Leonor De Ovando

De Ovando was born in Santo Domingo into a wealthy criollo family of Extramadura origins around 1544,[3] and had at least three siblings, according to her correspondence with Eugenio de Salazar. [4] She professed at the Dominican Monastery of Regina Angelorum in her hometown early in life around 1568. She must have been one of the first professed, because the monastery's royal license was obtained in 1557, the first nuns moving in there in 1560.[4]

In 1583, Sister De Ovando was elected prioress. Its chapel wasn’t even finished when, in 1586 the English privateer Francis Drake destroyed it.[4] Its nuns, among them De Ovando, who was already forty-six years old, were forced to abandon the monastery and flee to the interior of the island.[5] When the corsair left, De Ovando helped lead the restoration efforts of the monastery, whose nuns had to live almost on the charity of the neighbors for several years. Still, in 1599, the walls of the temple were raised at half height.[4]

Sister de Ovando wrote a letter to the King requesting financial help for the convent. In 1595 and 1605, as superior, she wrote again asking for funds. De Ovando complained by letter to the King about the trajectory of abuses and arbitrariness committed by Governor Osorio when executing the depopulation of the cities in the north of the island from 1605-1606.[6] She was accused of public interference "in business involving people of higher offices in the republics and in business of lawsuits in which all religious, particularly women, must be very remote for being outside their profession (...) for being outside of all order and religion, and something foreign that women treat her (...) .”[6] Although we have no other testimonies to date, it is striking that just two years after this religious and secular persecution, Sister Leonor died in the convent of Santa Catalina around 1610.[7]

We know very little about her poetic production: just five sonnets and a few individual verses (los versos blancos). They are related to the love of the divine and some of her sonnets respond to the poetic work of Eugenio de Salazar, who in 1574, she began her poetic exchange with during the first year of his stay in Hispaniola.[7] The poetic correspondence she exchanged with Eugenio de Salazar is preserved in the Academy of History. [7]