Maceo Pinkard

Pinkard was born in Bluefield, West Virginia. He was educated at the Bluefield Colored Institute, class of 1913, and wrote his first major song ("I'm Goin' Back Home") one year later. He was one of the greatest composers of the Harlem Renaissance.[1] In his early career he formed his own orchestra and toured throughout the US as the conductor. In 1914, at age 17, Pinkard founded the theatrical agency in Omaha, Nebraska and eventually founded Pinkard Publications, a music publishing firm in New York City. In 1917, he formed his own publishing firm, Maceo Pinkard Music, and began selling compositions to national publishing companies such as Frank K. Root in Chicago and Leo Feist in New York. In late 1918, he was hired by the firm of Shapiro, Bernstein & Company in New York and the following year saw the publication of first big hit, "Mammy O'Mine."

1918 saw a flood of music related to the war. Pinkard composed with words and music "Don't Cry Little Girl, Don't Cry." The sentiment in the lyrics is universal for lovers who must part.[2] He also wrote the words and music for Those Draftin' Blues.[3][4]

In 1919, Pinkard moved to New York City. His best work was written during the decade 1921-1931. Primarily writing as the composer and lyricist, Pinkard's catalog includes such hit songs as "Sugar", "Gimme a Little Kiss, Will Ya Huh?", "At Twilight", "Them There Eyes" (1930), later recorded by Billie Holiday in 1939 on the OKeh label. This was one of the songs Holiday sang at the Storyville jazz club in Boston in 1952. "Sweet Georgia Brown" a number one Billboard hit in the summer of 1925, "Here Comes the Show Boat" (1927), "Sweet Man", "I'll Be a Friend (With Pleasure)", "Congratulations" (1929), "Is That Religion?", "Liza" (1922), "Lila", "There Must Be Somebody Else", "Okay Baby", "That Wonderful Boy Friend of Mine", "Let's Have a Showdown", "My Old Man" and "Mammy O' Mine" (1919).Shortly after his move to New York, he recorded his piano playing on several piano rolls (for the Republic and Connorized companies) which are the only known record of his playing.[5] In 1930, his song "I'll Be A Friend with Pleasure", was recorded by a jazz band led by Bix Beiderbecke, with Gene Krupa and Benny Goodman among the sidemen.

His famous music composition "Sweet Georgia Brown", lyrics by Kenneth Casey, was recorded by artists Louis Armstrong (1928), Count Basie, The Beatles album Ain't She Sweet (1962), Cab Calloway (1931), Ray Charles (1961), Nat King Cole (1943), Bing Crosby (1927), Ella Fitzgerald (1956), Dizzy Gillespie (1967), Benny Goodman (1956), Harry James (1939), Carmen McRae (1964), Thelonious Monk (1941), Charlie Parker (1947), Oscar Peterson (1945), Cole Porter (1960), Sarah Vaughan (1963), and Ethel Waters (1923).[6]

Duke Ellington's introduction to the music industry began with Maceo Pinkard.[7] Shortly after they met at Barron's nightclub, Pinkard took Ellington downtown and introduced him to the music publishing district. This area of Broadway, from 40th to 55th Streets, was known as Tin Pan Alley because of the cacophony of so many pianists playing different pieces of music in different keys. It was there that Ellington had his first meeting at Mills Music with younger brother Irving, who would later become his manager. Ellington recorded some of Pinkard compositions such as "Is That Religion?", "Sweet Georgia Brown", and "Them There Eyes".

Pinkard's compositions as a film score were used in a number of movies, which were compiled from previously written musical compositions. Partial list includes:[12]

• Maceo Pinkard recordings at the Discography of American Historical Recordings.