Manchester International Festival

The Manchester International Festival is a biennial international arts festival, with a specific focus on original new work, held in the English city of Manchester. The festival is a biennial event, first taking place in June–July 2007, and subsequently recurring in the summers of 2009, 2011, 2013, 2015, 2017 and 2019. MIF19 took place from 4 to 21 July 2019. The organisation is based in Blackfriars House, adjacent to Blackfriars Bridge but is due to move to a new £110 million new home, The Factory, by the beginning of 2020.

Manchester International Festival
StatusActive
GenreFestival
DatesJuly (dates vary)
FrequencyBiennial
VenueMultiple across Manchester
Location(s)Manchester, UK
(office: Blackfriars House, Parsonage, Manchester M3 2JA)
Coordinates53°29′0.4413″N 02°14′52.0985″W
CountryUnited Kingdom
Years active13
Inaugurated2007
FounderAlex Poots (Manchester City Council)
Previous event29 June – 16 July 2017[1]
Next event4 – 21 July 2019[2]
Attendance259,648 (2015)
AreaInternational
Budget£12 m for 2015 festival
* £2.5 m Manchester City Council
* £1.4 m Arts Council England
LeaderJohn McGrath
(Artistic Director)
Filing statusRegistered charity
PeopleJohn McGrath
(Chief Executive and Artistic Director)
Christine Cort
(Managing Director)
Fiona Gasper
(Executive Director)
Matthias von Hartz (Artistic Advisor: AA)
Mary Anne Hobbs (AA)
Michael Morris (AA)
Hans Ulrich Obrist (AA)
Peter Saville (AA)
MemberTom Bloxham
(Board Chairman)
Maria Balshaw (Board Member:BM)
Richard Bell (BM)
Howard Bernstein (BM)
Alan Bishop (BM)
Jeremy Deller (BM)
Jamil Khalil (BM)
Amy Lawrence (BM)
Chris Oglesby (BM)
Richard Paver (BM)
Malcolm Press (BM)
Cllr.Luthfur Rahman (BM)
Kully Thiarai (BM)
Cathryn Wright (BM)
Jeanette Winterson (BM)
Ngozi Ugochukwu (BM)
Jo Whitfield (BM)
SponsorVarious
Websitemif.co.uk

Pre-festival commissions

The Festival was promoted and initiated with three pre-festival commissions. The first of these took place in November 2005, when Gorillaz performed live at the Manchester Opera House. Recordings of these performances were later released as the Demon Days Live DVD. The second was The Schools Festival Song, a new piece by Ennio Morricone and Nicholas Royle sung by an 8,000-strong schools' choir, organised by Young Voices, which took place on 4 December 2006.

The third was an art installation, in conjunction with the Imperial War Museum, by Turner Prize-winning artist Steve McQueen, as a response to the 2003 Iraq war and as a tribute to British service personnel killed in that conflict. It was exhibited in the Great Hall of Manchester Central Library from 28 February to 15 July 2007.

MIF 07

The first edition of the Festival ran from 28 June – 15 July 2007. The Festival's showpiece production was Monkey: Journey To The West, a re-working of the ancient Chinese legend Journey to the West by Damon Albarn and Jamie Hewlett, collaborating on their first major project since Gorillaz. Albarn wrote the score while Hewlett designed the set and costumes.[3] Adapted and directed by Chen Shi-Zheng, whose credits range from classical Chinese opera to the Meryl Streep movie Dark Matter, the show also featured 45 Chinese circus acrobats, Shaolin monks and Chinese vocalists. The production was designed and created by Théâtre du Châtelet in co-operation with the Manchester International Festival and the Berlin State Opera, and performed at the Palace Theatre.

As well as Monkey, the Festival showcased two other events. The first was Il Tempo del Postino, a visual arts show curated by Hans Ulrich Obrist and Philippe Parreno and produced in conjunction with the Théâtre du Châtelet, Paris, performed at the Manchester Opera House. The other was a new stage adaptation of The Pianist, combining the original words of Władysław Szpilman spoken by actor Peter Guinness, with the music of Frédéric Chopin performed by leading pianist Mikhail Rudy, and directed by Neil Bartlett at the Museum of Science and Industry in Manchester.[4]

Finance for MIF 07

Funding for the 2007 festival[5]
Source of funding Amount £m ( % of all funding )
Manchester City Council
2.3(26%)
Other public funding (including Arts Council)
1.4(16%)
Sponsorship
3.3(37%)
Other funding
0.5(6%)
Ticket sales
1.3(15%)

Total amount = £8.8m

Expenditure for the 2007 festival[5]
Source of expenditure Amount £m ( % of all funding )
Artistic programme
5.5(61%)
Marketing and press
1.1(13%)
Festival operations
2.4(27%)

Total amount = £9.0m

The 2007 festival made a £0.2m loss (£8.8m worth of funding minus £9.0m expenditure), which was made up by the council's contingency and made up in the 2009 festival.[6]

The economic impact to the region was £28.8m.[7]

MIF 09

Kraftwerk with special guest Steve Reich playing at Manchester Velodrome

The 2009 Manchester International Festival took place between 2–19 July 2009; in October 2008, a press release announced the first three commissions for 2009.[8] These werePrima Donna, Rufus Wainwright's debut opera, Everybody Loves a Winner, a "new theatrical experience" by director Neil Bartlett, and a "unique environment within Manchester Art Gallery" for solo piano, violin and cello JS Bach works called the JS Bach Chamber Music Hall, created by Zaha Hadid Architects.

The entire festival programme featuring more than 20 commissions was announced in March 2009. It included a Kraftwerk and Steve Reich commission performed at the Manchester Velodrome, performance art by Marina Abramović at the Whitworth Art Gallery, a procession along Deansgate organised by Jeremy Deller and a collaboration between Elbow and The Hallé orchestra.[9] Manchester alternative rock band Epiphany are also appearing as part of the procession. The festival also featured It Felt Like A Kiss, a multimedia production created by documentary-maker Adam Curtis, Damon Albarn and Punchdrunk theatre company.

Other artists included De La Soul, Lou Reed and Laurie Anderson, Antony and the Johnsons with the Manchester Camerata, Carlos Acosta and The Durutti Column, performing a tribute to the late Tony Wilson.

Finance for MIF 09

Funding for the 2009 festival[6]
Source of funding Amount £m ( % of all funding )
Manchester City Council
2.2(23%)
Other public funding (including Arts Council)
1.6(17%)
Sponsorship
2.9(30%)
Other funding
1.3(14%)
Ticket sales
1.5(16%)

Total amount = £9.5m

Expenditure for the 2009 festival[6]
Source of expenditure Amount £m ( % of all funding )
Artistic programme
6.2(67%)
Marketing and press
1.2(13%)
Festival operations
1.9(20%)

Total amount = £9.3m

The 2009 festival made a £0.2m profit (£9.5m worth of funding minus £9.3m expenditure), which made up the £0.2m deficit incurred by the 2007 festival.[6]

The economic impact to the region was £35.9m.[10]

MIF 11

The 2011 edition of the Festival ran from 30 June to 17 July 2011 and staged 27 original projects,[11] featuring artists and performers such as Björk, Damon Albarn, Snoop Dogg, Marina Abramović, Victoria Wood, WU LYF, D/R/U/G/S and Air Cav,[12][13] along with the Punchdrunk's Doctor Who production The Crash of the Elysium.[14] Manchester International Festival's director Alex Poots stated that "the most important thing for us to do is make an artistically and culturally important festival that is of the highest quality".[15] The abolition of the Northwest Regional Development Agency, which contributed £900,000 to the 2009 festival, resulted in a loss of funding for 2011's Manchester International Festival.[15]

Björk began the MIF11, with the live debut of her new album Biophilia,[16] with Dave Simpson of The Guardian stating that she "provided a stunning visual display", adding that "the Icelandic singer made a typically eye-popping entrance on huge platform shoes and sporting blue and white facepaint".[17] Sinéad O'Connor also performed at the festival, earning favourable reviews.

Damon Albarn debuted his opera Doctor Dee, based on the life of Elizabethan scientist and philosopher John Dee, at the Palace Theatre. Directed by Rufus Norris, the production was described as "by no means an opera in the conventional sense" by The Guardian's Alfred Hickling, who described Dr Dee as "an erudite affair", giving it four stars.[18]

Finance for MIF 11

Funding for the 2011 festival[19]
Source of funding Amount £m ( % of all funding )
Manchester City Council
2.4(21%)
Other public funding (including Arts Council)
2.0(18%)
Sponsorship
2.4(21%)
Other funding
2.9(26%)
Ticket sales
1.6(14%)

Total amount = £11.3m

Expenditure for the 2011 festival[19]
Source of expenditure Amount £m ( % of all funding )
Artistic programme
7.7(69%)
Marketing and press
1.6(14%)
Festival operations
1.9(17%)

Total amount = £11.2m

The 2011 festival made a £0.1m profit (£11.3m worth of funding minus £11.2m expenditure).[19]

The economic impact to the region was £37.6m.[20]

MIF 13

The Old Woman at the Palace Theatre, Manchester

The festival returned in 2013 and ran from 4 to 21 July [21] attracting an estimated quarter of a million attendees, generating £40 million for the city of Manchester.[22] The 18-day Festival included over 300 performances of more than 30 new commissions and special events which included collaborations with artists such as Maxine Peake, Kenneth Branagh, The xx, Massive Attack and Tino Sehgal.[23]

The 2013 Manchester International Festival pavilion at night in Albert Square

Rob Ashford and Kenneth Branagh directed a new adaptation of Macbeth at the Church of St Peter in Ancoats. Branagh starred as Macbeth alongside Alex Kingston as Lady Macbeth in a performance which The Daily Telegraph's Dominic Cavendish described as "a thrilling and cinematically fluid production" in his five star review.[24] The production was co-commissioned with New York's Park Avenue Armory where it played to rave reviews in May and June 2014.[25] During the shows run at MIF13, Macbeth was broadcast to cinemas around the world by National Theatre Live.[26]

One of the main events was Massive Attack vs Adam Curtis, a collaborative performance from Massive Attack's Robert Del Naja and Bafta-winning filmmaker Adam Curtis which took place in the Mayfield Depot. Robert Wilson directed Mikhail Baryshnikov and William Dafoe in a surrealist adaptation of Daniil Kharms' short story The Old Woman at the Palace Theatre.[27]

MIF13 introduced a members scheme which granted people access to priority booking for the most highly anticipated events. Also new was a £12 ticket scheme, allowing Greater Manchester residents on lower incomes access to more events after festival organisers acknowledged some tickets were out of the reach of local residents on lower wages.[28] Manchester City Council provided £2 million in funding and the festival boosted the local economy by £38 million.[29]

Finance for MIF 13

Funding for the 2013 festival[30]
Source of funding Amount £m ( % of all funding )
Manchester City Council
2.5(21%)
Other public funding (including Arts Council)
1.5(13%)
Sponsorship
3.0(25%)
Other funding
3.5(29%)
Ticket sales
1.4(12%)

Total amount = £11.9m

Expenditure for the 2013 festival[30]
Source of expenditure Amount £m ( % of all funding )
Artistic programme
7.9(67%)
Marketing and press
1.6(13%)
Festival operations
2.4(20%)

Total amount = £11.9m

The 2013 festival broke even (£11.9m worth of funding minus £11.9m expenditure).[30]

The economic impact to the region was £38m.[31]

MIF 15

Manchester International Festival returned in 2015 and ran from 2 to 19 July.[32]

On 19 November 2014 Manchester International Festival announced the first three new commissions for MIF15. Tree of Codes is a new contemporary ballet directed and choreographed by Wayne McGregor with music composed by Jamie xx and visual concept by Olafur Eliasson. The performance, took place 2–10 July 2015 at Manchester Opera House, was inspired by the book Tree of Codes by Jonathan Safran Foer and featured soloists and dancers from The Paris Opera Ballet. The Tale of Mr Tumble a new theatre show for young children and families; Justin Fletcher invited audiences to step inside the colourful world of one of the most cherished TV characters, the show took place at Manchester Opera House from the 11–19 July. Manchester International Festival announced their full line-up in Spring 2015.[32]

On 21 January 2015, it was announced that the next MIF15 commission would be Wonder.land, a new musical with music by Damon Albarn, book and lyrics by Moira Buffini and that it would be directed by Rufus Norris. Wonder.land is inspired by Alice In Wonderland by Lewis Carroll and is a co-production with The National Theatre. It was performed at the Palace Theatre, Manchester from the 29th of June to 12 of July 2015.[32] Wonder.land will tour to the National Theatre opening on Monday 23 November 2015 and running into 2016.

The 2015 festival had initially been expected to attract 250,000 visitors,[33] however the end figure was 259,648.[34]

Finance for MIF 15

Funding for the 2015 festival[34]
Source of funding Amount £m ( % of all funding )
Manchester City Council
2.7(22%)
Arts Council of England
1.4(12%)
Sponsorship
2.7(23%)
Co-producers
0.8(7%)
Other funding
2.9(24%)
Ticket sales
1.5(12%)

Total amount = £12m

Expenditure for the 2015 festival[34]
Source of expenditure Amount £m ( % of all funding )
Artistic programme
8.1(68%)
Operating costs (incl. marketing and press)
3.9(32%)

Total amount = £12m

The 2015 festival broke even (£12m worth of funding minus £12m expenditure).[34]

The economic impact to the region was £38.8m.[35]

In November 2014 it was announced that Alex Poots, Manchester International Festival's founding director, would be stepping down from his role after MIF 15.[36] Poots left to take on the role of chief executive of the Culture Shed in New York.[36][37] In May 2015 it was announced that Poots would be succeeded in 2015 by John McGrath, the Artistic Director of National Theatre Wales.[38]

2016

The festival announced a co-production of Giselle between themselves English National Ballet and Sadler's Wells Theatre to be directed by Akram Khan and performed at the Palace Theatre, Manchester in September. The production will then go on tour to Bristol Hippodrome, the Mayflower Theatre, Southampton and Sadler’s Wells Theatre, London later in the year.[39][40]

MIF 17

The 2017 Manchester International Festival took place from 29 June to 16 July.[1] The first four commissions were announced in autumn 2016, together with a creative community programme called "My Festival".

The festival opened with a parade of disparate individuals from Manchester on a runway in Piccadilly Gardens, "What Is the City but the People?",[41] and closed with a celebration of the installation of a statue of Friedrich Engels in Tony Wilson Place, outside HOME.[42] Major productions included Fatherland, created by Frantic Assembly's Scott Graham, musician Karl Hyde and playwright Simon Stephens; Jane Horrocks' Cotton Panic!, telling the story of the Cotton Famine; and New Order performing with a 12-piece synthesiser ensemble from the Royal Northern College of Music, a show entitled ∑(No,12k,Lg,17Mif) produced in collaboration with artist Liam Gillick.

In all, 380 performances of 32 commissions and events took place over 18 days, with a record 300,000 visitor count.[2]

MIF 19

The 2019 Manchester International Festival took place from 4 to 21 July.[2] The opening event was a collaborative bell-ringing event created by Yoko Ono. Other productions announced in late 2018 include Tree, a musical work about South Africa, by Idris Elba and Kwame Kwei-Armah, and DYSTOPIA987, Skepta's vision of the future.[43]

David Lynch will have a major presence at the festival, exhibiting his painting and sculpture, showing a series of his films and presenting three nights of shows by 'Lynch-inspired musicians', all at HOME. Maxine Peake, a regular at MIF, stars in a show about Nico, The Nico Project. A custom-built structure at the Science and Industry Museum will house Atmospheric Memory, a performance piece portraying speech in the air. Other artists appearing at or creating works for the festival include Chim-Pom, Abida Parveen, Ivo van Hove, Philip Glass, Tania Bruguera and Laurie Anderson.[44]

Controversy surrounding authorship of Tree

On 2 July 2019, The Guardian published a story describing how Tori Allen-Martin and Sarah Henley had been removed from their work on Tree under what they said were questionable circumstances.[45] The two writers had worked on the project for four years. In 2015, Elba had asked them to develop his idea for a musical based on his album Idris Elba Presents mi Mandela, on which Allen-Martin had also collaborated. When Kwei-Armah joined the project in May 2018, he rewrote part of their material. Tree was later billed as "created by Idris Elba and Kwame Kwei-Armah".[46] Allen-Martin and Henley described that their creative input had included research, scriptwriting as well as the play's title, and that they were threatened with legal action if they went public with the story.[47] MIF issued a statement to counter their description of events, describing Tree as a new work based on an original script by Kwei-Armah that was entirely his creation.[48]

The Factory

The Factory is a £110 million theatre and arts venue to be built on the former site of Granada Studios, in the St John's Quarter of Manchester (currently the site of the Starlight Theatre),[49] being developed by Manchester Quays Ltd (MQL), a development partnership between Allied London and Manchester City Council,[50] and is to be the permanent home of the Manchester International Festival.[39] Its name comes from Factory Records, the independent record label founded by the late Tony Wilson.[51][52]

The venue, designed by Rem Koolhaas from the Office for Metropolitan Architecture (OMA),[53][54] is due to open in 2021.[55]Note 1

Additional board members were added in 2017 to strengthen the skill set taking the project forward.[56]

References

  1. "Official Box Office Partner Tender" (PDF). mif.co.uk. Manchester International Festival. May 2016. Archived from the original (PDF) on 30 May 2016. Retrieved 30 May 2016.
  2. "Record breaking year for Manchester International Festival". Manchester City Council. 6 October 2017. Retrieved 7 October 2017.
  3. Ward, David (19 March 2007). "From Britpop to Britop". Guardian Unlimited. Guardian Media Group. Retrieved 12 September 2007.
  4. Billington, Michael (4 July 2007). "The Pianist". Guardian Unlimited. Guardian Media Group. Retrieved 12 September 2007.
  5. Manchester City Council (13 February 2008). Executive meeting (item 5): Manchester International Festival – Evaluation 2007 (Report). Manchester City Council. p. 7. Retrieved 15 July 2015. point 11. Pdf.
  6. Manchester City Council (13 January 2010). Executive meeting: Item 6 – The Manchester International Festival 2009 (Report). Manchester City Council. p. 13. Retrieved 15 July 2015. Pdf.
  7. Manchester City Council (13 February 2008). p. 7, point 10.
  8. Manchester City Council (11 November 2008). Communities and Neighbourhoods Overview and Scrutiny Committee meeting: Item 7. Manchester International Festival (point 2.4) (Report). Manchester City Council. p. 4. Retrieved 31 July 2015. Pdf.
  9. Brown, Mark (20 March 2009). "Manchester festival makes room for Elbow, Hallé and Kraftwerk". The Guardian. Guardian Media Group. Retrieved 20 March 2009.
  10. Manchester City Council (13 January 2010). p. 6, point 21.
  11. Walters, Sarah (22 July 2011). "Manchester International Festival: First here... then the world". Manchester Evening News. Trinity Mirror. Retrieved 29 July 2012.
  12. "Wu Lyf top Manchester International Festival's new music". BBC News. 17 March 2011. Retrieved 4 May 2011.
  13. Singh, Anita (17 March 2011). "Damon Albarn and Björk at Manchester International Festival". The Telegraph. Telegraph Media Group. Retrieved 19 May 2011.
  14. "Manchester International Festival site". Archived from the original on 11 August 2011. Retrieved 9 June 2011.
  15. "MIF director Alex Poots: "There's unfinished business"". Creative Times. 16 May 2011. Archived from the original on 29 March 2013. Retrieved 29 July 2012.
  16. Needham, Alex (1 July 2007). "Manchester international festival is go". The Guardian. Guardian Media Group. Retrieved 3 July 2011.
  17. Simpson, Dave (1 July 2007). "Bjork – review". The Guardian. Guardian Media Group. Retrieved 3 July 2011.
  18. Hickling, Alfred (2 July 2007). "Dr Dee, Palace Theatre, Manchester". The Guardian. Guardian Media Group. Retrieved 3 July 2011.
  19. Manchester City Council (18 October 2011). Executive meeting: 5. Manchester International Festival (Report). Manchester City Council. p. 16. Retrieved 15 July 2015. point 3.2.4. Pdf.
  20. Manchester City Council (18 October 2011). p. 15, point 22.
  21. Higgins, Charlotte (14 November 2012). "Kenneth Branagh to play Macbeth among church-goers". The Guardian. Guardian Media Group. Retrieved 15 November 2012.
  22. Bourne, Dianne (24 July 2013). "£40m windfall for city as the curtain falls on festival bonanza". Manchester Evening News. Trinity Mirror. Retrieved 27 October 2014.
  23. "UK to the world: Culture boosts North of England". Creative Industries. Retrieved 15 November 2012.
  24. Cavendish, Dominic (6 June 2014). "Macbeth, Manchester International Festival, review". The Telegraph. Telegraph Media Group. Retrieved 28 October 2014.
  25. "Kenneth Branagh and Alex Kingston MACBETH Directed by Rob Ashford and Kenneth Branagh". mif.co.uk. Manchester International Festival. Archived from the original on 21 September 2015. Retrieved 31 July 2015.
  26. "MACBETH Filmed by National Theatre Live". mif.co.uk. Manchester International Festival. Archived from the original on 12 May 2015. Retrieved 31 July 2015.
  27. Vallely, Paul (5 July 2013). "Theatre review: The Old Woman, Manchester International Festival". The Independent. Independent Print Ltd. Retrieved 27 October 2014.
  28. Delamotta, Deanna (22 April 2013). "Can't be Bard! Kenneth Branagh's Macbeth at MIF gets two extra performances". Manchester Evening News. Retrieved 28 October 2014.
  29. Brooks-Pollock, Tom (12 October 2013). "Manchester International Festival created hundreds of new jobs in £38m boost for city, report says". Manchester Evening News. Trinity Mirror. Retrieved 14 June 2015.
  30. Manchester City Council (15 October 2013). Executive meeting: 6. Manchester International Festival (Report). Manchester City Council. p. 10. Retrieved 15 July 2015. point 3.5. Pdf.
  31. Manchester City Council (15 October 2013). p. 17, point 14.
  32. Manchester International Festival site
  33. Eruotour, Eno (12 June 2015). "Manchester International Festival – how does it benefit the city?". BBC North West. Retrieved 14 June 2015.
  34. Manchester City Council (7 October 2015). Executive meeting: 4. Manchester International Festival 2015 (Report). Manchester City Council. pp. 12–14, 19. Retrieved 1 October 2015. point 3.5 and appendix 1. Pdf.
  35. Manchester City Council (7 October 2015). p. 17, point 7(a).
  36. Ellis-Petersen, Hannah (25 November 2014). "Manchester international festival founding director off to New York". The Guardian. Guardian Media Group. Retrieved 27 November 2014.
  37. Blake, David (25 November 2014). "$400m New York Arts Centre Snaps Up MIF Director Poots". Manchester Confidential. Archived from the original on 5 December 2014. Retrieved 27 November 2014.
  38. Mark, Brown (13 May 2015). "National Theatre Wales artistic director John McGrath departs for Manchester festival job". The Guardian. Guardian Media Group. Retrieved 23 May 2015.
  39. Williams, Verity (15 June 2016). "MIF's Giselle at The Palace Theatre, preview: Dancing to a different tune". Creative Tourist. Creative Tourist Ltd. Retrieved 4 August 2016.
  40. "Giselle". mif.co.uk. Manchester International Festival. Archived from the original on 7 April 2016.
  41. "What Is the City but the People?". Retrieved 6 September 2017.
  42. "Ceremony". Retrieved 6 September 2017.
  43. Ben Beaumont-Thomas (29 October 2018). "Yoko Ono, Skepta and Idris Elba to take part in Manchester international festival". The Guardian. Retrieved 1 November 2018.
  44. "Manchester International Festival 2019 programme announced". Manchester Evening News. 8 March 2019. Retrieved 11 May 2019.
  45. Mark Brown, Writers claim being excluded after creating Idris Elba's play, The Guardian, 2 July 2019.
  46. "TREE". mif.co.uk. Archived from the original on 4 July 2019. Retrieved 3 July 2019.
  47. Tori Allen-Martin and Sarah Henley, Tree. A Story of Gender and Power in Theatre, 2 July 2019.
  48. "Dispute over Elba play Tree as writers claim they were 'pushed off'". bbc.co.uk. 2 July 2019. Retrieved 3 July 2019.
  49. "Starlight Theatre". Old Granada Studios: St Johns. Retrieved 9 August 2015.
  50. Chapman, Stephen (27 September 2013). "Granada's Quay Street complex bought by Allied London and Manchester City Council". Prolific North. Retrieved 17 August 2015.
  51. Sherwin, Adam (29 July 2015). "The Factory project: New £110m arts venue named after Tony Wilson's Factory Records to open in Manchester". The Independent. Retrieved 30 July 2015.
  52. Williams, Jennifer (22 July 2015). "Manchester's £110m Factory Theatre takes a big step forward with architects set to be appointed". Manchester Evening News. Trinity Mirror. Retrieved 30 July 2015.
  53. admin (26 November 2015). "The Factory Manchester arts building". e-architect. World Architecture. Retrieved 26 November 2015.
  54. Brown, Mark (25 November 2015). "Rem Koolhaas wins Factory design project as Manchester goes Dutch". The Guardian. Guardian Media Group. Retrieved 26 November 2015.
  55. "The Factory". Manchester International Festival. Retrieved 1 October 2019.
  56. Coyne, Nadja; Hargreaves, Jamie-leigh (14 September 2017). "Manchester International Festival appoints nine new board members" (PDF) (Press release). Manchester: Manchester International Festival. Archived from the original (PDF) on 14 September 2017. Retrieved 14 September 2017.

Notes

Note 1 The original timeline was as follows:
  • May 2016 – planning application submission
  • January 2017 to December 2018 – construction
  • January 2019 to June 2019 – commissioning of facilities and test events
  • July 2019 – opening ceremony
Reference to Note 1
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