List of compositions by Franz Schubert (1826)

Franz Schubert's compositions of 1826 are mostly in the Deutsch catalogue (D) range D 863–895,[1] and include:

Table

Legend

Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl
Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1826
D
'51
D
utd
Op.
pbl
AGA NSA Name Key / incipit Date Additional info
863 863 IV, 13 An Gott Kein Auge hat dein Angesicht geschaut 1827 or
earlier
Text by Hohlfeld (setting by Rindler publ. 1826); Music lost[8]
864 864 IV, 13 Das Totenhemdchen Starb das Kindlein 1825 or
later
Text by Bauernfeld; Music lost
865 865 105,1
(1828)
XVI
No. 12
III, 3 No. 34
IV, 5
Widerspruch Wenn ich durch Busch und Zweig 1826?–1828? Text by Seidl; Two versions: 1st for ttbb and piano
866 866 95
(1828)
XX, 8
Nos.
508–
511
IV, 5 Vier Refrainlieder: 1. Die Unterscheidung – 2. Bei dir allein – 3. Die Männer sind méchant – 4. Irdisches Glück 1. Die Mutter hat mich jüngst gescholten – 2. Bei dir allein empfind ich, daß ich lebe – 3. Du sagtest mir es, Mutter – 4. So mancher sieht mit finstrer Miene Summer
1828?
Text by Seidl
867 867 105,2
(1828)
XX, 8
No. 512
IV, 5 Wiegenlied, D 867 Wie sich der Äuglein kindlicher Himmel 1826?–1828? Text by Seidl
869 869 (1832) XX, 8
No. 496
IV, 14 Totengräber-Weise Nicht so düster und so bleich 1826 Text by Schlechta
870 870 80,1
(1827)
XX, 8
No. 506
IV, 4 Der Wanderer an den Mond Ich auf der Erd', am Himmel du 1826 Text by Seidl
871 871 80,2
(1827)
(1979)
XX, 8
No. 507
IV, 4 Das Zügenglöcklein Kling die Nacht durch, klinge 1826 Text by Seidl; Two versions: 2nd, in AGA, is Op. 80 No. 2
872 872 (1854)
(1870)
XIII, 2
No. 7
I, 6 Deutsche Messe mit dem Anhang "Das Gebet des Herrn" (German Mass with The Lord's Prayer appended): 1. Zum Eingang – 2. Zum Gloria – 3. Zum Evangelium und Credo – 4. Zum Offertorium – 5. Zum Sanctus – 6. Nach der Wandlung – 7. Zum Agnus Dei – 8. Schlussgesang – Anh.: Das Gebet des Herrn 1. Wohin soll ich mich wenden – 2. Ehre, Ehre sei Gott in der Höhe! – 3. Noch lag die Schöpfung formlos da – 4. Du gabst, o Herr, mir Sein und Leben – 5. Heilig, heilig, heilig, heilig ist der Herr! – 6. Betrachtend deine Huld und Güte – 7. Mein Heiland, Herr und Meister! – 8. Herr, du hast mein Flehn vernommen – Anh.: Anbetend deine Macht und Größe summer or
early fall
1827
Text by Neumann; Two versions: 1st for SATB and organ – 2nd, in AGA, adds winds, and optional double bass; Ferd. Schubert started publishing his arrangements from before 1838; Vocal score publ. in 1854
873 873 (1974) III, 4 Anh. II No. 2
VIII, 2 No. 29
Canon, D 873 A major January
1826?
For six voices; Sketch
873A III, 4
Anh. II No. 3
Nachklänge January
1826?
For ttbb; Sketch
874 874 IV, 14 O Quell, was strömst du rasch und wild O Quell, was strömst du rasch und wild January
1826?
Text by Schulze; Sketch
875 875 102
(1831)
XVI
No. 27
III, 3 No. 35 Mondenschein Des Mondes Zauberblume lacht January
1826
Text by Schober; For ttbbb and piano (only voices in AGA, piano score in 1st ed. not original)
875A III, 2b
Anh. No. 8
Die Allmacht, D 875A Groß ist Jehova, der Herr! January
1826
Text by Pyrker (other setting: D 852); For SATB and piano; Sketch
876 876 (1838) XX, 8
No. 487
IV, 14 Im Jänner 1817 a.k.a. Tiefes Leid Ich bin von aller Ruh' geschieden January
1826
Text by Schulze
877 877 62
(1827)
XX, 8
Nos.
488–
491
III, 2b No. 23
IV, 3
Gesänge aus Wilhelm Meister (Songs from Wilhelm Meister): 1. Mignon und der Harfner – 2.–4. Lied der Mignon 1.&4. Nur wer die Sehnsucht kennt – 2. Heiß mich nicht reden, heiß mich schweigen – 3. So laßt mich scheinen, bis ich werde January
1826
Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 469, 481, 656, 726 and 727); No. 1 for two voices and piano; No. 2 has two versions; No. 4 reuses music of D 403
878 878 105,3
(1828)
XX, 8
No. 492
IV, 5 Am Fenster Ihr lieben Mauern hold und traut March 1826 Text by Seidl
879 879 105,4
(1828)
XX, 8
No. 493
IV, 5 Sehnsucht, D 879 Die Scheibe friert, der Wind ist rauh March 1826 Text by Seidl
880 880 80,3
(1827)
XX, 8
No. 494
IV, 4 Im Freien Draußen in der weiten Nacht March 1826 Text by Seidl
881 881 96,4
(1828)
(1895)
XX, 8
No. 495
IV, 5 Fischerweise Den Fischer fechten Sorgen und Gram und Leid nicht an March 1826 Text by Schlechta; Two versions: 2nd is Op. 96 No. 4
882 882 101p,1
(1828)
XX, 8
No. 497
IV, 5 Im Frühling Still sitz' ich an des Hügels Hang March 1826 Text by Schulze
883 883 (1832) XX, 8
No. 498
IV, 14 Lebensmut, D 883 O wie dringt das junge Leben March 1826 Text by Schulze
884 884 108,1
(1829)
XX, 8
No. 500
IV, 5 Über Wildemann Die Winde sausen am Tannenhang March 1826 Text by Schulze
885 885 66
(1826)
IX, 1
No. 5
VII/1, 4 Grande Marche Héroique A minor c.3/9/1826 For piano duet
887 887 161p
(1851)
V No. 15 VI, 5
No. 16
String Quartet No. 15 G major 20–
30/6/1826
Allegro molto moderato – Andante un poco mosso – Scherzo – Allegro assai
888 888 (1850) XX, 8
No. 502
IV, 14 Trinklied, D 888 Bacchus, feister Fürst des Weins July 1826 Text by Shakespeare from Antony and Cleopatra II, 7, transl. by Mayerhofer von Grünbühel and Bauernfeld
889 889 (1830) XX, 8
No. 503
IV, 14 Ständchen, D 889 Horch, horch! die Lerch im Ätherblau July 1826 Text by Shakespeare from Cymbeline II, 3, transl. by Schlegel, A. W.
890 890 (1830) XX, 8
No. 504
IV, 14 Hippolits Lied Laßt mich, ob ich auch still verglüh July 1826 Text by Gerstenberg
891 891 106,4
(1828)
XX, 8
No. 505
IV, 5 An Sylvia a.k.a. An Silvia a.k.a. Gesang, D 891 Was ist Silvia, saget an July 1826 Text by Shakespeare from The Two Gentlemen of Verona IV, 2, transl. by Bauernfeld
892 892 134p
(1839)
XVI
No. 13
III, 3 No. 36 Nachthelle Die Nacht ist heiter September
1826
Text by Seidl; For tenor solo, ttbb and piano
893 893 (1827) XVI
No. 41
III, 4
No. 57
Grab und Mond Silberblauer Mondenschein fällt herab September
1826
Text by Seidl; For ttbb
894 894 78
(1827)
X No. 12 VII/2, 3
No. 16
Piano Sonata, D 894 ("Fantasie") G major October
1826
Molto moderato e cantabile – Andante – Minuet – Allegretto
895 895 70
(1827)
VIII
No. 1
VI, 8 No. 7 Rondo, D 895, a.k.a. Rondeau brillant B minor October
1826
For violin and piano

References

Sources

Multi-volume editions, websites and catalogues

Other

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