Leslie Cockburn

In 1987, Cockburn began producing and reporting documentaries for PBS Frontline in collaboration with her husband, Andrew Cockburn. They created Guns, Drugs, and the CIA (1987), a documentary which claimed the CIA assisted and encouraged drug trafficking.[7][8] In 1990, Cockburn produced and co-wrote "From the Killing Fields" with Peter Jennings and Tom Yellin for the ABC News documentary show Peter Jennings Reporting. The film alleged that the U.S. had covertly supported the Khmer Rouge in its return to power in Cambodia during a genocidal movement responsible for the deaths of millions in the 1970s.[9]

In 1991, she and her husband produced the PBS Frontline documentary The War We Left Behind, which showed the effects of the Gulf War on Kurdish and Iraqi civilians.[10] In 1997, Cockburn conceived and co-produced The Peacemaker, starring George Clooney and Nicole Kidman, a thriller positing a terrorist attack on New York City with a stolen nuclear weapon.[11] In 1998, Cockburn served as Ferris Professor of Journalism at Princeton University.[12][13] In 2000, she produced "America's Worst Nightmare," a 60 Minutes report on political instability in nuclear-armed Pakistan and fundamentalist groups linked to the Taliban, a piece that was recognized as "strikingly prophetic" in receiving the Alfred I. duPont-Columbia University Award in 2001.[14]<ref"2002 duPont-Columbia Awards Recognize Reports on Political Turmoil Among Winners". Columbia News. January 12, 2002. Retrieved December 24, 2007.</ref>

External video
Booknotes interview with Leslie and Andrew Cockburn, September 1, 1991, C-SPAN

In 1991, Cockburn and her husband, Andrew, published their first book together on the military and intelligence relationship between the U.S. and Israel after 1948. This book detailed how, over several decades, Israel had served U.S. interests both through espionage operations in the former Soviet Union, as well as covert operations in Central America and other third world regions where the U.S. was loath to intervene directly. The book also detailed Israeli nuclear activities, including U.S, assistance to its bomb-making program and Israeli cooperation with the South African apartheid regime's nuclear weapons program. The book was a national bestseller in the U.S. and Canada. Kirkus Reviews said the book was "no thrown-together post-Gulf product, but an unflinching, fact-packed, closely reasoned exploration of our relations with our strongest ally in the Middle East."[15] The Chicago Tribune said the book "should stand for a long time as the alpha and omega of the relationship between the United States and Israel...the Cockburns present the history in rich detail."[16] Other reviewers in the U.S. attacked the book on grounds that it was critical of Israel, often making their case with selective misquotation of what the book actually said.[17] In Israel itself, the response was more measured. Haaretz reviewed it favorably at length, calling it "credible" [18] Maariv acquired the serial rights.

External video
Q&A interview with Leslie and Andrew Cockburn on American Casino, January 3, 2010, C-SPAN

In 2009, Cockburn directed and co-produced (with husband Andrew Cockburn) her first feature documentary for theatrical release, American Casino. It follows the subprime mortgage crisis in the United States which led to the greatest financial crisis since the Great Depression. Cockburn and her husband began filming in January 2008, and documented the financial machinations and miscalculations on Wall Street that produced the disaster, and also documented its effects on several Baltimore homeowners struggling to stay afloat. The film premiered at New York's Tribeca Film Festival in April 2009.[19]

Variety described it as a "searing expose of the subprime mortgage crisis (matching) Wall Street's numbers and graphics to the flesh-and-blood individuals whose lives have been devastated by the deliberate machinations of bankers and traders."[20] The New Yorker said it was "a terrific documentary chronicling the subprime-mortgage mess and the financial collapse."[21] The New York Times said it was "a meticulously structured film."[22]

Cockburn has won The Hillman Prize (1984),[23] the George Polk Award (2010),[24] and the 1991 Robert F. Kennedy Journalism Award, along with Peter Jennings and Tom Yellin.[25] Cockburn's work has received multiple Emmy nominations, and her 1998 documentary Yuri The Great won an Emmy Award in 1999.[26][27][28]