Mamah Borthwick

She was born as Mary Bouton Borthwick in Boone, Iowa to Marcus Smith Borthwick (1828-1900) (son of Alexander Borthwick and Vilitta Lamoreaux) and Almira A. Borthwick (née Bowcock) (1839-1898).[3][4] She had two sisters: Jessie Octavia Borthwick Pitkin (1864-1901) and Elizabeth Vilitta Borthwick (1866-1946). Borthwick earned her BA and MA at the University of Michigan in 1892 and 1893.[5] She later worked as a librarian in Port Huron, Michigan.

In 1899, Borthwick married Edwin Cheney, an electrical engineer from Oak Park, Illinois, United States. They had two children: John (1902) and Martha (1905).[6]

Mamah met Wright's wife, Catherine, through a social club. Soon after, Edwin commissioned Wright to design them a home, now known as the Edwin H. Cheney House. Mamah's sister, Elizabeth Vilitta Borthwick, lived in an apartment on the lower level of the house.

In 1909, Mamah and Wright left their spouses and traveled to Europe.[7] Most of their friends and acquaintances considered their open closeness to be scandalous, especially since Catherine had refused to agree to a divorce. Chicago newspapers criticized Wright, implying that he would soon be arrested for immorality, despite statements from the local sheriff that he could not prove that the couple was doing anything wrong. After the couple moved to Taliesin, the editor of the Spring Green, Wisconsin, newspaper condemned Wright for bringing scandal to the village. The press, which reported the European trip as a "spiritual hegira", called Mamah and Wright "soul mates" and also referred to Taliesin as the "love castle" or "love bungalow".[8][9] The scandal affected Wright's career for several years; he did not receive his next major commission, the Imperial Hotel, until 1916.

In 1911, Borthwick began translating the works of the Swedish feminist thinker and writer Ellen Key, whom she admired and had visited while in Europe.

On August 15, 1914, Julian Carlton, a male servant from Barbados who had been hired several months earlier and was apparently mentally unstable, set fire to the living quarters of Taliesin and murdered seven people with an axe as they fled the burning structure.[10][8] The dead included Mamah; her two visiting children, John and Martha; David Lindblom, a gardener; a draftsman named Emil Brodelle; Thomas Bunker, a workman; and Ernest Weston, the son of Wright's carpenter William Weston, who himself was injured but survived.[8][11] Thomas Fritz also survived the mayhem, and Weston helped to put out the fire that almost completely consumed the residential wing of the house.[12] In hiding, Carlton swallowed muriatic acid immediately following the attack in an attempt to kill himself.[10] When found, he was nearly lynched on the spot, but was taken to the Dodgeville jail.[10] Carlton died from starvation seven weeks after the attack, despite medical attention.[10] At the time, Wright was overseeing work on Midway Gardens in Chicago.[13]

A detailed nonfiction account of the tragedy at Taliesin is provided in Death in a Prairie House: Frank Lloyd Wright and the Taliesin Murders by William R. Drennan.[14]

Mamah's time with Frank Lloyd Wright is the basis of Loving Frank, a novel by Nancy Horan.[15] Mamah is also a subject of T.C. Boyle's 2009 twelfth novel, The Women.[16]

An opera, Shining Brow, covers the story of the Cheneys and the Wrights, from when they meet in Wright's office, through the aftermath of Mamah's death. Music was composed by American composer Daron Hagen with a libretto by Paul Muldoon.

The death of Mamah Borthwick is described in the book The Rise of Endymion by Dan Simmons in a back-story of the persona of Frank Lloyd Wright.

The story of her death was recounted by Lorelai Gilmore in an episode of Gilmore Girls, "Let the Games Begin".

There is a song titled "Mamah Borthwick (A Sketch)" on the 2016 album "Ruminations" by Conor Oberst.

• Works by Mamah Borthwick at Project Gutenberg
• Works by or about Mamah Borthwick at Internet Archive