen (1952) – also published as The Galactic Breed (1955, abridged), The Starmen of Llyrdis (1976)
• The Sword of Rhiannon (1953) – first published as Sea-Kings of Mars (1949)
• The Big Jump (1955)
• The Long Tomorrow (1955)
• Alpha Centauri or Die! (1963) – fixup of The Ark of Mars (1953) and Teleportress of Alpha C (1954)
• The Secret of Sinharat and People of the Talisman (1964)
• The Ginger Star (1974) – first published as a two-part serial in Worlds of If, February and April 1974
• The Hounds of Skaith (1974)
• The Reavers of Skaith (1976)

• The Coming of the Terrans (1967)
• The Halfling and Other Stories (1973)
• The Book of Skaith (1976) – omnibus edition of the three Skaith novels
• The Best of Leigh Brackett (1977), ed. Edmond Hamilton
• Martian Quest: The Early Brackett (2000) – Haffner Press
• Stark and the Star Kings (2005), with Edmond Hamilton
• Sea-Kings of Mars and Otherworldly Stories (2005) – #46 in the Fantasy Masterworks series.
• Lorelei of the Red Mist: Planetary Romances (2007) – Haffner Press
• Shannach–the Last: Farewell to Mars (2011) – Haffner Press

• The Best of Planet Stories No. 1 (anthology; 1975)
• The Best of Edmond Hamilton (collection; 1977)

• The Vampire's Ghost (with John K. Butler), 1945
• Crime Doctor's Manhunt (with Eric Taylor), 1946
• The Big Sleep (with William Faulkner and Jules Furthman), 1946
• Rio Bravo (with Jules Furthman and B.H. McCampbell), 1959
• Gold of the Seven Saints (with Leonard Freeman), 1961
• Hatari! (with Harry Kurnitz), 1962
• Man's Favorite Sport? (uncredited), 1964
• El Dorado, 1967
• Rio Lobo (with Burton Wohl), 1970
• The Long Goodbye, 1973
• The Empire Strikes Back (with George Lucas and Lawrence Kasdan), 1980

• No Good from a Corpse (crime novel; 1944)
• "I Feel Bad Killing You" (noir short story) - New Detective Magazine, November 1944
• Stranger at Home (crime novel; 1946) – ghost-writer for the actor George Sanders
• An Eye for an Eye (crime novel; 1957) – adapted for television as Suspicion series episode (1958)
• The Tiger Among Us (crime novel; 1957; UK 1960 as Fear No Evil), filmed as 13 West Street (1962; dir. Philip Leacock)
• Follow the Free Wind (western novel; 1963) – received the Spur Award from Western Writers of America
• Rio Bravo (western novel; 1959) – novelization based on the screenplay by Jules Furthman and Leigh Brackett
• Silent Partner (crime novel; 1969)
• No Good from a Corpse (mystery collection; Dennis McMillan Publications, 1999) – reprints the titular novel featuring PI Ed Clive, and eight shorter crime stories.