Lorenzo Ferrero

Born in Turin, he studied composition from 1969 to 1973 with Massimo Bruni and Enore Zaffiri at Turin Music Conservatory, and philosophy with Gianni Vattimo and Massimo Mila at the University of Turin, earning a degree in aesthetics with a thesis on John Cage in 1974.

His early interest in the psychology of perception and psychoacoustics led him to IMEB, the International Electroacoustic Music Institute of Bourges, where he did research on electronic music between 1972 and 1973, IRCAM in Paris, and to the Musik/Dia/Licht/Film Galerie in Munich in 1974.

Lorenzo Ferrero has received commissions from numerous festivals and institutions, his works being constantly performed throughout Europe and North America, particularly in Italy, Germany, France, Great Britain, Spain, Finland, Russia, the Czech Republic, and the United States.

Scene from the opera La Conquista, 2005

His most popular compositions include the operas Marilyn, La figlia del mago, Salvatore Giuliano, Charlotte Corday, La Conquista, and Risorgimento!, the first Piano Concerto, the Concerto for Violin, Cello, Piano and Orchestra, the set of six symphonic poems La Nueva España, the song cycle Canzoni d'amore, the Capriccio for Piano and String Orchestra, Parodia, Ostinato, Glamorama Spies, Tempi di quartetto for string quartet, and the ballet Franca Florio, regina di Palermo. In 1986 he participated in the Prix Italia with his work La fuga di Foscolo. His music is published by Casa Ricordi, Milan.

As an active manager of art events, he has served as artistic director of the Festival Puccini in Torre del Lago (1980–84),[1] "Unione Musicale" in Turin (1983–87), Arena di Verona Festival (1991–94), and the "Musica 2000" fair. In 1999 he co-founded and coordinated the "Festa della Musica", a showcase of classical, jazz and world music held in Milan, and four years later he managed the Ravello Festival.

In 2007 Lorenzo Ferrero was appointed to the board of directors and elected vice-president of SIAE, the Italian Authors and Publishers Association. That same year he published the Manuale di scrittura musicale,[2] a manual which describes the basic rules of correct and elegant music writing from the orthographic as well as the graphic point of view, which is addressed to all composers, musicologists, teachers, students and copy-editors in need of practical advice. In 2008 he translated, edited and published Lo studio dell'orchestrazione,[3] the Italian edition of Samuel Adler's The Study of Orchestration, a landmark orchestration manual.

Lorenzo Ferrero has been professor of composition at Milan Conservatory from 1980 to 2016. His teaching appointments also include positions at St. Mary's College of Maryland and LUISS Business School, a division of LUISS Guido Carli University of Rome. Moreover, as member of the Italian National Union of Composers, Librettists and Authors he co-founded ECSA, the European Composer and Songwriter Alliance, and between 2011 and 2017 he was president of CIAM, the International Council of Music Authors. In 2017, he was appointed honorary president of CIAM.[4]

Lorenzo Ferrero was described in The New Grove Dictionary of Opera as "the most successful opera composer of his generation in Italy"[5] and in The New Penguin Opera Guide as "a principal exponent of the neo-tonal tendencies common to a number of Italian composers of his generation, who has championed a brand of narrative music-theatre that aims to capture a wider audience than that achieved by the heirs of the modernist tradition."[6]

In addition to the original works listed below, Lorenzo Ferrero completed the orchestration of the third version of the opera La rondine by Giacomo Puccini, which was subsequently premiered at Teatro Regio di Torino on 22 March 1994. With a group of six other Italian composers he wrote the Requiem per le vittime della mafia, a collaborative composition for soloists, choir and orchestra on an Italian text by Vincenzo Consolo. The requiem was first performed in the Palermo Cathedral on 27 March 1993. Furthermore, he wrote the music for the Sestriere Alpine World Ski Championships opening ceremony of 1997 including the official anthem, incidental music for stage productions, and a film score. British musicologist David Osmond-Smith described his style as "an unabashed synthesis of classical traditions and pop [...] that never forgets its 19-century precursors."[7]

• Cresti, Renzo (2019). Musica presente. Tendenze e compositori di oggi, pp. 33–39. Lucca: Libreria Musicale Italiana. ISBN 978-88-5543-001-2
• Holden, Amanda, ed. (2001). The New Penguin Opera Guide. London: Penguin Books. ISBN 0-14-051475-9
• Sadie, Stanley, ed. (1992–2002). The New Grove Dictionary of Opera. London: Macmillan Publishers. ISBN 0-19-522186-9
• Vitelli, Niclo (2016). Un bel dì vedremo: Il festival di Giacomo Puccini. Cronaca di un'incompiuta. Florence: Firenze Leonardo Edizioni. ISBN 978-88-6800-040-0

• Anon. (1982–83). "Lorenzo Ferrero "Marilyn"—Anmerkungen zur Oper." In Neuland: Ansätze zur Musik der Gegenwart, edited by Herbert Henck Vol. 3, pp 142–146. Bergisch Gladbach: Neuland Musikverlag Herbert Henck. ISBN 3-922875-04-1
• Arciuli, Emanuele (2006). Rifugio intermedio - Il pianoforte contemporaneo tra Italia e Stati Uniti. Monfalcone: Teatro Comunale.
• Bagnoli, Giorgio, ed. (1993). The La Scala Encyclopedia of the Opera. New York: Simon & Schuster. ISBN 0-671-87042-4
• Baransky, Zygmunt G., West, Rebecca J. (2001). The Cambridge Companion to Modern Italian Culture. Cambridge and New York: Cambridge University Press. ISBN 0-521-55034-3
• Boccadoro, Carlo (2007). Lunario della musica. Einaudi. ISBN 88-06-18858-5
• Budden, Julian (2002). Puccini: His Life and Works. Oxford and New York: Oxford University Press. ISBN 0-19-517974-9
• Bussotti, Sylvano (1982). I miei teatri. Palermo: Edizioni Novecento. ISBN 88-373-0027-1
• Donati, Paolo, and Ettore Pacetti, eds. (2002). C'erano una volta nove oscillatori: lo studio di fonologia della Rai di Milano nello sviluppo della nuova musica in Italia. Teche. Rome: RAI Teche; Milano: Scuole civiche di Milano, Fondazione di partecipazione, Accademia internazionale della musica, Istituto di ricerca musicale; Rome: RAI ERI. ISBN 88-397-1206-2
• Enciclopedia della musica (1996) entry: Lorenzo Ferrero. Turin: UTET. ISBN 88-02-05381-2
• Fearn, Raymond (1998). Italian Opera since 1945. London: Routledge. ISBN 90-5755-001-6
• Gasperini, Nicoletta (1985). "Lorenzo Ferrero" in Panorama, 25 August. ISSN 0553-1098
• Gelli, Piero, ed. (2007). Dizionario dell'Opera 2008 entries: Lorenzo Ferrero, La conquista, Marilyn, Salvatore Giuliano. Milano: Baldini Castoldi Dalai editore. ISBN 978-88-6073-184-5
• Gerhartz, Leo Karl. Oper: Aspekte der Gattung. Laaber: Laaber-Verlag. ISBN 3-921518-63-6
• Girardi, Enrico (2000). Il teatro musicale italiano oggi: La generazione della post-avanguardia. Turin: De Sono-Paravia. ISBN 88-395-9129-X
• Gruhn, Wilfried, ed. (1989). Das Projekt Moderne und die Postmoderne: Die neue Tonalität bei Lorenzo Ferrero (by Theo Hirsbrunner). Kassel. ISBN 3-7649-2379-2
• Henze, Hans Werner (1983). Die englische Katze: ein Arbeitstagebuch 1978-82. Frankfurt: Fischer Verlag. ISBN 3-10-032604-0
• Killinger, Charles (2005). Culture and Customs of Italy. Westport, CT: Greenwood Press. ISBN 0-313-32489-1
• Lanza, Andrea (1980). Il secondo novecento. Turin: EDT Srl. ISBN 88-7063-115-X
• Larousse Dictionnaire de la musique (2005) entries: Lorenzo Ferrero, Live electronic music. Paris: Larousse. ISBN 2-03-575040-7
• Moliterno, Gino, ed. (2000). Encyclopaedia of Contemporary Italian Culture. London and New York: Routledge. ISBN 0-415-14584-8
• Nelson, Peter, and Stephen Montague (1991). Live Electronics. Chur and Philadelphia: Harwood Academic Publishers. ISBN 3-7186-5116-5
• Peyser, Joan, ed. (2006). The Orchestra: A Collection of 23 Essays on its Origins and Transformations. Milwaukee: Hal Leonard Publishing Corporation. ISBN 1-4234-1026-2
• Randel, Don Michael, ed. (2003). The Harvard Dictionary of Music. Harvard University Press. ISBN 0-674-01163-5
• Russo, Marco (1988). Moderno, post-moderno, neo-romanticismo: orientamenti di teatro musicale contemporaneo, Il Verri. Vol. 2.
• Schreiber, Ulrich (2005). Opernführer für Fortgeschrittene. Bärenreiter-Verlag. ISBN 3-7618-1437-2
• Salzman, Eric, and Thomas Desi (2008). The New Music Theatre. Oxford and New York: Oxford University Press. ISBN 0-19-509936-2
• Stoïanova, Ivanka (2005). Entre détermination et aventure: essais sur la musique de la deuxième moitié du XXème siècle. Paris: L'Hartman. ISBN 2-7475-7131-9
• Wignall, Harry James (1990). "Current Trends in Italian Opera." Perspectives of New Music 28, no. 2:312–26.

Wikimedia Commons has media related to Lorenzo Ferrero.

• Lorenzo Ferrero – Concerto for Violin, Cello, Piano and Orchestra on YouTube
• Casa Ricordi Catalogue
• Casa Ricordi Digital Collection